Maud Lavin
Biographic Data
| ID | 3864341 |
|---|---|
| NAME | Maud Lavin |
| GIVEN NAMES | Maud |
| FAMILY NAME | Lavin |
| SIGNATURE | LAVIN M |
| AFFILIATIONS | School of the Art Institute of Chicago |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Boys’ Love, Cosplay, and Androgynous Idols
Chinese-speaking popular cultures have never been so queer as in this digital, globalist age. In response to the proliferation of queer representations, productions, fantasies, and desires, especially as manifested online, this book explores extended, diversified, and transculturally informed fan communities and practices based in mainland China, Hong Kong, and Taiwan that have cultivated various forms of queerness. To right an imbalance in the s…
Boys’ Love, Cosplay, and Androgynous Idols
Chinese-speaking popular cultures have never been so queer as in this digital, globalist age. In response to the proliferation of queer representations, productions, fantasies, and desires, especially as manifested online, this book explores extended, diversified, and transculturally informed fan communities and practices based in mainland China, Hong Kong, and Taiwan that have cultivated various forms of queerness. To right an imbalance in the s…
Boys’ Love, Cosplay, and Androgynous Idols
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys' Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires …
Graphic Women
Confessions from the Couch
For a year and a half I wrote a character named Celeste in a cyberdrama called The Couch, a semi-serious soap opera for the Web, created by myself and seven other writers. We played and wrote fictionalized versions of ourselves as eight New Yorkers in group therapy. The content consisted of texts and photographs from therapy sessions, private diaries and side episodes. We wrote for almost a year together before we went public on the Web as www.th…
Hannah Hoch, 1889-1978
Androgyny, Spectatorship, and the Weimar Photomontages of Hannah Hoch
In 1930, the same year that Marlene Dietrich's Blue Angel was released, Hannah Hach made the photomontage Marlene. With its challenging array of sexual signs and its deliberate allusion to Dietrich, an actress well known for her ambiguous sexual identity, the photomontage provokes a wealth of questions about gender identity and sexuality, strategies of representation, and the reading of imagery by a Weimar audience. In the montage, two men gaze u…
Androgyny, Spectatorship, and the Weimar Photomontages of Hannah Hoch
In 1930, the same year that Marlene Dietrich's Blue Angel was released, Hannah Hach made the photomontage Marlene. With its challenging array of sexual signs and its deliberate allusion to Dietrich, an actress well known for her ambiguous sexual identity, the photomontage provokes a wealth of questions about gender identity and sexuality, strategies of representation, and the reading of imagery by a Weimar audience. In the montage, two men gaze u…
Androgyny, Spectatorship, and the Weimar Photomontages of Hannah Hoch
In 1930, the same year that Marlene Dietrich's Blue Angel was released, Hannah Hach made the photomontage Marlene. With its challenging array of sexual signs and its deliberate allusion to Dietrich, an actress well known for her ambiguous sexual identity, the photomontage provokes a wealth of questions about gender identity and sexuality, strategies of representation, and the reading of imagery by a Weimar audience. In the montage, two men gaze u…
Hannah Hoch, 1889-1978
Confessions from the Couch
For a year and a half I wrote a character named Celeste in a cyberdrama called The Couch, a semi-serious soap opera for the Web, created by myself and seven other writers. We played and wrote fictionalized versions of ourselves as eight New Yorkers in group therapy. The content consisted of texts and photographs from therapy sessions, private diaries and side episodes. We wrote for almost a year together before we went public on the Web as www.th…
Graphic Women
Boys’ Love, Cosplay, and Androgynous Idols
Chinese-speaking popular cultures have never been so queer as in this digital, globalist age. In response to the proliferation of queer representations, productions, fantasies, and desires, especially as manifested online, this book explores extended, diversified, and transculturally informed fan communities and practices based in mainland China, Hong Kong, and Taiwan that have cultivated various forms of queerness. To right an imbalance in the s…
Boys’ Love, Cosplay, and Androgynous Idols
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys' Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires …
Boys’ Love, Cosplay, and Androgynous Idols
Chinese-speaking popular cultures have never been so queer as in this digital, globalist age. In response to the proliferation of queer representations, productions, fantasies, and desires, especially as manifested online, this book explores extended, diversified, and transculturally informed fan communities and practices based in mainland China, Hong Kong, and Taiwan that have cultivated various forms of queerness. To right an imbalance in the s…
Art (6 works) · Asian Culture and Media Studies (3 works) · History (3 works) · Hong Kong and Taiwan Politics (3 works) · Psychology (3 works) · Sociology (3 works) · Androgyny (2 works) · China (2 works) · Cinema and Media Studies (2 works) · French Historical and Cultural Studies (2 works)