Stefanie Harris
Biographic Data
| ID | 3864413 |
|---|---|
| NAME | Stefanie Harris |
| GIVEN NAMES | Stefanie |
| FAMILY NAME | Harris |
| SIGNATURE | HARRIS S |
| AFFILIATIONS | Mitchell Institute |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Emotional silence
Kluge's Auswege
If Alexander Kluge's prose and films are populated with figures looking for escape, his programmatic statements on the media are no less concerned with how various narrative strategies provide more or less possibility for a way out from dominant discursive practices. This idea of Auswege—at the level of both the experience as well as the representation and the conceptualization of historical events—is at the core of Kluge's multi-media project an…
Exposures
Research Article| November 01 2006 Exposures: Rilke, Photography, and the City Stefanie Harris Stefanie Harris Search for other works by this author on: This Site Google New German Critique (2006) 33 (3 (99)): 121–149. https://doi.org/10.1215/0094033X-2006-013 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Stefanie Harris; Exposures: Rilke, Photography, and the City. New German Critique 1 Novembe…
The Return of the Dead
WG. Sebald's Die Ausgewanderten begins at the end, with a photograph of a cemetery in the shadow of an enormous tree.' Encountering this image, the reader may initially assume that the photograph perhaps presents the location in which the narrative will unfold, and this assumption appears to be reinforced when within the first ten lines of the work, the narrator refers to einem Rasenfriedhof (A 8) and its trees.2 However, one soon finds that the …
Exposures
Research Article| November 01 2006 Exposures: Rilke, Photography, and the City Stefanie Harris Stefanie Harris Search for other works by this author on: This Site Google New German Critique (2006) 33 (3 (99)): 121–149. https://doi.org/10.1215/0094033X-2006-013 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Stefanie Harris; Exposures: Rilke, Photography, and the City. New German Critique 1 Novembe…
The Return of the Dead
WG. Sebald's Die Ausgewanderten begins at the end, with a photograph of a cemetery in the shadow of an enormous tree.' Encountering this image, the reader may initially assume that the photograph perhaps presents the location in which the narrative will unfold, and this assumption appears to be reinforced when within the first ten lines of the work, the narrator refers to einem Rasenfriedhof (A 8) and its trees.2 However, one soon finds that the …
Exposures
Research Article| November 01 2006 Exposures: Rilke, Photography, and the City Stefanie Harris Stefanie Harris Search for other works by this author on: This Site Google New German Critique (2006) 33 (3 (99)): 121–149. https://doi.org/10.1215/0094033X-2006-013 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Stefanie Harris; Exposures: Rilke, Photography, and the City. New German Critique 1 Novembe…
Kluge's Auswege
If Alexander Kluge's prose and films are populated with figures looking for escape, his programmatic statements on the media are no less concerned with how various narrative strategies provide more or less possibility for a way out from dominant discursive practices. This idea of Auswege—at the level of both the experience as well as the representation and the conceptualization of historical events—is at the core of Kluge's multi-media project an…
Emotional silence
Art (4 works) · Art history (3 works) · Literature and Cultural Memory (3 works) · History (2 works) · Philosophy (2 works) · Photography (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Anthropology (1 works)