Roswitha Mueller
Biographic Data
| ID | 3864362 |
|---|---|
| NAME | Roswitha Mueller |
| GIVEN NAMES | Roswitha |
| FAMILY NAME | Mueller |
| SIGNATURE | MUELLER R |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 1 |
Valie Export: Fragments of the Imagination
Expanded Cinema 2. Performances--Actions--Video--Installations 3. Photography 4. Invisible Adversaries 5. Menschenfrauen 6. The Practice of Love 7. Syntagma Films for Television Interview with Valie Export Notes Filmography and Videography Index
Brecht und kein Ende? Acht Bucher zu Brecht
Bertolt Brecht and the Theory of Media
Bertolt Brecht and the Theory of Media
German Film and Literature: Adaptations and Transformations
Montage in Brecht
Brecht often used the term to contrast modern from traditional art. In the Expressionism debate of the 1930s, he firmly defended modem writing practices (key to which was the montage principle) against Lukics's skepticism and a critical Realism based on aesthetic categories derived from nineteenth-century writers, in particular from Balzac. In Brecht's eyes, what made montage the principle of the modem work of art was that is did not pose as natu…
The Mirror and the Vamp
Oscar Wilde's novel The Picture ofDorian Gray conjures the narcissistic fantasy of eternal youth and beauty against the background ofa story of seduction, initiation and failed social responsibility. The device of visualizing the moral turpitude of Dorian in the form of an ever increasing ugliness in his portrait addresses not only the romantic theme of the double, it also invokes a peculiarly modern preoccupation: questions of identity no longer…
The Uncanny in the Eyes of a Woman: "Valie Export's "Invisible Adversaries
Roswitha Mueller, The Uncanny in the Eyes of a Woman: Valie Export's "Invisible Adversaries", SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 129-139
Bertolt Brecht and the Theory of Media
Montage in Brecht
Brecht often used the term to contrast modern from traditional art. In the Expressionism debate of the 1930s, he firmly defended modem writing practices (key to which was the montage principle) against Lukics's skepticism and a critical Realism based on aesthetic categories derived from nineteenth-century writers, in particular from Balzac. In Brecht's eyes, what made montage the principle of the modem work of art was that is did not pose as natu…
The Mirror and the Vamp
Oscar Wilde's novel The Picture ofDorian Gray conjures the narcissistic fantasy of eternal youth and beauty against the background ofa story of seduction, initiation and failed social responsibility. The device of visualizing the moral turpitude of Dorian in the form of an ever increasing ugliness in his portrait addresses not only the romantic theme of the double, it also invokes a peculiarly modern preoccupation: questions of identity no longer…
The Uncanny in the Eyes of a Woman: "Valie Export's "Invisible Adversaries
Roswitha Mueller, The Uncanny in the Eyes of a Woman: Valie Export's "Invisible Adversaries", SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 129-139
The Mirror and the Vamp
Oscar Wilde's novel The Picture ofDorian Gray conjures the narcissistic fantasy of eternal youth and beauty against the background ofa story of seduction, initiation and failed social responsibility. The device of visualizing the moral turpitude of Dorian in the form of an ever increasing ugliness in his portrait addresses not only the romantic theme of the double, it also invokes a peculiarly modern preoccupation: questions of identity no longer…
German Film and Literature: Adaptations and Transformations
Montage in Brecht
Brecht often used the term to contrast modern from traditional art. In the Expressionism debate of the 1930s, he firmly defended modem writing practices (key to which was the montage principle) against Lukics's skepticism and a critical Realism based on aesthetic categories derived from nineteenth-century writers, in particular from Balzac. In Brecht's eyes, what made montage the principle of the modem work of art was that is did not pose as natu…
Bertolt Brecht and the Theory of Media
Bertolt Brecht and the Theory of Media
Brecht und kein Ende? Acht Bucher zu Brecht
Valie Export: Fragments of the Imagination
Expanded Cinema 2. Performances--Actions--Video--Installations 3. Photography 4. Invisible Adversaries 5. Menschenfrauen 6. The Practice of Love 7. Syntagma Films for Television Interview with Valie Export Notes Filmography and Videography Index
Art (8 works) · Aesthetics (3 works) · German Literature and Culture Studies (3 works) · History (3 works) · Literature (3 works) · Psychology (3 works) · Art history (2 works) · Computer Science (2 works) · Digital Media and Philosophy (2 works) · European history and politics (2 works)