Xiaohang Wang
Biographic Data
| ID | 3861698 |
|---|---|
| NAME | Xiaohang Wang |
| GIVEN NAMES | Xiaohang |
| FAMILY NAME | Wang |
| SIGNATURE | WANG X |
| AFFILIATIONS | Nanjing University of Industry Technology |
| ORCID | 0000-0002-8050-5695 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Zhao Xiaosheng's Tai Chi: Re-visiting the Meaning and Accretion of I Ching in the Contemporaneity of Chinese Music Semantics
The implementation of China Reform and Opening-up policy in 1978 gave birth to the Chinese new wave music, with an idiosyncratic manner of rebelliousness, individuality and innovation that brought a break-through in Chinese new music of the past. In this paper, we focused on a representative piano solo work Tai Chi (1987) by composer Zhao Xiaosheng who explored the ancient Chinese philosophy I Ching and the Tang Dynasty musical form Tang Daqu usi…
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death
No prominent works on this page.
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death
Zhao Xiaosheng's Tai Chi: Re-visiting the Meaning and Accretion of I Ching in the Contemporaneity of Chinese Music Semantics
The implementation of China Reform and Opening-up policy in 1978 gave birth to the Chinese new wave music, with an idiosyncratic manner of rebelliousness, individuality and innovation that brought a break-through in Chinese new music of the past. In this paper, we focused on a representative piano solo work Tai Chi (1987) by composer Zhao Xiaosheng who explored the ancient Chinese philosophy I Ching and the Tang Dynasty musical form Tang Daqu usi…
Art (2 works) · Art history (2 works) · China (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Piano (2 works) · Aesthetics (1 works) · Ambivalence (1 works) · Asian Culture and Media Studies (1 works) · Cultural revolution (1 works)