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Janine Marchessault

Biographic Data

ID3860135
NAMEJanine Marchessault
GIVEN NAMESJanine
FAMILY NAMEMarchessault
SIGNATUREMARCHESSAULT J
AFFILIATIONSYork University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR3
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2014
H-INDEX0
  • Media Studies as Interdisciplinary Exploration

    Open Access•Janine Marchessault•ARTICLE•Journal of Visual Culture•2014

  • Cartographies of Place

    Michael Darroch, Janine Marchessault•EDITOR•BOOK•Cartographies of Place•2014

  • Introduction

    Michael Darroch, Janine Marchessault•CHAPTER•Cartographies of Place•2014

  • Site specificity in the age of intermediality (with thanks to Michael Snow)

    Janine Marchessault•ARTICLE•Moving Image Review & Art Journal…•2013

    This article addresses the materialist screen works of Canadian artist Michael Snow. It argues that Snow's lifelong experimentations with different media technologies have always encompassed a rigorous and precise understanding of the phenomenology of the different viewing situations in which his works are seen. Two aspects of Snow's practice are singled out as inherently connected: medium specificity and audiency. Snow's artworks provide us with…

  • Fluid Screens, Expanded Cinema

    Janine Marchessault, Susan Lord•EDITOR•BOOK•Fluid Screens, Expanded Cinema•2007

    Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism

  • Wild Science

    Janine Marchessault, Kim Sawchuk•ARTICLE•Canadian Journal of Communication•2002

  • Gendering the Nation

    Kay Armatage, Kass Banning et al.•EDITOR•BOOK•Gendering the Nation•1999

No prominent works on this page.

  • Gendering the Nation

    Kay Armatage, Kass Banning et al.•EDITOR•BOOK•Gendering the Nation•1999

  • Wild Science

    Janine Marchessault, Kim Sawchuk•ARTICLE•Canadian Journal of Communication•2002

  • Fluid Screens, Expanded Cinema

    Janine Marchessault, Susan Lord•EDITOR•BOOK•Fluid Screens, Expanded Cinema•2007

    Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism

  • Site specificity in the age of intermediality (with thanks to Michael Snow)

    Janine Marchessault•ARTICLE•Moving Image Review & Art Journal…•2013

    This article addresses the materialist screen works of Canadian artist Michael Snow. It argues that Snow's lifelong experimentations with different media technologies have always encompassed a rigorous and precise understanding of the phenomenology of the different viewing situations in which his works are seen. Two aspects of Snow's practice are singled out as inherently connected: medium specificity and audiency. Snow's artworks provide us with…

  • Media Studies as Interdisciplinary Exploration

    Open Access•Janine Marchessault•ARTICLE•Journal of Visual Culture•2014

  • Cartographies of Place

    Michael Darroch, Janine Marchessault•EDITOR•BOOK•Cartographies of Place•2014

  • Introduction

    Michael Darroch, Janine Marchessault•CHAPTER•Cartographies of Place•2014

Sociology (4 works) · Art (3 works) · Geography (3 works) · History (3 works) · Political science (3 works) · Digital Media and Philosophy (2 works) · Gender Studies (2 works) · Performing Arts (2 works) · Philippine History and Culture (2 works) · Visual arts (2 works)

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