Scott Alexander Cook
Biographic Data
| ID | 3861591 |
|---|---|
| NAME | Scott Alexander Cook |
| GIVEN NAMES | Scott Alexander |
| FAMILY NAME | Cook |
| SIGNATURE | COOK S A |
| AFFILIATIONS | University of British Columbia |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Moving Through Triadic Space
Using Julian Hook's theory of Uniform Triadic Transformations as a point of departure, I construct a network in which the "distances" between major and minor triads may be measured and progressions may be compared. From there, the network is used to analyze a portion of the 1992 composition "A Man in a Room, Gambling," by contemporary British composer Gavin Bryars, revealing harmonic relationships that may otherwise go unnoticed
Moving Through Triadic Space
Using Julian Hook's theory of Uniform Triadic Transformations as a point of departure, I construct a network in which the "distances" between major and minor triads may be measured and progressions may be compared. From there, the network is used to analyze a portion of the 1992 composition "A Man in a Room, Gambling," by contemporary British composer Gavin Bryars, revealing harmonic relationships that may otherwise go unnoticed
Moving Through Triadic Space
Using Julian Hook's theory of Uniform Triadic Transformations as a point of departure, I construct a network in which the "distances" between major and minor triads may be measured and progressions may be compared. From there, the network is used to analyze a portion of the 1992 composition "A Man in a Room, Gambling," by contemporary British composer Gavin Bryars, revealing harmonic relationships that may otherwise go unnoticed
Acoustics (1 work) · Art (1 work) · Computer Science (1 work) · Engineering (1 work) · Geometry (1 work) · Harmonic (1 work) · Hook (1 work) · Linguistics (1 work) · Literature (1 work) · Mathematics (1 work)