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Martin Woessner

Biographic Data

ID3864338
NAMEMartin Woessner
GIVEN NAMESMartin
FAMILY NAMEWoessner
SIGNATUREWOESSNER M
AFFILIATIONSCity College of New York
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS3
AUTHOR COUNT13
EDITOR COUNT1
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Vattimo at the Movies in advance

    Martin Woessner•ARTICLE•Philosophy Today•2026

    Gianni Vattimo wrote prolifically about art, scattering insightful interpretations of literature, poetry, and photography across many of his books and essays. The one artform he did not seem much interested in, though, was cinema. In only a handful of texts did Vattimo comment on the movies. But these musings—about Charlie Chaplin’s Modern Times (1936), say, or the Coen Brothers’ A Serious Man (2009)—signal an appreciation of film’s philosophical…

  • The Intellectual Landscape in the Works of J. M. Coetzee

    Open Access•Tim Mehigan, Christian Moser et al.•BOOK•Intellectual Landscape in the…•2018

    Arguably the most decorated and critically acclaimed writer of today, J. M. Coetzee is a deeply intellectual writer. Yet while just about everyone who comes to Coetzee's writing is aware that the visible superstructure of his works is moved from below by a vast substructure of ideas, we are still far from grasping Coetzee's intellectual allegiances as a whole. This book sets out to examine these allegiances in ways not attempted before, by bringi…

  • R obert E. L erner . Ernst Kantorowicz

    Open Access•Martin Woessner•ARTICLE•The American Historical Review•2018

    One assumes that scholars of the Middle Ages do not make for the most interesting biographical subjects. They work in dead languages on esoteric subjects and are often sequestered in out-of-the-way archives, where they toil on projects that will be confined to obscure academic journals. Their efforts seem ripe for anonymity, if not comedy. It was no accident that the protagonist of Kingsley Amis’s send-up of scholarly solipsism, Lucky Jim (1954),…

  • Truth or fiction

    Martin Woessner•ARTICLE•Patterns of Prejudice•2017

    In his 1987 acceptance speech for the Jerusalem Prize for the Freedom of the Individual in Society, which since 1963 has honoured authors whose works have contributed in some fashion to the cause o

  • Human Rights as Social Construction by Benjamin Gregg

    Open Access•Martin Woessner•ARTICLE•Human Rights Review•2014

  • Niklas Olsen. History in the Plural

    Martin Woessner•ARTICLE•The American Historical Review•2013

    Befitting its subject, this book is a methodologically sound and theoretically sophisticated piece of scholarship. Niklas Olsen has done the English-speaking world a profound service by situating the work of Reinhart Koselleck—one of the most compelling theorists of history of recent memory—back into the many contexts out of which it emerged and which it eventually helped to transform over the course of a distinguished career. Ably utilizing insi…

  • Theology and the Boundary Discourse of Human Rights by Ethna Regan

    Open Access•Martin Woessner•ARTICLE•Human Rights Review•2012

  • Reconsidering the slaughter bench of history

    Martin Woessner•ARTICLE•Journal of Genocide Research•2011

    This essay examines the philosophy of history in the aftermath of the twentieth century. It argues that the philosophy of history has been both a catalyst and a victim of genocide. On the one hand, theories about the fated course of human development have been used to rationalize and justify imperialist, genocidal actions, especially insofar as they often placed the peoples and nations on the supposed right or wrong side of an imagined world-hist…

  • What Is Heideggerian Cinema? Film, Philosophy, and Cultural Mobility

    Martin Woessner•ARTICLE•New German Critique•2011•Cited by: 1

    The cinematic works of the American director Terrence Malick offer historians a glimpse of the complex, ever-evolving network of intellectual transference that defines the contemporary era. Malick, who abandoned a career in philosophy for film, was profoundly influenced by Martin Heidegger. By relating Malick's Hollywood career to his early philosophical studies, this essay suggests that philosophical reception transcends the academic library and…

  • A new ontology for the era of the New Economy

    Martin Woessner•ARTICLE•City•2010

  • Rescuing the ‘Right to the City’

    Martin Woessner•ARTICLE•City•2009•Cited by: 2•References: 1

    What does the ‘Right to the City’ mean in this, the twenty‐first century? Two articles in the previous issue: ‘Taking the bus daily and demonstrating on Sunday: reflections on the formation of poli

  • Making the World Safe for Violence

    Martin Woessner, Philosophy Documentation Center•ARTICLE•Radical Philosophy Review•2004

  • Making the World Safe for Violence

    Christian Parenti, Martin Woessner et al.•ARTICLE•Radical Philosophy Review•2004

  • Ethics, architecture and Heidegger

    Martin Woessner•ARTICLE•City•2003•References: 6

    This paper re-examines the thought of Martin Heidegger - especially his 1951 essay "Building Dwelling Thinking" - and his influence on North American architectural thought. It distinguishes elements which were reactionary responses to modernism from strands emphasizing the liberation of the individual and of the society in their relationships with nature and with locality. This latter strand has fed resistance to the de-humanised environments pro…

  • Rescuing the ‘Right to the City’

    Martin Woessner•ARTICLE•City•2009•Cited by: 2•References: 1

    What does the ‘Right to the City’ mean in this, the twenty‐first century? Two articles in the previous issue: ‘Taking the bus daily and demonstrating on Sunday: reflections on the formation of poli

