Jochen Schulte-Sasse
Biographic Data
| ID | 3864282 |
|---|---|
| NAME | Jochen Schulte-Sasse |
| GIVEN NAMES | Jochen |
| FAMILY NAME | Schulte-Sasse |
| SIGNATURE | SCHULTE-SASSE J |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 3 |
The Quest for a Transcendent Foundation of "The Law" in the Discourse of Impeachment
During the impeachment procedures, observers often pointed out the language used in the process exposed a cultural rift (NYT, 20 December 1998, sec. 4, p. 6).1 In their effort to characterize this rift, politicians and journalists alike invariably used the German term Kulturkampf and its English equivalent, culture war. References to an allegedly ongoing culture abounded, especially in the discourse of House Republicans during (1) the proceedings…
War, Otherness, and Illusionary Identifications with the State
t is useful to distinguish among five different contexts in which the U.S. war effort in the Middle East can be analyzed and critiqued: 1. Long-term U.S. power politics and imperial objectives of domination, including military intervention in the Third World to secure strategically and economically important resources. Publications by Noam Chomsky and Joel Beinin may very well be the best-known and most effective among these critiques. 2. Inconsi…
The Prestige of the Artist under Conditions of Modernity
h A 7hen I was in eleventh grade, our Latin teacher--after seven years of Latin after several years of making us memorize isolated quotes from major writings of Roman philosophers poets-felt the urge to prove to us how useful our years of labor had been. He said: Just imagine how well you can use these quotes at a dinner or cocktail party later in your life. Come up with the right Latin quote at the right moment, he continued, and everybody will …
Introduction: From Popular Narratives to Popular Images
Wh A 1en I began to conceive of this special issue almost two years ago, V V my initial point of departure was a thesis for which individual contributors cannot be held responsible, but which determines design of issue. I am referring to my assumption that emphasis in popular storytelling and imagery has moved over past hundred and fifty years from clear-cut narrative configurations spanning a whole story and depending upon ideological configurat…
Can the Disempowered Read Mass-Produced Narratives in Their Own Voice
his essay takes a recent book by Michael Denning, Mechanic Accents,l as an occasion to address some essential questions regarding cultural criticism and cultural politics today. Denning's book provides a particularly suitable occasion for this task. First, it deals with a vast and significant body of popular narratives-dime novels published in the fifty year span between the 1840s and the 1890s, probably the most crucial period in the development…
Electronic Media and Cultural Politics in the Reagan Era: The Attack on Libya and "Hands across America" as Postmodern Events
lthough the term is-unlike in most other Western languages-not very common in English and may sound somewhat awkward, probably no other Western nation is currently more aware of the necessity for cultural politics than the United States. In the last few years, ideological movements, research institutes, and periodicals have sprung up, whose sole purpose seems to be to raise funds for a broad-scale cultural interventionism. One such organization, …
Introduction: Modernity and Modernism, Postmodernity and Postmodernism: Framing the Issue
Jochen Schulte-Sasse, Introduction: Modernity and Modernism, Postmodernity and Postmodernism: Framing the Issue, Cultural Critique, No. 5, Modernity and Modernism, Postmodernity and Postmodernism (Winter, 1986-1987), pp. 5-22
Imagination and Modernity: Or the Taming of the Human Mind
D uring those surrealistic events which took place on the streets of Paris in May '68, one of the most popular slogans or so the legend has it was: L'imagination aupouvoir. Empower the imagination. What I will attempt in this essay could be called an archaeology of that slogan. My hope is that as I proceed from the most obvious to the least obvious strata underlying (and thus preceding) the slogan, its socio-historical and socio-anthropological p…
Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920
Jochen Schulte-Sasse, Linda Schulte-Sasse, Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920, New German Critique, No. 29, The Origins of Mass Culture: The Case of Imperial Germany (1871-1918) (Spring - Summer, 1983), pp. 85-105
Literarische Wertung
Literarische Wertung
Literarische Wertung
Literarische Wertung.
