J M Lotman
Biographic Data
| ID | 3864502 |
|---|---|
| NAME | J M Lotman |
| GIVEN NAMES | J M |
| FAMILY NAME | Lotman |
| SIGNATURE | LOTMAN J M |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 1978 |
| H-INDEX | 0 |
The Structure of the Artistic Text
Point of View in a Text
INCE ONLY SOMETHING which has an antithesis can act as a sign,' any compositional device becomes semantically distinctive once it is juxtaposed with a contrasting system. When a whole text is sustained in a single dimension, we are not aware of that dimension at all, as, for instance, in epic narrative. What Pushkin referred to as the rapid transitions of Romantic tales only acquire when combined with passages of leisurely narration. In the same …
The Discrete Text and the Iconic Text: Remarks on the Structure of Narrative
S A SEMIOTIC SYSTEM without signs possible? This question taken by itself may seem absurd. If, however, we reformulate it as follows: Can meaning be conveyed by a message in which we cannot single out signs in the sense in which they are defined most often-as the words of natural language? then, if we consider painting, music, and cinema, we cannot but answer in the affirmative. This is the first contradiction which we would like to resolve in th…
No prominent works on this page.
Point of View in a Text
INCE ONLY SOMETHING which has an antithesis can act as a sign,' any compositional device becomes semantically distinctive once it is juxtaposed with a contrasting system. When a whole text is sustained in a single dimension, we are not aware of that dimension at all, as, for instance, in epic narrative. What Pushkin referred to as the rapid transitions of Romantic tales only acquire when combined with passages of leisurely narration. In the same …
The Discrete Text and the Iconic Text: Remarks on the Structure of Narrative
S A SEMIOTIC SYSTEM without signs possible? This question taken by itself may seem absurd. If, however, we reformulate it as follows: Can meaning be conveyed by a message in which we cannot single out signs in the sense in which they are defined most often-as the words of natural language? then, if we consider painting, music, and cinema, we cannot but answer in the affirmative. This is the first contradiction which we would like to resolve in th…
The Structure of the Artistic Text
Computer Science (3 works) · Art (2 works) · Linguistics (2 works) · Narrative (2 works) · Philosophy (2 works) · Antithesis (1 works) · Consciousness (1 works) · Denotation (semiotics) (1 works) · Digital Humanities and Scholarship (1 works) · Epistemology (1 works)