Andrew Pau
Biographic Data
| ID | 3861578 |
|---|---|
| NAME | Andrew Pau |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Pau |
| SIGNATURE | PAU A |
| AFFILIATIONS | Oberlin Conservatory of Music |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Sous le rythme de la chanson
The issue of "bad declamation" in French opera drew significant critical attention from composers and scholars in the long nineteenth century, with writers such as Castil-Blaze, Saint-Saëns, and d'Indy noting down perceived faults in French text setting. In this article, I examine examples of "mistreated accents" in nineteenth-century French opera, arguing that French composers from Grétry and Auber to Gounod and Bizet often used rhythm and text …
No prominent works on this page.
Sous le rythme de la chanson
The issue of "bad declamation" in French opera drew significant critical attention from composers and scholars in the long nineteenth century, with writers such as Castil-Blaze, Saint-Saëns, and d'Indy noting down perceived faults in French text setting. In this article, I examine examples of "mistreated accents" in nineteenth-century French opera, arguing that French composers from Grétry and Auber to Gounod and Bizet often used rhythm and text …
Acoustics (1 work) · Aesthetics (1 work) · Art (1 work) · Dance (1 work) · Drama (1 work) · Historical and Literary Studies (1 work) · Literature (1 work) · Musical (1 work) · Musicology and Musical Analysis (1 work) · Opera (1 work)