War, Otherness, and Illusionary Identifications with the State
t is useful to distinguish among five different contexts in which the U.S. war effort in the Middle East can be analyzed and critiqued: 1. Long-term U.S. power politics and imperial objectives of domination, including military intervention in the Third World to secure strategically and economically important resources. Publications by Noam Chomsky and Joel Beinin may very well be the best-known and most effective among these critiques. 2. Inconsi…
Introduction: Modernity and Modernism, Postmodernity and Postmodernism: Framing the Issue
Jochen Schulte-Sasse, Introduction: Modernity and Modernism, Postmodernity and Postmodernism: Framing the Issue, Cultural Critique, No. 5, Modernity and Modernism, Postmodernity and Postmodernism (Winter, 1986-1987), pp. 5-22
Imagination and Modernity: Or the Taming of the Human Mind
D uring those surrealistic events which took place on the streets of Paris in May '68, one of the most popular slogans or so the legend has it was: L'imagination aupouvoir. Empower the imagination. What I will attempt in this essay could be called an archaeology of that slogan. My hope is that as I proceed from the most obvious to the least obvious strata underlying (and thus preceding) the slogan, its socio-historical and socio-anthropological p…
The Prestige of the Artist under Conditions of Modernity
h A 7hen I was in eleventh grade, our Latin teacher--after seven years of Latin after several years of making us memorize isolated quotes from major writings of Roman philosophers poets-felt the urge to prove to us how useful our years of labor had been. He said: Just imagine how well you can use these quotes at a dinner or cocktail party later in your life. Come up with the right Latin quote at the right moment, he continued, and everybody will …
Introduction: From Popular Narratives to Popular Images
Wh A 1en I began to conceive of this special issue almost two years ago, V V my initial point of departure was a thesis for which individual contributors cannot be held responsible, but which determines design of issue. I am referring to my assumption that emphasis in popular storytelling and imagery has moved over past hundred and fifty years from clear-cut narrative configurations spanning a whole story and depending upon ideological configurat…
Electronic Media and Cultural Politics in the Reagan Era: The Attack on Libya and "Hands across America" as Postmodern Events
lthough the term is-unlike in most other Western languages-not very common in English and may sound somewhat awkward, probably no other Western nation is currently more aware of the necessity for cultural politics than the United States. In the last few years, ideological movements, research institutes, and periodicals have sprung up, whose sole purpose seems to be to raise funds for a broad-scale cultural interventionism. One such organization, …
Literarische Wertung
Literarische Wertung.
Literarische Wertung
Literarische Wertung
Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920
Jochen Schulte-Sasse, Linda Schulte-Sasse, Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920, New German Critique, No. 29, The Origins of Mass Culture: The Case of Imperial Germany (1871-1918) (Spring - Summer, 1983), pp. 85-105
Introduction: Modernity and Modernism, Postmodernity and Postmodernism: Framing the Issue
Jochen Schulte-Sasse, Introduction: Modernity and Modernism, Postmodernity and Postmodernism: Framing the Issue, Cultural Critique, No. 5, Modernity and Modernism, Postmodernity and Postmodernism (Winter, 1986-1987), pp. 5-22
Imagination and Modernity: Or the Taming of the Human Mind
D uring those surrealistic events which took place on the streets of Paris in May '68, one of the most popular slogans or so the legend has it was: L'imagination aupouvoir. Empower the imagination. What I will attempt in this essay could be called an archaeology of that slogan. My hope is that as I proceed from the most obvious to the least obvious strata underlying (and thus preceding) the slogan, its socio-historical and socio-anthropological p…
Electronic Media and Cultural Politics in the Reagan Era: The Attack on Libya and "Hands across America" as Postmodern Events
lthough the term is-unlike in most other Western languages-not very common in English and may sound somewhat awkward, probably no other Western nation is currently more aware of the necessity for cultural politics than the United States. In the last few years, ideological movements, research institutes, and periodicals have sprung up, whose sole purpose seems to be to raise funds for a broad-scale cultural interventionism. One such organization, …
Introduction: From Popular Narratives to Popular Images
Wh A 1en I began to conceive of this special issue almost two years ago, V V my initial point of departure was a thesis for which individual contributors cannot be held responsible, but which determines design of issue. I am referring to my assumption that emphasis in popular storytelling and imagery has moved over past hundred and fifty years from clear-cut narrative configurations spanning a whole story and depending upon ideological configurat…
Can the Disempowered Read Mass-Produced Narratives in Their Own Voice
his essay takes a recent book by Michael Denning, Mechanic Accents,l as an occasion to address some essential questions regarding cultural criticism and cultural politics today. Denning's book provides a particularly suitable occasion for this task. First, it deals with a vast and significant body of popular narratives-dime novels published in the fifty year span between the 1840s and the 1890s, probably the most crucial period in the development…
The Prestige of the Artist under Conditions of Modernity
h A 7hen I was in eleventh grade, our Latin teacher--after seven years of Latin after several years of making us memorize isolated quotes from major writings of Roman philosophers poets-felt the urge to prove to us how useful our years of labor had been. He said: Just imagine how well you can use these quotes at a dinner or cocktail party later in your life. Come up with the right Latin quote at the right moment, he continued, and everybody will …
War, Otherness, and Illusionary Identifications with the State
t is useful to distinguish among five different contexts in which the U.S. war effort in the Middle East can be analyzed and critiqued: 1. Long-term U.S. power politics and imperial objectives of domination, including military intervention in the Third World to secure strategically and economically important resources. Publications by Noam Chomsky and Joel Beinin may very well be the best-known and most effective among these critiques. 2. Inconsi…
The Quest for a Transcendent Foundation of "The Law" in the Discourse of Impeachment
During the impeachment procedures, observers often pointed out the language used in the process exposed a cultural rift (NYT, 20 December 1998, sec. 4, p. 6).1 In their effort to characterize this rift, politicians and journalists alike invariably used the German term Kulturkampf and its English equivalent, culture war. References to an allegedly ongoing culture abounded, especially in the discourse of House Republicans during (1) the proceedings…
Art (8 works) · Literature (5 works) · Philosophy (4 works) · Philosophy (4 works) · Sociology (4 works) · Aesthetics (3 works) · Epistemology (3 works) · History (3 works) · Modernity (3 works) · Political science (3 works)