Michael T Jones
Biographic Data
| ID | 3864325 |
|---|---|
| NAME | Michael T Jones |
| GIVEN NAMES | Michael T |
| FAMILY NAME | Jones |
| SIGNATURE | JONES M T |
| ORCID | 0009-0004-3131-4990 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 2 |
Romancing antiquity
Heidegger the Fox
An Aesopian fable of thirty-six lines from Hannah Arendt's diary of 1953 has recently appeared in translation, adapting a phrase the philosopher liked to use about himself while telling the true story of Heidegger the Fox.2 It tells of a fox that keeps getting caught in traps, eventually losing the natural protection of its fur; yet the fox is unaware of this disadvantage, since he is unable to distinguish traps from nontraps. Devoid of fur, he h…
Verstehen und Nichtverstehen bei Friedrich Schlegel
Romanticism and Marxism
After the Great Divide
Citing works from film, literature, art, drama and critical theory, Huyssen maps out political positions of culture, and a history of its transformations from the late 19th century to the 1980s. Bibl. 19 p
Identity, Critique, Affirmation
Michael T. Jones, Identity, Critique, Affirmation: A Response to Hinrich C. Seeba's Paper, The German Quarterly, Vol. 62, No. 2, Theme: Germanistik as German Studies Interdisciplinary Theories and Methods (Spring, 1989), pp. 155-157
Reactionary Modernism
Theory of the Avant-Garde
Literaturgeschichte als Kritik
Twilight of the Gods
From History to Aesthetics
Trying to Understand Endgame
Einfuhrung in die Asthetik Adornos
Marxist Models of Literary Realism
Bibelzitate, Bibelanspielungen, Bibelparodien, theologische Vergleiche und Analogien bei Marx und Engels (Philologische Studien und Quellen, Heft 84)
Inquiries into the Fundamentals of Aesthetics
Assessing Neo-Marxist Aesthetics
Trying to Understand Endgame
Heidegger the Fox
An Aesopian fable of thirty-six lines from Hannah Arendt's diary of 1953 has recently appeared in translation, adapting a phrase the philosopher liked to use about himself while telling the true story of Heidegger the Fox.2 It tells of a fox that keeps getting caught in traps, eventually losing the natural protection of its fur; yet the fox is unaware of this disadvantage, since he is unable to distinguish traps from nontraps. Devoid of fur, he h…
Assessing Neo-Marxist Aesthetics
Inquiries into the Fundamentals of Aesthetics
Marxist Models of Literary Realism
Bibelzitate, Bibelanspielungen, Bibelparodien, theologische Vergleiche und Analogien bei Marx und Engels (Philologische Studien und Quellen, Heft 84)
Einfuhrung in die Asthetik Adornos
Trying to Understand Endgame
From History to Aesthetics
Literaturgeschichte als Kritik
Twilight of the Gods
Theory of the Avant-Garde
Reactionary Modernism
After the Great Divide
Citing works from film, literature, art, drama and critical theory, Huyssen maps out political positions of culture, and a history of its transformations from the late 19th century to the 1980s. Bibl. 19 p
Identity, Critique, Affirmation
Michael T. Jones, Identity, Critique, Affirmation: A Response to Hinrich C. Seeba's Paper, The German Quarterly, Vol. 62, No. 2, Theme: Germanistik as German Studies Interdisciplinary Theories and Methods (Spring, 1989), pp. 155-157
Romanticism and Marxism
Verstehen und Nichtverstehen bei Friedrich Schlegel
Heidegger the Fox
An Aesopian fable of thirty-six lines from Hannah Arendt's diary of 1953 has recently appeared in translation, adapting a phrase the philosopher liked to use about himself while telling the true story of Heidegger the Fox.2 It tells of a fox that keeps getting caught in traps, eventually losing the natural protection of its fur; yet the fox is unaware of this disadvantage, since he is unable to distinguish traps from nontraps. Devoid of fur, he h…
Romancing antiquity
Philosophy (13 works) · Art (11 works) · Aesthetics (6 works) · Art history (6 works) · Literature (6 works) · German Literature and Culture Studies (5 works) · Critical Theory and Philosophy (4 works) · Law (4 works) · Political science (4 works) · Art, Politics, and Modernism (3 works)