Angelica Duran

Biographic Data

ID3859472
NAMEAngelica Duran
GIVEN NAMESAngelica
FAMILY NAMEDuran
SIGNATUREDURAN A
AFFILIATIONSPurdue University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS7
WORKS AS AUTHOR8
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2022
H-INDEX1

  • Criminales, policías y políticos Drogas, política y violencia en Colombia y México

    Angelica DuranBOOKCriminales, policías y políticos…2022

  • Milton among Spaniards

    Adrian Duran, Angelica DuranBOOKMilton among Spaniards2020

  • Milton in Translation

    Angelica Duran, Islam Issa et al.EDITORBOOKMilton in Translation2017

    Milton in Translation is an unprecedented collaboration that demonstrates the breadth of John Milton’s international reception from the seventeenth century through today. The volume presents new essays on the translation of Milton’s works written by an international roster of experts. Chapters are grouped geographically but also, by and large, chronologically. The chapters on the twenty-three individual languages are framed by an introduction and…

  • The Oxford Handbook of the Bible in England, c. 1530–1700

    Open AccessAdrian Duran, Angelica DuranARTICLERenaissance Quarterly2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The French Connection’ among French Translations of Milton and within Du Bocage’s Paradis terrestre

    Christophe Tournu, Angelica DuranBOOKMilton in Translation2017Cited by: 1

    This chapter surveys the eighteen French translations of Paradise Lost, from the earliest ‘elegant’ prose translation of Dupré de Saint-Maur (1729), to the latest, Himy’s translation into unrhymed verse (2001), with due attention to Chateaubriand’s most renowned translation (1836). The chapter then turns to the only French translation, or rather ‘imitation’, done by a woman writer and poet: du Bocage’s Paradise terrestre, poème imité de l’anglais…

  • Mo Yan in Context

    Open AccessAdrian Duran, Angelica Duran et al.BOOKMo Yan in Context2014Cited by: 6References: 7

    When used judiciously, footnotes or endnotes provide additional depth to the main discussion; however, in this volume-following the series' style guide-the contributors' texts are presented to be reader friendly for general readers and thus without footnotes or endnotes.At the same time, the editors of the volume provide depth in part through a substantial introduction and a selected bibliography, the former articulating part of the conversation …

  • The Blind Bard, According to John Milton and His Contemporaries

    Adrian Duran, Angelica DuranARTICLEMosaic2013

    This essay approaches Milton's representation of the "blind bard" within the most personal literary mode of lyric (specifically, three sonnets) and through the figuration of blindness by his contemporary detractors in the service of suggesting how key terms of disability studies merge with literary elements, especially imagery and authorship

  • El Paraíso Perdidoand Milton's Reception in Spain

    Adrian Duran, Angelica DuranARTICLEThe European Legacy2012

    After outlining some of the reasons for the delayed and uninspiring Hispanophone translations of Milton's works, this essay examines the ways in which El Paraiso Perdido, Juan de Escoiquiz's translation of 1812—the first and still most readily-available Spanish verse translation of Paradise Lost (1667)—Catholicizes Milton's Protestant epic. A comparative close reading of key anti-Catholic passages in Milton's original and Escoiquiz's translation …

  • Time, Space, and Motion in the Age of Shakespeare

    Open AccessAdrian Duran, Angelica DuranARTICLERenaissance Quarterly2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content