Daniel Yacavone
Biographic Data
| ID | 3864615 |
|---|---|
| NAME | Daniel Yacavone |
| GIVEN NAMES | Daniel |
| FAMILY NAME | Yacavone |
| SIGNATURE | YACAVONE D |
| AFFILIATIONS | University of Edinburgh |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Doubled visions
Henri-George Clouzot’s The Mystery of Picasso (1956) and Lars von Trier’s and Jørgen Leth’s The Five Obstructions (2003) are celebrated experimental documentaries on the creative process in the visual arts and cinema made (or co-made) by renowned narrative film auteurs. Ludic exercises in on-and off-screen cinematic co-creation, together they foreground creativity and its constraints; artistic style and authorship; and filmmaking as simultaneousl…
Film and the Phenomenology of Art
This essay argues that the most influential strand of contemporary phenomenological film theory, indebted to Maurice Merleau-Ponty’s philosophy of perception and embodiment, has tended to under-emphasize or distort the specifically aesthetic dimension of cinematic experience. This stems, in part, from a neglect of the rich tradition of phenomenological aesthetics - including (ironically) certain of Merleau-Ponty’s own writings on art and cinema -…
Film and the Phenomenology of Art
This essay argues that the most influential strand of contemporary phenomenological film theory, indebted to Maurice Merleau-Ponty’s philosophy of perception and embodiment, has tended to under-emphasize or distort the specifically aesthetic dimension of cinematic experience. This stems, in part, from a neglect of the rich tradition of phenomenological aesthetics - including (ironically) certain of Merleau-Ponty’s own writings on art and cinema -…
Film and the Phenomenology of Art
This essay argues that the most influential strand of contemporary phenomenological film theory, indebted to Maurice Merleau-Ponty’s philosophy of perception and embodiment, has tended to under-emphasize or distort the specifically aesthetic dimension of cinematic experience. This stems, in part, from a neglect of the rich tradition of phenomenological aesthetics - including (ironically) certain of Merleau-Ponty’s own writings on art and cinema -…
Doubled visions
Henri-George Clouzot’s The Mystery of Picasso (1956) and Lars von Trier’s and Jørgen Leth’s The Five Obstructions (2003) are celebrated experimental documentaries on the creative process in the visual arts and cinema made (or co-made) by renowned narrative film auteurs. Ludic exercises in on-and off-screen cinematic co-creation, together they foreground creativity and its constraints; artistic style and authorship; and filmmaking as simultaneousl…
Aesthetics (2 works) · Art (2 works) · Cinema and Media Studies (2 works) · Literature (2 works) · Movie theater (2 works) · Visual Culture and Art Theory (2 works) · Art history (1 work) · Artistic and Creative Research (1 work) · Creativity (1 work) · Epistemology (1 work)