David Leigh
Biographic Data
| ID | 3861077 |
|---|---|
| NAME | David Leigh |
| GIVEN NAMES | David |
| FAMILY NAME | Leigh |
| SIGNATURE | LEIGH D |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 2 |
WikiLeaks
Apocalyptic Patterns in Twentieth-Century Fiction
David J. Leigh explores the innovative influences of the Book of Revelation and ideas of an end time on fiction of the twentieth century, and probes philosophical, political, and theological issues raised by apocalyptic writers from Walker Percy and C. S. Lewis to Doris Lessing and Don DeLillo.Leigh tackles head on a fundamental question about Christian-inspired eschatology: Does it sanction, as theologically sacred or philosophically ultimate, t…
Conservation
(1997). Conservation: Studies at West Dean College; Picture Framing A Framed Portrait from the Roman Empire; Security: The Human Factor in Security Engineering. Museum Management and Curatorship: Vol. 16, No. 3, pp. 309-318
Ambiguity in Anglo-Saxon Style I Art
Fresh examination of the detailed zoo- and anthropomorphic motifs on some early Kentish jewellery suggests that they were deliberately designed to deceive the eye. A recurring device is the use of images which have more than one meaning, depending on the angle at which they are viewed. It is suggested that ambiguity may have been a characteristic feature of Style I art, and that the use of this style may have had more than a purely ornamental fun…
The Frontiers of Secrecy
A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery
(1977). A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery. Medieval Archaeology: Vol. 21, No. 1, pp. 1-46
Ambiguity in Anglo-Saxon Style I Art
Fresh examination of the detailed zoo- and anthropomorphic motifs on some early Kentish jewellery suggests that they were deliberately designed to deceive the eye. A recurring device is the use of images which have more than one meaning, depending on the angle at which they are viewed. It is suggested that ambiguity may have been a characteristic feature of Style I art, and that the use of this style may have had more than a purely ornamental fun…
A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery
(1977). A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery. Medieval Archaeology: Vol. 21, No. 1, pp. 1-46
A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery
(1977). A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery. Medieval Archaeology: Vol. 21, No. 1, pp. 1-46
The Frontiers of Secrecy
Ambiguity in Anglo-Saxon Style I Art
Fresh examination of the detailed zoo- and anthropomorphic motifs on some early Kentish jewellery suggests that they were deliberately designed to deceive the eye. A recurring device is the use of images which have more than one meaning, depending on the angle at which they are viewed. It is suggested that ambiguity may have been a characteristic feature of Style I art, and that the use of this style may have had more than a purely ornamental fun…
Conservation
(1997). Conservation: Studies at West Dean College; Picture Framing A Framed Portrait from the Roman Empire; Security: The Human Factor in Security Engineering. Museum Management and Curatorship: Vol. 16, No. 3, pp. 309-318
Apocalyptic Patterns in Twentieth-Century Fiction
David J. Leigh explores the innovative influences of the Book of Revelation and ideas of an end time on fiction of the twentieth century, and probes philosophical, political, and theological issues raised by apocalyptic writers from Walker Percy and C. S. Lewis to Doris Lessing and Don DeLillo.Leigh tackles head on a fundamental question about Christian-inspired eschatology: Does it sanction, as theologically sacred or philosophically ultimate, t…
WikiLeaks
Art (4 works) · History (3 works) · Anglo saxon (2 works) · Archaeology (2 works) · Art history (2 works) · Classics (2 works) · Classics (2 works) · Law (2 works) · Philosophy (2 works) · 20th century (1 works)