Judith Aston
Biographic Data
| ID | 386465 |
|---|---|
| NAME | Judith Aston |
| GIVEN NAMES | Judith |
| FAMILY NAME | Aston |
| SIGNATURE | ASTON J |
| AFFILIATIONS | University of the West of England |
| ORCID | 0000-0003-0178-1614 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Computational Polyphony and Diffractive Ethnography
There’s more to life than the monomyth
This article critiques the ongoing dominance of the Hollywood monomyth in the film and television industry, at least in the UK if not more widely.It considers how this is impacting on the teaching of narrative and story in university film and media departments as they move towards stronger collaborations with industry.It argues for the importance of two-way dialogue to help equip students and their future employers for a world facing complex glob…
I-Docs
The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and th…
Voices from the Blue Nile
Peer reviewed journal paper in special edition of journal reporting on Narrative/NonNarrative/AntiNarrative Conference, Arnolfini Bristol, November 2006
No prominent works on this page.
Voices from the Blue Nile
Peer reviewed journal paper in special edition of journal reporting on Narrative/NonNarrative/AntiNarrative Conference, Arnolfini Bristol, November 2006
I-Docs
The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and th…
There’s more to life than the monomyth
This article critiques the ongoing dominance of the Hollywood monomyth in the film and television industry, at least in the UK if not more widely.It considers how this is impacting on the teaching of narrative and story in university film and media departments as they move towards stronger collaborations with industry.It argues for the importance of two-way dialogue to help equip students and their future employers for a world facing complex glob…
Computational Polyphony and Diffractive Ethnography
Art (4 works) · Sociology (4 works) · Computer Science (3 works) · Literature (3 works) · Narrative (3 works) · Media studies (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Affordance (1 work) · Anthropology (1 work)