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Richard W Allen

Biographic Data

ID3864283
NAMERichard W Allen
GIVEN NAMESRichard W
FAMILY NAMEAllen
SIGNATUREALLEN R W
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR1929
LATEST PUBLICATION YEAR1987
H-INDEX0
  • The Aesthetic Experience of Modernity: Benjamin, Adorno, and Contemporary Film Theory

    R Allen, Richard W Allen•ARTICLE•New German Critique•1987

    In contemporary film theory one may delineate two types of argument to account for the nature of the fascination of film both of which lead to the conclusion that the experience of cinema is an experience of fantasy. I will term these the argument from ontology and the argument from enunciation. argument from ontology has two distinct parts. Its premise, most eloquently articulated by Andre Bazin in The Ontology of the Photographic Image, is that…

  • Cairo Drainage Scheme

    R Allen, Richard W Allen•ARTICLE•African Affairs•1929

    Journal Article CAIRO DRAINAGE SCHEME Get access RICHARD W. ALLEN RICHARD W. ALLEN Search for other works by this author on: Oxford Academic Google Scholar African Affairs, Volume XXVIII, Issue CXII, July 1929, Pages 340–346, https://doi.org/10.1093/oxfordjournals.afraf.a100450 Published: 01 July 1929

No prominent works on this page.

  • Cairo Drainage Scheme

    R Allen, Richard W Allen•ARTICLE•African Affairs•1929

    Journal Article CAIRO DRAINAGE SCHEME Get access RICHARD W. ALLEN RICHARD W. ALLEN Search for other works by this author on: Oxford Academic Google Scholar African Affairs, Volume XXVIII, Issue CXII, July 1929, Pages 340–346, https://doi.org/10.1093/oxfordjournals.afraf.a100450 Published: 01 July 1929

  • The Aesthetic Experience of Modernity: Benjamin, Adorno, and Contemporary Film Theory

    R Allen, Richard W Allen•ARTICLE•New German Critique•1987

    In contemporary film theory one may delineate two types of argument to account for the nature of the fascination of film both of which lead to the conclusion that the experience of cinema is an experience of fantasy. I will term these the argument from ontology and the argument from enunciation. argument from ontology has two distinct parts. Its premise, most eloquently articulated by Andre Bazin in The Ontology of the Photographic Image, is that…

Aesthetic theory (1 works) · Aesthetics (1 works) · African history and culture studies (1 works) · Art (1 works) · Art history (1 works) · Art, Politics, and Modernism (1 works) · Biology (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Drainage (1 works)

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