Margrit Frölich

Biographic Data

ID3864317
NAMEMargrit Frölich
GIVEN NAMESMargrit
FAMILY NAMEFrölich
SIGNATUREFRÖLICH M
AFFILIATIONSMoscow State University of Technologies and Management named after K.G. Razumovskiy
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS1
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2016
H-INDEX1

  • Liberties and constraints

    Margrit FrölichARTICLEJewish Culture and History2016

    This essay focuses on four Jewish émigré film producers who were among the more than eight hundred film professionals from Germany and Central Europe who fled from Hitler to Hollywood from the 1930s to the early 1950s and found employment in the American film industry: Joe Pasternak (1901–1991), Eric Pommer (1889–1966), Sam Spiegel (1901–1985), and Seymour Nebenzal (1899–1961). The essay discusses the impact of their encounter with Hollywood in l…

  • Perpetrator Research through the Camera Lens

    Margrit FrölichARTICLENew German Critique2007Cited by: 1

    Research Article| November 01 2007 Perpetrator Research through the Camera Lens: Nazis and Their Crimes in the Films of Romuald Karmakar Margrit Frölich Margrit Frölich Search for other works by this author on: This Site Google New German Critique (2007) 34 (3 (102)): 75–86. https://doi.org/10.1215/0094033X-2007-012 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Margrit Frölich; Perpetrator Resea…

  • The Void of Utopian Potentials

    Margrit FrölichARTICLEThe German Quarterly1999

    Heiner Muller's opera debut with the production of Tristan and Isolde at the 82nd Bayreuth Richard Wagner Festival in July of 1993 came as a surprise.1 Long before the premiere, the news about Muller's appointment at one of Germany's world-famous, yet also controversial institutions of high culture2 gave room for speculation about the outcome of the event. How would the East German playwright, known for his uncompromising efforts at excavating th…

  • Richard Wagner, Fritz Lang, and the Nibelungen

    Margrit Frölich, David J LevinARTICLEGerman Studies Review1999

    This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He…

  • Between Affluence and Rebellion

    Christian Rogowski, Margrit Frölich et al.ARTICLEGerman Studies Review1999

  • Art and Politics in the Weimar Period

    Margrit Frölich, John WillettARTICLEGerman Studies Review1998

    Apologia and Plan Voices From Underground A Story of Contrasts * War and Revolution 1914-1920 People in the War Counter-Offensive Revolution and the Arts: Russia 1917-20 Revolution and the Arts: Germany 1918-20 Paris Postwar * The Turning Point 1921-3: Politics, Radio, Cinema, The NEP, IAH, Rapallo German Stabilization, Russians in Berlin, Berlin Constructivism, International Constructivism The Bauhaus at Weimar, Grosz and Political Art, A New Na…

  • Dissolution

    Margrit Frölich, Charles S MaierARTICLEGerman Studies Review1998

  • Television, Tabloids, and Tears

    Margrit Frölich, Jane ShattucARTICLEGerman Studies Review1997

  • The Shocking Ballad Picture Show

    Margrit Frölich, Tom CheesmanARTICLEGerman Studies Review1996

  • The Cinema's Third Machine

    Margrit Frölich, Sabine HakeARTICLEGerman Studies Review1995