Henry K Miller

Biographic Data

ID3860146
NAMEHenry K Miller
GIVEN NAMESHenry K
FAMILY NAMEMiller
SIGNATUREMILLER H K
AFFILIATIONSAnglia Ruskin University
ORCID0000-0001-5255-3764
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS3
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR2024
H-INDEX1

  • In Northcliffe Jail

    Open AccessHenry K MillerARTICLEEarly Popular Visual Culture2024

    A reinvestigation of Iris Barry’s work for the Daily Mail in the period 1925–30. Barry is celebrated as a critic and curator. As a founder of the Film Society in London in the 1920s and first curator of film at the Museum of Modern Art in New York in the 1930s she is a heroine of minority film culture. This article argues that her role in mass film culture has been overlooked. While it has been acknowledged that Barry wrote for the Daily Mail, on…

  • Voyeurs upon History

    Henry K MillerARTICLEJewish Film & New Media An…2022

    This article discusses the collaboration of Stephen Dwoskin and Marc Karlin, both Jewish filmmakers based in London in the 1970s, drawing in particular on evidence in the Dwoskin archive at the University of Reading that reveals Dwoskin's hitherto unacknowledged contribution to Karlin's film For Memory (1984). I demonstrate that this erasure is symptomatic of Dwoskin's treatment by historians of British film culture, and argue that Dwoskin and Ka…

  • Essays on Fielding Miscellanies

    Henry K MillerBOOKEssays on Fielding Miscellanies2017

    Henry Fielding's Miscellanies , three volumes of poetry, essays, and satires, have never been studied in detail. Uneven in quality, often highly personal, they offer important insights into the concerns and growth of the English novelist. Mr. Miller has provided a reference guide to the First volume of the three, analyzing the writings and the intellectual traditions in which Fielding worked. Included in Volume One are poetry, formal essays, a tr…

  • Vent d'est

    Open AccessHenry K MillerARTICLECritical Quarterly2017

  • Cinema 66-8

    Henry K MillerARTICLEMoving Image Review & Art Journal…2017

    A history of the mostly London-dwelling experimental film-makers, all of them associated with art schools, who came together to form the London Filmmakers' Co-operative in 1966, and who mostly withdrew from it shortly afterwards

  • On the edge of history

    Open AccessHenry K MillerARTICLECritical Quarterly2016

  • Film studies before film studies

    Henry K MillerARTICLEScreen2016

    This is the author accepted manuscript. The final version is available from Oxford University Press via http://dx.doi.org/10.1093/screen/hjw032

  • The lonely crowd

    Henry K MillerARTICLEScreen2016

    Stephen Dwoskin and Raymond Durgnat first met in 1966. Both taught in art schools, Dwoskin at the London College of Printing, Durgnat at St Martin's, and both were early members of the London Film-Makers' Co-op (LFMC), founded that autumn. Durgnat first saw Dwoskin's films during the Co-op's inaugural 'Spontaneous Festival of Underground Movies', which was staged at the Jeanetta Cochrane Theatre - attached to another art school, the Central - and…

  • Augustan Prose Fiction and the Romance Tradition

    Henry K MillerCHAPTERStudies in the Eighteenth Century…1976

  • Occasional Form

    Henry K MillerARTICLESouth Atlantic Quarterly1976

    Book Review| October 01 1976 Occasional Form: Henry Fielding & the Chains of Circumstance by J. Paul Hunter Occasional Form: Henry Fielding & the Chains of Circumstance. By Hunter, J. Paul. Baltimore: The Johns Hopkins University Press, 1975. Pp. xi, 263. $12.00 Henry Knight Miller Henry Knight Miller Princeton University Search for other works by this author on: This Site Google South Atlantic Quarterly (1976) 75 (4): 525–526. https://doi.org/10…

  • The Augustan Milieu

    Bernhard Fabian, Henry K Miller et al.ARTICLEEighteenth-Century Studies1973Cited by: 3

  • The "Whig Interpretation" of Literary History

    Henry K MillerARTICLEEighteenth-Century Studies1972

    LITERARY HISTORY iS inevitably the child of literary history-not necessarily in the sense of a naked raid upon earlier materials, but in that any scholar who approaches the formidable task of composing a literary history cannot really escape drawing, for schemata and evaluations, upon his own learned experience, his own past. And that will include the literary histories to which he had been exposed in his own youth. There will of course be change…

  • Essays on Fielding's 'Miscellanies'. A Commentary on Volume One

    Andrew Wright, Henry K MillerARTICLEThe Modern Language Review1962

  • Essays on Fielding's Miscellanies

    L R Lind, Henry K MillerARTICLEThe Classical World1962