Christopher Doll
Biographic Data
| ID | 3861600 |
|---|---|
| NAME | Christopher Doll |
| GIVEN NAMES | Christopher |
| FAMILY NAME | Doll |
| SIGNATURE | DOLL C |
| AFFILIATIONS | Rutgers, the State University of New Jersey |
| ORCID | 0000-0003-0307-4622 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Hearing Harmony: Toward a Tonal Theory for the Rock Era
Hearing Harmony" offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the re…
Wrecking Crew, the
Rockin' Out: Expressive Modulation in Verse-Chorus Form
The breakout chorus is a hallmark of rock music. Such a chorus contrasts with its preceding verse by conveying an increase in intensity with regard to loudness, rhythmic and textural activity, timbral noise, lyrical content, and/or pitch level. The last of these techniques, modulating the pitch level, often entails a full-scale change of tonal center from a minor tonic to its relative major, a motion that, when heard against analogous changes in …
Audio Reviews
Please Please Me: Sixties British Pop, Inside Out by Gordon Thompson
Rockin' Out: Expressive Modulation in Verse-Chorus Form
The breakout chorus is a hallmark of rock music. Such a chorus contrasts with its preceding verse by conveying an increase in intensity with regard to loudness, rhythmic and textural activity, timbral noise, lyrical content, and/or pitch level. The last of these techniques, modulating the pitch level, often entails a full-scale change of tonal center from a minor tonic to its relative major, a motion that, when heard against analogous changes in …
Please Please Me: Sixties British Pop, Inside Out by Gordon Thompson
Audio Reviews
Rockin' Out: Expressive Modulation in Verse-Chorus Form
The breakout chorus is a hallmark of rock music. Such a chorus contrasts with its preceding verse by conveying an increase in intensity with regard to loudness, rhythmic and textural activity, timbral noise, lyrical content, and/or pitch level. The last of these techniques, modulating the pitch level, often entails a full-scale change of tonal center from a minor tonic to its relative major, a motion that, when heard against analogous changes in …
Wrecking Crew, the
Hearing Harmony: Toward a Tonal Theory for the Rock Era
Hearing Harmony" offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the re…
Art (4 works) · Computer Science (2 works) · Maritime and Coastal Archaeology (2 works) · Psychology (2 works) · Acoustics (1 works) · Aeronautics (1 works) · Analysis, appreciation (1 works) · Archaeology and Rock Art Studies (1 works) · Art history (1 works) · Audiology (1 works)