Janice Rieger
Biographic Data
| ID | 3860873 |
|---|---|
| NAME | Janice Rieger |
| GIVEN NAMES | Janice |
| FAMILY NAME | Rieger |
| SIGNATURE | RIEGER J |
| AFFILIATIONS | Queensland University of Technology |
| ORCID | 0000-0002-6300-8179 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Navigating the Nine C's
This paper provides perspectives from 11 women advocates with lived experience of various issues across higher education on the ways that the sector currently meets and does not meet the needs of those it employs. We discuss how we hope to disrupt the sector so that it can do better in the future, perhaps leading to a utopia for all rather than the privileged few that neoliberalism tends to cater to. Methodologically, we use a reflexive and recur…
Cultural safety as a foundation for allyship in disability arts
The practice of allies – the non-disabled producers, directors, curators and facilitators who support the work of disabled arts and media makers – has not been subject to dedicated analysis. In this article, we argue that cultural safety, respect, and trust is a precursor to good allyship in the creative industries. We outline factors that influence feelings of safety or non-safety for disabled arts and media makers, and the way the legacy of the…
Doing Embodied Mapping/s
Qualitative research often involves the collection of data from multiple sources, inclusive of the embodied and multisensorial. These differing data sources, that are not language based, pose difficulties for researchers. Often this multimodal data is collected alongside interviews, field notes and other language-based data and then translated into language. In the process of this translation, the embodied, relational, and multisensorial aspects …
Co-designing choice
Even though museums and galleries have made efforts to become more inclusive, many continue to find it challenging to engage visitors who are blind or have low vision. The ‘Vis-ability’ exhibition, presented at the QUT Art Museum in 2019 was an exhibition curated with clear social inclusion goals from the outset. Through it, the museum sought to develop innovative, cost effective, and readily replicable techniques to allow blind and low vision vi…
Doing Dis/ordered Mappings
Since knowledge is the commodity museums produce, then understanding how this knowledge is produced, shaped, borrowed, and translated, and through what forces, is critical to creating inclusive museums. Through studies of three national Canadian museums, we came to an understanding of how the shaping of space, physical access, and access to knowledge is used and produced to create inclusive museums, not as a product but as an ongoing process. Doi…
Taken for Granted
This paper provides a critical examination of the taken for granted nature of the codes/guidelines used towards the creation of designed spaces, their social relations with designers, and their agency in designing for people with disabilities. We conducted case studies at three national museums in Canada where we began by questioning societal representations of disability within and through material culture through the potential of actor-network …
Taken for Granted
This paper provides a critical examination of the taken for granted nature of the codes/guidelines used towards the creation of designed spaces, their social relations with designers, and their agency in designing for people with disabilities. We conducted case studies at three national museums in Canada where we began by questioning societal representations of disability within and through material culture through the potential of actor-network …
Cultural safety as a foundation for allyship in disability arts
The practice of allies – the non-disabled producers, directors, curators and facilitators who support the work of disabled arts and media makers – has not been subject to dedicated analysis. In this article, we argue that cultural safety, respect, and trust is a precursor to good allyship in the creative industries. We outline factors that influence feelings of safety or non-safety for disabled arts and media makers, and the way the legacy of the…
Doing Embodied Mapping/s
Qualitative research often involves the collection of data from multiple sources, inclusive of the embodied and multisensorial. These differing data sources, that are not language based, pose difficulties for researchers. Often this multimodal data is collected alongside interviews, field notes and other language-based data and then translated into language. In the process of this translation, the embodied, relational, and multisensorial aspects …
Doing Dis/ordered Mappings
Since knowledge is the commodity museums produce, then understanding how this knowledge is produced, shaped, borrowed, and translated, and through what forces, is critical to creating inclusive museums. Through studies of three national Canadian museums, we came to an understanding of how the shaping of space, physical access, and access to knowledge is used and produced to create inclusive museums, not as a product but as an ongoing process. Doi…
Co-designing choice
Even though museums and galleries have made efforts to become more inclusive, many continue to find it challenging to engage visitors who are blind or have low vision. The ‘Vis-ability’ exhibition, presented at the QUT Art Museum in 2019 was an exhibition curated with clear social inclusion goals from the outset. Through it, the museum sought to develop innovative, cost effective, and readily replicable techniques to allow blind and low vision vi…
Taken for Granted
This paper provides a critical examination of the taken for granted nature of the codes/guidelines used towards the creation of designed spaces, their social relations with designers, and their agency in designing for people with disabilities. We conducted case studies at three national museums in Canada where we began by questioning societal representations of disability within and through material culture through the potential of actor-network …
Doing Dis/ordered Mappings
Since knowledge is the commodity museums produce, then understanding how this knowledge is produced, shaped, borrowed, and translated, and through what forces, is critical to creating inclusive museums. Through studies of three national Canadian museums, we came to an understanding of how the shaping of space, physical access, and access to knowledge is used and produced to create inclusive museums, not as a product but as an ongoing process. Doi…
Co-designing choice
Even though museums and galleries have made efforts to become more inclusive, many continue to find it challenging to engage visitors who are blind or have low vision. The ‘Vis-ability’ exhibition, presented at the QUT Art Museum in 2019 was an exhibition curated with clear social inclusion goals from the outset. Through it, the museum sought to develop innovative, cost effective, and readily replicable techniques to allow blind and low vision vi…
Cultural safety as a foundation for allyship in disability arts
The practice of allies – the non-disabled producers, directors, curators and facilitators who support the work of disabled arts and media makers – has not been subject to dedicated analysis. In this article, we argue that cultural safety, respect, and trust is a precursor to good allyship in the creative industries. We outline factors that influence feelings of safety or non-safety for disabled arts and media makers, and the way the legacy of the…
Doing Embodied Mapping/s
Qualitative research often involves the collection of data from multiple sources, inclusive of the embodied and multisensorial. These differing data sources, that are not language based, pose difficulties for researchers. Often this multimodal data is collected alongside interviews, field notes and other language-based data and then translated into language. In the process of this translation, the embodied, relational, and multisensorial aspects …
Navigating the Nine C's
This paper provides perspectives from 11 women advocates with lived experience of various issues across higher education on the ways that the sector currently meets and does not meet the needs of those it employs. We discuss how we hope to disrupt the sector so that it can do better in the future, perhaps leading to a utopia for all rather than the privileged few that neoliberalism tends to cater to. Methodologically, we use a reflexive and recur…
Sociology (6 works) · Political science (4 works) · Social science (4 works) · Computer Science (3 works) · Law (3 works) · Law (3 works) · Participatory Visual Research Methods (3 works) · Public relations (3 works) · Aesthetics (2 works) · Artificial Intelligence (2 works)