Ross Parry

Biographic Data

ID3860867
NAMERoss Parry
GIVEN NAMESRoss
FAMILY NAMEParry
SIGNATUREPARRY R
AFFILIATIONSUniversity of Leicester
ORCID0000-0002-3705-7639
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS9
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX1

  • ‘Le regard des autres’

    Ross Parry, Olivier Buttelli et al.ARTICLEPsychology & Health2024

    OBJECTIVE: To examine the experience of people with Parkinson's disease when walking in different social situations, and improve understanding of how this affects participation in meaningful activity. METHODS: A convenience sample of fourteen people with Parkinson's disease and a history of gait dysfunction was recruited. In-depth interviews and direct observations were conducted in the participants' home environments. Specific examples from comm…

  • The Routledge Handbook of Museums, Media and Communication

    Open AccessK Drotner, Vince Dziekan et al.BOOKRoutledge Handbook of Museums,…2018

    Museums today find themselves within a mediatised society, where everyday life is conducted in a data-full and technology-rich context. In fact, museums are themselves mediatised: they present a uniquely media-centred environment, in which communicative media is a constitutive property of their organisation and of the visitor experience. The Routledge Handbook of Museums, Media and Communication explores what it means to take mediated communicati…

  • Routledge Handbook of Museums, Media and Communication

    Kim Christian Schrøder, Kirsten Drotner et al.BOOKRoutledge Handbook of Museums,…2018

  • The End of the Beginning

    Open AccessRoss ParryARTICLEMuseum Worlds2013

    This article is an attempt to frame a way of seeing museums after the digital revolution. By introducing the concept of the ‘postdigital’, its aim is to evidence a tipping point in the adoption of new media in the museum—a moment where technology has become normative. The intention is not to suggest that digital media today is (or, indeed, should be) universally and equally adopted and assimilated by all museums, but rather to use the experience …

  • Introduction to the Digital Heritage section

    Paul Marty, Paul F Marty et al.ARTICLEMuseum Management and Curatorship2009

    It is a privilege to introduce the following paper – Critical and reflective uses of new media technologies in tribal museums, by Srinivasan, Enote, Becvar, and Boast – which represents the first r

  • Recoding the Museum

    Ross ParryBOOKRecoding The Museum2007

    Why has it taken so long to make computers work for the museum sector? And why are museums still having some of the same conversations about digital technology that they began back in the late 1960s? Does there continue to be a basic ‘incompatibility’ between the practice of the museum and the functions of the computer that explains this disconnect? Drawing upon an impressive range of professional and theoretical sources, this book offers one of …

  • Digital heritage and the rise of theory in museum computing

    Ross ParryARTICLEMuseum Management and Curatorship2005Cited by: 9References: 7

    This paper is concerned with the emergence of a subject now called digital heritage, and considers where it has come from and in what form it might progress. The paper contrasts the rise of theory within the subject of museum studies with the more practical preoccupations of its sub-discipline, museum computing. It highlights the emergence of more sociological and theorised readings of museum computing (what is termed here the cultural turn withi…