  • What Is Heideggerian Cinema? Film, Philosophy, and Cultural Mobility

    Martin Woessner•ARTICLE•New German Critique•2011•Cited by: 1

    The cinematic works of the American director Terrence Malick offer historians a glimpse of the complex, ever-evolving network of intellectual transference that defines the contemporary era. Malick, who abandoned a career in philosophy for film, was profoundly influenced by Martin Heidegger. By relating Malick's Hollywood career to his early philosophical studies, this essay suggests that philosophical reception transcends the academic library and…

  • Ethics, architecture and Heidegger

    Martin Woessner•ARTICLE•City•2003•References: 6

    This paper re-examines the thought of Martin Heidegger - especially his 1951 essay "Building Dwelling Thinking" - and his influence on North American architectural thought. It distinguishes elements which were reactionary responses to modernism from strands emphasizing the liberation of the individual and of the society in their relationships with nature and with locality. This latter strand has fed resistance to the de-humanised environments pro…

  • Making the World Safe for Violence

    Martin Woessner, Philosophy Documentation Center•ARTICLE•Radical Philosophy Review•2004

  • Making the World Safe for Violence

    Christian Parenti, Martin Woessner et al.•ARTICLE•Radical Philosophy Review•2004

  • Rescuing the ‘Right to the City’

    Martin Woessner•ARTICLE•City•2009•Cited by: 2•References: 1

    What does the ‘Right to the City’ mean in this, the twenty‐first century? Two articles in the previous issue: ‘Taking the bus daily and demonstrating on Sunday: reflections on the formation of poli

  • A new ontology for the era of the New Economy

    Martin Woessner•ARTICLE•City•2010

  • Reconsidering the slaughter bench of history

    Martin Woessner•ARTICLE•Journal of Genocide Research•2011

    This essay examines the philosophy of history in the aftermath of the twentieth century. It argues that the philosophy of history has been both a catalyst and a victim of genocide. On the one hand, theories about the fated course of human development have been used to rationalize and justify imperialist, genocidal actions, especially insofar as they often placed the peoples and nations on the supposed right or wrong side of an imagined world-hist…

  • What Is Heideggerian Cinema? Film, Philosophy, and Cultural Mobility

    Martin Woessner•ARTICLE•New German Critique•2011•Cited by: 1

    The cinematic works of the American director Terrence Malick offer historians a glimpse of the complex, ever-evolving network of intellectual transference that defines the contemporary era. Malick, who abandoned a career in philosophy for film, was profoundly influenced by Martin Heidegger. By relating Malick's Hollywood career to his early philosophical studies, this essay suggests that philosophical reception transcends the academic library and…

  • Theology and the Boundary Discourse of Human Rights by Ethna Regan

    Open Access•Martin Woessner•ARTICLE•Human Rights Review•2012

  • Niklas Olsen. History in the Plural

    Martin Woessner•ARTICLE•The American Historical Review•2013

    Befitting its subject, this book is a methodologically sound and theoretically sophisticated piece of scholarship. Niklas Olsen has done the English-speaking world a profound service by situating the work of Reinhart Koselleck—one of the most compelling theorists of history of recent memory—back into the many contexts out of which it emerged and which it eventually helped to transform over the course of a distinguished career. Ably utilizing insi…

  • Human Rights as Social Construction by Benjamin Gregg

    Open Access•Martin Woessner•ARTICLE•Human Rights Review•2014

  • Truth or fiction

    Martin Woessner•ARTICLE•Patterns of Prejudice•2017

    In his 1987 acceptance speech for the Jerusalem Prize for the Freedom of the Individual in Society, which since 1963 has honoured authors whose works have contributed in some fashion to the cause o

  • The Intellectual Landscape in the Works of J. M. Coetzee

    Open Access•Tim Mehigan, Christian Moser et al.•BOOK•Intellectual Landscape in the…•2018

    Arguably the most decorated and critically acclaimed writer of today, J. M. Coetzee is a deeply intellectual writer. Yet while just about everyone who comes to Coetzee's writing is aware that the visible superstructure of his works is moved from below by a vast substructure of ideas, we are still far from grasping Coetzee's intellectual allegiances as a whole. This book sets out to examine these allegiances in ways not attempted before, by bringi…

  • R obert E. L erner . Ernst Kantorowicz

    Open Access•Martin Woessner•ARTICLE•The American Historical Review•2018

    One assumes that scholars of the Middle Ages do not make for the most interesting biographical subjects. They work in dead languages on esoteric subjects and are often sequestered in out-of-the-way archives, where they toil on projects that will be confined to obscure academic journals. Their efforts seem ripe for anonymity, if not comedy. It was no accident that the protagonist of Kingsley Amis’s send-up of scholarly solipsism, Lucky Jim (1954),…

  • Vattimo at the Movies in advance

    Martin Woessner•ARTICLE•Philosophy Today•2026

    Gianni Vattimo wrote prolifically about art, scattering insightful interpretations of literature, poetry, and photography across many of his books and essays. The one artform he did not seem much interested in, though, was cinema. In only a handful of texts did Vattimo comment on the movies. But these musings—about Charlie Chaplin’s Modern Times (1936), say, or the Coen Brothers’ A Serious Man (2009)—signal an appreciation of film’s philosophical…

Political science (10 works) · Law (9 works) · Sociology (9 works) · Art (7 works) · Art history (7 works) · Philosophy (7 works) · Law (6 works) · Epistemology (5 works) · History (5 works) · Philosophy (5 works)

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