Kathryn Bailey
Biographic Data
| ID | 3861323 |
|---|---|
| NAME | Kathryn Bailey |
| GIVEN NAMES | Kathryn |
| FAMILY NAME | Bailey |
| SIGNATURE | BAILEY K |
| AFFILIATIONS | Broome, Tioga, and Delaware Counties Board of Cooperative Educational Services (BOCES) Binghamton New York USA |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Collaborative professional development on data‐based decision making for primary teachers of struggling readers
The purpose of this manuscript is to share the work of a collaboration between professional development providers and university faculty as they created, implemented and refined a professional development series focused on supporting primary teachers' use of data‐based decision making in reading. Using a formative and design‐based approach, multiple sources of informal, formative data were collected (surveys, memos and teacher feedback). Data ana…
Twelve-Note Music of Anton Webern
The Twelve-Note Music of Anton Webern
Derek Puffett
Grounds for Concern
Webern Studies
Back to School
Rhythm and Metre in Webern's Late Works
Rhythm and Metre in Webern's Late Works
It is almost self-evident that the relationship between rhythm and metre must vary from one composer to another. Generalization in such matters is difficult and probably ill-advised. But it seems clear that for German/Austrian composers in the first half of this century, who customarily used divisive rhythms set within traditional metres, the interdependence of rhythm and metre was not as critical as it was in the music of composers such as Strav…
The Twelve-Note Music of Anton Webern
Work in Progress
The Twelve-Note Music of Anton Webern
This important new study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition adopted by Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, Professor Bailey demonstrates a fundamentally traditional aspect to Webern's creativity, when describing his own music. Prof…
The twelve-note music of Anton Webern
"This important study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition introduced by Arnold Schoenberg in the 1920s was one of the most important musical innovations of the century. Its adoption by his pupil Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, P…
Schoenberg's Serial Odyssey
twelve-tone odyssey Schoenberg's mature twelve-tone style before the beginning - Die Jakobsleiter and other incomplete compositions, 1914-1918 the formation of the twelve-tone idea, 1920-1923 ambitious projects - The Wind Quintet Op 6 and The Suite Op 29, 1923-1926 further refinements - The Choral Pieces Opp 27 and 28, 1925 the art of the twelve-tone composition - The String Quartet No 3 and the Variations for Orchestra, 1926-1928. Epilogue: Op 3…
Canon and Beyond
Canon and Beyond
The Twelve-Note Music of Anton Webern
This important new study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition adopted by Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, Professor Bailey demonstrates a fundamentally traditional aspect to Webern's creativity, when describing his own music. Prof…
The twelve-note music of Anton Webern
"This important study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition introduced by Arnold Schoenberg in the 1920s was one of the most important musical innovations of the century. Its adoption by his pupil Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, P…
Schoenberg's Serial Odyssey
twelve-tone odyssey Schoenberg's mature twelve-tone style before the beginning - Die Jakobsleiter and other incomplete compositions, 1914-1918 the formation of the twelve-tone idea, 1920-1923 ambitious projects - The Wind Quintet Op 6 and The Suite Op 29, 1923-1926 further refinements - The Choral Pieces Opp 27 and 28, 1925 the art of the twelve-tone composition - The String Quartet No 3 and the Variations for Orchestra, 1926-1928. Epilogue: Op 3…
Work in Progress
The Twelve-Note Music of Anton Webern
Rhythm and Metre in Webern's Late Works
Rhythm and Metre in Webern's Late Works
It is almost self-evident that the relationship between rhythm and metre must vary from one composer to another. Generalization in such matters is difficult and probably ill-advised. But it seems clear that for German/Austrian composers in the first half of this century, who customarily used divisive rhythms set within traditional metres, the interdependence of rhythm and metre was not as critical as it was in the music of composers such as Strav…
Back to School
Webern Studies
Derek Puffett
Grounds for Concern
The Twelve-Note Music of Anton Webern
Twelve-Note Music of Anton Webern
Collaborative professional development on data‐based decision making for primary teachers of struggling readers
The purpose of this manuscript is to share the work of a collaboration between professional development providers and university faculty as they created, implemented and refined a professional development series focused on supporting primary teachers' use of data‐based decision making in reading. Using a formative and design‐based approach, multiple sources of informal, formative data were collected (surveys, memos and teacher feedback). Data ana…
Art (8 works) · Literature (7 works) · Musicology and Musical Analysis (7 works) · Weber, Simmel, Sociological Theory (4 works) · 1883-1945 (3 works) · 20th century (3 works) · Anton Webern (1883-1945) (3 works) · Computer Science (3 works) · Criticism and interpretation (3 works) · History and criticism (3 works)