Benito V Rivera
Biographic Data
| ID | 3861317 |
|---|---|
| NAME | Benito V Rivera |
| GIVEN NAMES | Benito V |
| FAMILY NAME | Rivera |
| SIGNATURE | RIVERA B V |
| AFFILIATIONS | Indiana University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
Burmeister, Joachim
Bibliografia delle Opere dei Musicisti Bresciani Pubblicate a Stampa dal 1497 al 1740. Opere di Singoli Autori
Oscar Mischiati. Bibliografia delle opere dei musicisti bresciani pubblicate a stampa dal 1497 al 1740. Opere di singoli autori. Eds. Mariella Sala and Ernesto Meli. 2 vols. (Biblioteca di Bibliografia Italiana, 126.) Florence: Leo S. Olschki, 1992. Ill illus. + xxii + 912 pp. L180.000. - Volume 49 Issue 2
Between Modes and Keys
This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period
The Two-Voice Framework and Its Harmonization in Arcadelt's First Book of Madrigals
The subject of harmony in Renaissance music has long been a problem to historians and theorists alike.* For too long our understanding of the concept has been coloured by the teachings of Rameau and Riemann, and as a result we instinctively sense the danger of anachronism when we hear the word 'harmony' applied to earlier periods. In many ways this caution has yielded significant benefits, for it has prodded scholars to search for alternative app…
German Music Theory in the Early 17th Century
Between Modes and Keys
This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period
German Music Theory in the Early 17th Century
The Two-Voice Framework and Its Harmonization in Arcadelt's First Book of Madrigals
The subject of harmony in Renaissance music has long been a problem to historians and theorists alike.* For too long our understanding of the concept has been coloured by the teachings of Rameau and Riemann, and as a result we instinctively sense the danger of anachronism when we hear the word 'harmony' applied to earlier periods. In many ways this caution has yielded significant benefits, for it has prodded scholars to search for alternative app…
Between Modes and Keys
This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period
Bibliografia delle Opere dei Musicisti Bresciani Pubblicate a Stampa dal 1497 al 1740. Opere di Singoli Autori
Oscar Mischiati. Bibliografia delle opere dei musicisti bresciani pubblicate a stampa dal 1497 al 1740. Opere di singoli autori. Eds. Mariella Sala and Ernesto Meli. 2 vols. (Biblioteca di Bibliografia Italiana, 126.) Florence: Leo S. Olschki, 1992. Ill illus. + xxii + 912 pp. L180.000. - Volume 49 Issue 2
Burmeister, Joachim
Art (3 works) · Historical Influence and Diplomacy (3 works) · Musicology and Musical Analysis (3 works) · Diverse Musicological Studies (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Alexander von Humboldt Studies (1 works) · Archaeology (1 works) · Art history (1 works) · Geography (1 works)