Chelsea Burns
Biographic Data
| ID | 3861592 |
|---|---|
| NAME | Chelsea Burns |
| GIVEN NAMES | Chelsea |
| FAMILY NAME | Burns |
| SIGNATURE | BURNS C |
| AFFILIATIONS | The University of Texas at Austin |
| ORCID | 0000-0002-2972-4796 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Touching Music
Reiterating Hierarchy and the Failed Promise of the Global
The idea of global modernisms rests upon freighted power relationships. Far from decolonizing, this concept reinscribes values of Euro- and US-centric discourses. This article addresses the inherent friction of global musical modernisms through Carlos Chávez's 1940 composition La paloma azul , written for concerts at New York's Museum of Modern Art. Tasked with appealing to a US audience, Chávez created work that participates in modernism's hiera…
"Together Again," but We Keep On Crying
Buck Owens and the Buckaroos' 1964 hit "Together Again" tells, in ambivalent terms, of a couple's reunion. The song is best known for Tom Brumley's pedal steel guitar solo, a quintessential example of the trademark "crying" sound of the instrument. Brumley's steel stylings emphasize a negative interpretation of the text, and some of the most poignant elements of his remarkable solo were guided by the mechanics of the instrument. I explore the rel…
"Together Again," but We Keep On Crying
Buck Owens and the Buckaroos' 1964 hit "Together Again" tells, in ambivalent terms, of a couple's reunion. The song is best known for Tom Brumley's pedal steel guitar solo, a quintessential example of the trademark "crying" sound of the instrument. Brumley's steel stylings emphasize a negative interpretation of the text, and some of the most poignant elements of his remarkable solo were guided by the mechanics of the instrument. I explore the rel…
"Together Again," but We Keep On Crying
Buck Owens and the Buckaroos' 1964 hit "Together Again" tells, in ambivalent terms, of a couple's reunion. The song is best known for Tom Brumley's pedal steel guitar solo, a quintessential example of the trademark "crying" sound of the instrument. Brumley's steel stylings emphasize a negative interpretation of the text, and some of the most poignant elements of his remarkable solo were guided by the mechanics of the instrument. I explore the rel…
Reiterating Hierarchy and the Failed Promise of the Global
The idea of global modernisms rests upon freighted power relationships. Far from decolonizing, this concept reinscribes values of Euro- and US-centric discourses. This article addresses the inherent friction of global musical modernisms through Carlos Chávez's 1940 composition La paloma azul , written for concerts at New York's Museum of Modern Art. Tasked with appealing to a US audience, Chávez created work that participates in modernism's hiera…
Touching Music
Aesthetics (2 works) · Art (2 works) · Diverse Musicological Studies (2 works) · Literature (2 works) · Music History and Culture (2 works) · Acoustics (1 work) · Art history (1 work) · Communication (1 work) · Computer Science (1 work) · Crying (1 work)