Mary N Layoun
Biographic Data
| ID | 3864603 |
|---|---|
| NAME | Mary N Layoun |
| GIVEN NAMES | Mary N |
| FAMILY NAME | Layoun |
| SIGNATURE | LAYOUN M N |
| AFFILIATIONS | University of Wisconsin–Madison |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 13 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
The Postcolonial
First used in post–World War II historical accounts as a designation for the period that followed the independence of successful anti-colonial struggles in Asia and Africa, the origins of the postcolonial as a category of thought are multiple and diversely located: in anti-colonial movements such as Pan-Africanism and the Négritude movement and thinkers and writers including Amilcar Cabral, Aimé Césaire, W. E. B. Du Bois, Frantz Fanon, Kwame Nkru…
To Relearn the Sense of the World
To Relearn the Sense of the World’: A Call to Arms” rereads the work of Masao Miyoshi and the legacy of that work in attending to his imperative to “relearn the sense of the world” (or worlds) in which we reside and cohabit with others. The role in that relearning of higher education and of the humanities, as well as of social and of poetic practices, locally and internationally, is traced as suggested by and beyond Miyoshi’s writings
J oe S acco . Footnotes in Gaza
“And I swear I’ll wrench nothing but the facts from our next batch of eyewitnesses, frail and imperfect as they might be” (119). This fraught promise from the narrator of Joe Sacco’s Footnotes in Gaza signals one of the central contradictions of this comic and, in fact, of eyewitness testimony to a historical event. From the foreword of Footnotes in Gaza to the four appendixes and bibliography that conclude its 432 pages, the visual and verbal to…
Travels of a Genre
Endings and Beginnings
Endings and Beginnings:Reimagining the Tasks and Spaces of Comparison Mary N. Layoun (bio) ́Ωμως την μαστοριά σου όληνα τη θέμε τώρα.Σε ξένη γλώσσα η λύπη μας κ' η αγάπη μας περνούν.Το αιγυπτιακό σου αίσθημα χύσε στην ξένη γλώσσα. Κ. Π. Καβάφης, "Για τον Aμμόνη, που πέθανε 29 ετών, στα 610" [But we need all of your craftsmanship now.Into a foreign language our sorrow and our love move.Pour your Egyptian sensibility into a foreign language. C. P. …
Telling Stories in Palestine
Wedded to the Land?
Wedded to the Land
Behind the Intifada
Travels of a Genre
Suicidal Narrative in Modern Japan
Resistance Literature
Fictional Formations and Deformations of National Culture
Research Article| January 01 1988 Fictional Formations and Deformations of National Culture Mary N. Layoun Mary N. Layoun Search for other works by this author on: This Site Google South Atlantic Quarterly (1988) 87 (1): 53–73. https://doi.org/10.1215/00382876-87-1-53 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Mary N. Layoun; Fictional Formations and Deformations of National Culture. South At…
Wedded to the Land
Endings and Beginnings
Endings and Beginnings:Reimagining the Tasks and Spaces of Comparison Mary N. Layoun (bio) ́Ωμως την μαστοριά σου όληνα τη θέμε τώρα.Σε ξένη γλώσσα η λύπη μας κ' η αγάπη μας περνούν.Το αιγυπτιακό σου αίσθημα χύσε στην ξένη γλώσσα. Κ. Π. Καβάφης, "Για τον Aμμόνη, που πέθανε 29 ετών, στα 610" [But we need all of your craftsmanship now.Into a foreign language our sorrow and our love move.Pour your Egyptian sensibility into a foreign language. C. P. …
Fictional Formations and Deformations of National Culture
Research Article| January 01 1988 Fictional Formations and Deformations of National Culture Mary N. Layoun Mary N. Layoun Search for other works by this author on: This Site Google South Atlantic Quarterly (1988) 87 (1): 53–73. https://doi.org/10.1215/00382876-87-1-53 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Mary N. Layoun; Fictional Formations and Deformations of National Culture. South At…
Fictional Formations and Deformations of National Culture
Research Article| January 01 1988 Fictional Formations and Deformations of National Culture Mary N. Layoun Mary N. Layoun Search for other works by this author on: This Site Google South Atlantic Quarterly (1988) 87 (1): 53–73. https://doi.org/10.1215/00382876-87-1-53 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Mary N. Layoun; Fictional Formations and Deformations of National Culture. South At…
Resistance Literature
Travels of a Genre
Suicidal Narrative in Modern Japan
Behind the Intifada
Wedded to the Land?
Wedded to the Land
Telling Stories in Palestine
Endings and Beginnings
Endings and Beginnings:Reimagining the Tasks and Spaces of Comparison Mary N. Layoun (bio) ́Ωμως την μαστοριά σου όληνα τη θέμε τώρα.Σε ξένη γλώσσα η λύπη μας κ' η αγάπη μας περνούν.Το αιγυπτιακό σου αίσθημα χύσε στην ξένη γλώσσα. Κ. Π. Καβάφης, "Για τον Aμμόνη, που πέθανε 29 ετών, στα 610" [But we need all of your craftsmanship now.Into a foreign language our sorrow and our love move.Pour your Egyptian sensibility into a foreign language. C. P. …
Travels of a Genre
J oe S acco . Footnotes in Gaza
“And I swear I’ll wrench nothing but the facts from our next batch of eyewitnesses, frail and imperfect as they might be” (119). This fraught promise from the narrator of Joe Sacco’s Footnotes in Gaza signals one of the central contradictions of this comic and, in fact, of eyewitness testimony to a historical event. From the foreword of Footnotes in Gaza to the four appendixes and bibliography that conclude its 432 pages, the visual and verbal to…
The Postcolonial
First used in post–World War II historical accounts as a designation for the period that followed the independence of successful anti-colonial struggles in Asia and Africa, the origins of the postcolonial as a category of thought are multiple and diversely located: in anti-colonial movements such as Pan-Africanism and the Négritude movement and thinkers and writers including Amilcar Cabral, Aimé Césaire, W. E. B. Du Bois, Frantz Fanon, Kwame Nkru…
To Relearn the Sense of the World
To Relearn the Sense of the World’: A Call to Arms” rereads the work of Masao Miyoshi and the legacy of that work in attending to his imperative to “relearn the sense of the world” (or worlds) in which we reside and cohabit with others. The role in that relearning of higher education and of the humanities, as well as of social and of poetic practices, locally and internationally, is traced as suggested by and beyond Miyoshi’s writings
Art (9 works) · History (8 works) · Sociology (8 works) · Political science (7 works) · Literature (6 works) · Law (4 works) · Aesthetics (3 works) · History (3 works) · Jewish and Middle Eastern Studies (3 works) · Narrative (3 works)