Virginia Jackson
Biographic Data
| ID | 3864540 |
|---|---|
| NAME | Virginia Jackson |
| GIVEN NAMES | Virginia |
| FAMILY NAME | Jackson |
| SIGNATURE | JACKSON V |
| AFFILIATIONS | Rutgers Sexual and Reproductive Health and Rights |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Radium of the Word: A Poetics of Materiality
Apostrophe, Animation, and Racism
Do poems speak to you? Consider poems in which you encounter the signature version of excited Romantic poetic address that begins with a single letter adorned with its own exclamation mark: "O!" Don't you imagine that someone is saying (or shouting or whispering or gasping) "O!"? Does it matter that you don't know who that person might be? Don't you feel moved to respond, if only silently? Don't you want to imagine that overseeing or overhearing …
Critical Rhythm
Diff ering Fates of Some Modernist Poets' Investments of Belief in Sounds
"Raw Data" Is an Oxymoron
Our Poets: William Cullen Bryant and the White Romantic Lyric
William Cullen Bryant’s abstraction of the British Romantic poetics he has been accused of merely borrowing had lasting effects on the lyricization of transatlantic poetics and on current ideas of Romantic lyric (specifically on versions of “the” Romantic lyric taught in American English departments) and on the naturalization of lyric reading. Bryant’s lyricized racism is and was inherent in the very Englishness of the forms he used to establish …
Lyrical Studies
T HE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and…
Lyrical Studies
T HE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and…
Apostrophe, Animation, and Racism
Do poems speak to you? Consider poems in which you encounter the signature version of excited Romantic poetic address that begins with a single letter adorned with its own exclamation mark: "O!" Don't you imagine that someone is saying (or shouting or whispering or gasping) "O!"? Does it matter that you don't know who that person might be? Don't you feel moved to respond, if only silently? Don't you want to imagine that overseeing or overhearing …
Lyrical Studies
T HE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and…
Our Poets: William Cullen Bryant and the White Romantic Lyric
William Cullen Bryant’s abstraction of the British Romantic poetics he has been accused of merely borrowing had lasting effects on the lyricization of transatlantic poetics and on current ideas of Romantic lyric (specifically on versions of “the” Romantic lyric taught in American English departments) and on the naturalization of lyric reading. Bryant’s lyricized racism is and was inherent in the very Englishness of the forms he used to establish …
Critical Rhythm
Diff ering Fates of Some Modernist Poets' Investments of Belief in Sounds
"Raw Data" Is an Oxymoron
Apostrophe, Animation, and Racism
Do poems speak to you? Consider poems in which you encounter the signature version of excited Romantic poetic address that begins with a single letter adorned with its own exclamation mark: "O!" Don't you imagine that someone is saying (or shouting or whispering or gasping) "O!"? Does it matter that you don't know who that person might be? Don't you feel moved to respond, if only silently? Don't you want to imagine that overseeing or overhearing …
Radium of the Word: A Poetics of Materiality
Art (5 works) · Art history (4 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Poetry (4 works) · Poetry Analysis and Criticism (4 works) · Aesthetics (3 works) · Philosophy (3 works) · Poetics (3 works)