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Richard S Parks

Biographic Data

ID3861365
NAMERichard S Parks
GIVEN NAMESRichard S
FAMILY NAMEParks
SIGNATUREPARKS R S
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR1999
H-INDEX1
  • A Viennese Arrangement of Debussy's 'Preelude a l'Apres-Midi d'UN Faune

    Richard S Parks•ARTICLE•Music and Letters•1999

    Journal Article A VIENNESE ARRANGEMENT OF DEBUSSY'S 'PRÉELUDE À L'APRÉS-MIDI D'UN FAUNE': ORCHESTRATION AND MUSICAL STRUCTURE Get access RICHARD S. PARKS RICHARD S. PARKS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 80, Issue 1, February 1999, Pages 50–73, https://doi.org/10.1093/ml/80.1.50 Published: 01 February 1999

  • Afterword

    Richard S Parks•ARTICLE•Music Analysis•1998

  • Pitch-Class Set Genera

    Richard S Parks•ARTICLE•Music Analysis•1998•Cited by: 1

    Theories of pitch-class set genera proceed from the general premise that within the larger universe of 208 pitch-class set-classes that fill the range of from three to nine elements, smaller sub-groups may be identified that is, genera whose members evince a markedly higher degree of structural relatedness than is the case for the universe as a whole. Moreover, these genera are also distinguishable one from another by marked differences in their …

  • Th Century Counterpoint and Tonal Structure

    Cristle Collins Judd, Richard S Parks•ARTICLE•Music Analysis•1986

  • Pitch-Class Set Genera

    Richard S Parks•ARTICLE•Music Analysis•1998•Cited by: 1

    Theories of pitch-class set genera proceed from the general premise that within the larger universe of 208 pitch-class set-classes that fill the range of from three to nine elements, smaller sub-groups may be identified that is, genera whose members evince a markedly higher degree of structural relatedness than is the case for the universe as a whole. Moreover, these genera are also distinguishable one from another by marked differences in their …

  • Th Century Counterpoint and Tonal Structure

    Cristle Collins Judd, Richard S Parks•ARTICLE•Music Analysis•1986

  • Afterword

    Richard S Parks•ARTICLE•Music Analysis•1998

  • Pitch-Class Set Genera

    Richard S Parks•ARTICLE•Music Analysis•1998•Cited by: 1

    Theories of pitch-class set genera proceed from the general premise that within the larger universe of 208 pitch-class set-classes that fill the range of from three to nine elements, smaller sub-groups may be identified that is, genera whose members evince a markedly higher degree of structural relatedness than is the case for the universe as a whole. Moreover, these genera are also distinguishable one from another by marked differences in their …

  • A Viennese Arrangement of Debussy's 'Preelude a l'Apres-Midi d'UN Faune

    Richard S Parks•ARTICLE•Music and Letters•1999

    Journal Article A VIENNESE ARRANGEMENT OF DEBUSSY'S 'PRÉELUDE À L'APRÉS-MIDI D'UN FAUNE': ORCHESTRATION AND MUSICAL STRUCTURE Get access RICHARD S. PARKS RICHARD S. PARKS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 80, Issue 1, February 1999, Pages 50–73, https://doi.org/10.1093/ml/80.1.50 Published: 01 February 1999

Art (3 works) · Musicology and Musical Analysis (3 works) · Computer Science (2 works) · Acoustics (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Counterpoint (1 work) · Literature, Musicology, and Cultural Analysis (1 work) · Mathematics (1 work) · MIDI (1 work)

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