Manu Ramos
Biographic Data
| ID | 3860167 |
|---|---|
| NAME | Manu Ramos |
| GIVEN NAMES | Manu |
| FAMILY NAME | Ramos |
| SIGNATURE | RAMOS M |
| AFFILIATIONS | Goldsmiths University of London |
| ORCID | 0000-0003-2739-6116 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Images That Sweat
This article revisits the cinema of the late Filipino filmmaker Lino Brocka in order to erode the distinction between realism and spectacle at play, still today, in many discussions about the political capacities of the moving image. The work of Brocka is understood here as both realist and escapist, in agreement with the work of other key non-Western filmmakers that work with anti-colonial and Hollywoodian codes. The author focuses the analysis …
The most beautiful film ever made
In this essay the author engages with the multiple affective powers of the film Estrellas de Ayer (1969) by the Mexican filmmaker Teo Hernández. The author argues that the film is an invitation to discard assumptions and expectations by heating up our senses and allowing us to see and hear again not only the stale images of the past but also the vitality of the relation between cinema and nostalgia, the devotional beauty of the fan film and the s…
We Are All Spectators; A Philosophical Cosmopolitanism That Is Yet To Come; Vanishing Points
No prominent works on this page.
We Are All Spectators; A Philosophical Cosmopolitanism That Is Yet To Come; Vanishing Points
Images That Sweat
This article revisits the cinema of the late Filipino filmmaker Lino Brocka in order to erode the distinction between realism and spectacle at play, still today, in many discussions about the political capacities of the moving image. The work of Brocka is understood here as both realist and escapist, in agreement with the work of other key non-Western filmmakers that work with anti-colonial and Hollywoodian codes. The author focuses the analysis …
The most beautiful film ever made
In this essay the author engages with the multiple affective powers of the film Estrellas de Ayer (1969) by the Mexican filmmaker Teo Hernández. The author argues that the film is an invitation to discard assumptions and expectations by heating up our senses and allowing us to see and hear again not only the stale images of the past but also the vitality of the relation between cinema and nostalgia, the devotional beauty of the fan film and the s…
Art (3 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Colonialism (1 work)