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Miriam B Hansen

Biographic Data

ID3864426
NAMEMiriam B Hansen
GIVEN NAMESMiriam B
FAMILY NAMEHansen
SIGNATUREHANSEN M B
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS6
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR1981
H-INDEX2
  • On Film and the Public Sphere

    Alexander Kluge, Thomas Y Levin et al.•ARTICLE•New German Critique•1981•Cited by: 4

  • Introduction to Adorno, "Transparencies on Film" (1966)

    Miriam Hansen, Miriam B Hansen•ARTICLE•New German Critique•1981•Cited by: 2

    If the reader of Industry Reconsidered detected a shift of emphasis, a modification of Adorno's thesis of universal manipulation and delusion,' the reader of Transparencies on Film may be even more surprised. First published in November 1966 (only three years after the radio lecture just mentioned), this essay seems to suspend some of the major fixations of Adorno's theory on Culture Industry. Moreover, it encourages a reading against the grain o…

  • On Film and the Public Sphere

    Alexander Kluge, Thomas Y Levin et al.•ARTICLE•New German Critique•1981•Cited by: 4

  • Introduction to Adorno, "Transparencies on Film" (1966)

    Miriam Hansen, Miriam B Hansen•ARTICLE•New German Critique•1981•Cited by: 2

    If the reader of Industry Reconsidered detected a shift of emphasis, a modification of Adorno's thesis of universal manipulation and delusion,' the reader of Transparencies on Film may be even more surprised. First published in November 1966 (only three years after the radio lecture just mentioned), this essay seems to suspend some of the major fixations of Adorno's theory on Culture Industry. Moreover, it encourages a reading against the grain o…

  • On Film and the Public Sphere

    Alexander Kluge, Thomas Y Levin et al.•ARTICLE•New German Critique•1981•Cited by: 4

  • Introduction to Adorno, "Transparencies on Film" (1966)

    Miriam Hansen, Miriam B Hansen•ARTICLE•New German Critique•1981•Cited by: 2

    If the reader of Industry Reconsidered detected a shift of emphasis, a modification of Adorno's thesis of universal manipulation and delusion,' the reader of Transparencies on Film may be even more surprised. First published in November 1966 (only three years after the radio lecture just mentioned), this essay seems to suspend some of the major fixations of Adorno's theory on Culture Industry. Moreover, it encourages a reading against the grain o…

Aesthetics (2 works) · Art (2 works) · Art, Politics, and Modernism (1 work) · Cinema and Media Studies (1 work) · Critical Theory and Philosophy (1 work) · Eastern European Communism and Reforms (1 work) · European history and politics (1 work) · Law (1 work) · Polish Historical and Cultural Studies (1 work) · Political science (1 work)

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