Steve Larson
Biographic Data
| ID | 3861412 |
|---|---|
| NAME | Steve Larson |
| GIVEN NAMES | Steve |
| FAMILY NAME | Larson |
| SIGNATURE | LARSON S |
| AFFILIATIONS | University of Oregon |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Musical Forces
Expressive Meaning and Musical Structure, Chapter 1 ofSchenkerian Analysis
At the time of his death, Steve Larson had competed roughly eleven chapters of a textbook on Schenkerian analysis.The book brings together three key elements not found in a textbook of its kind: 1) an emphasis on expressive meaning and musical forces, 2) a recognition of the central role of pattern in musical experience, and 3) step-by-step instruction in creating and correcting analyses (which Larson called the "strict use" of analytic notation,…
Report on the 2008 Mannes Institute for Advanced Studies in Music Theory
College of Music), the Mannes Institute is best described as a high-level think tank for professional music scholars. It provides participants with the opportunity to study selected topics in depth in an intimate collegial setting more like a classroom than a conventional academic conference. In addition to plenary sessions and roundtable discussions, a rotating faculty of internationally renowned music scholars offers intensive workshops, each l…
Feldman, Victor
Frishberg, Dave
Hawes, Hampton (jazz)
Bryant, Ray
"Something in the Way She Moves"-Metaphors of Musical Motion
Our most fundamental concepts of musical motion and space, used by laypeople and music theorists alike, are defined by conceptual metaphors that are based on our experience of physical motion. We analyze the 3 most important metaphors of musical motion: the "MOVING MUSIC" metaphor, the "MUSICAL LANDSCAPE" metaphor, and the "MOVING FORCE" metaphor. We show how each metaphor is grounded in a particular basic experience of physical motion and physic…
Recapitulation Recomposition in the Sonata-Form First Movements of Haydn's String Quartets
"Dave McKenna's Performance of "Have You Met Miss Jones
Dave McKenna plays jazz piano with uncommon power and grace. His improvisations are not only hard-swinging and emotionally direct, they are also technically impressive and intelligently constructed. Yet his playing is not well-known or widely appreciated. Why? Perhaps it is because his style, rooted in the swing era but influenced by aspects of modern-jazz phrasing, is more traditional than path-breaking. Perhaps it is because his allegiance to l…
"Dave McKenna's Performance of "Have You Met Miss Jones
Dave McKenna plays jazz piano with uncommon power and grace. His improvisations are not only hard-swinging and emotionally direct, they are also technically impressive and intelligently constructed. Yet his playing is not well-known or widely appreciated. Why? Perhaps it is because his style, rooted in the swing era but influenced by aspects of modern-jazz phrasing, is more traditional than path-breaking. Perhaps it is because his allegiance to l…
Feldman, Victor
Frishberg, Dave
Hawes, Hampton (jazz)
Bryant, Ray
"Something in the Way She Moves"-Metaphors of Musical Motion
Our most fundamental concepts of musical motion and space, used by laypeople and music theorists alike, are defined by conceptual metaphors that are based on our experience of physical motion. We analyze the 3 most important metaphors of musical motion: the "MOVING MUSIC" metaphor, the "MUSICAL LANDSCAPE" metaphor, and the "MOVING FORCE" metaphor. We show how each metaphor is grounded in a particular basic experience of physical motion and physic…
Recapitulation Recomposition in the Sonata-Form First Movements of Haydn's String Quartets
Report on the 2008 Mannes Institute for Advanced Studies in Music Theory
College of Music), the Mannes Institute is best described as a high-level think tank for professional music scholars. It provides participants with the opportunity to study selected topics in depth in an intimate collegial setting more like a classroom than a conventional academic conference. In addition to plenary sessions and roundtable discussions, a rotating faculty of internationally renowned music scholars offers intensive workshops, each l…
Musical Forces
Expressive Meaning and Musical Structure, Chapter 1 ofSchenkerian Analysis
At the time of his death, Steve Larson had competed roughly eleven chapters of a textbook on Schenkerian analysis.The book brings together three key elements not found in a textbook of its kind: 1) an emphasis on expressive meaning and musical forces, 2) a recognition of the central role of pattern in musical experience, and 3) step-by-step instruction in creating and correcting analyses (which Larson called the "strict use" of analytic notation,…
Art (8 works) · Musicology and Musical Analysis (6 works) · Computer Science (5 works) · Literature (5 works) · Musical (5 works) · Art history (3 works) · Linguistics (3 works) · Philosophy (3 works) · Psychology (3 works) · Visual arts (3 works)