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R A Foakes

Biographic Data

ID386475
NAMER A Foakes
GIVEN NAMESR A
FAMILY NAMEFoakes
SIGNATUREFOAKES R A
AFFILIATIONSUniversity of California, Los Angeles
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS12
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR2002
H-INDEX2
  • Shakespeare and Violence

    R A Foakes, Mathew R Martin et al.•ARTICLE•Renaissance and Reformation•2002

    A. Foakes aims in Shakespeare and Violence to chart the development of Shakespeare's thinking about violence over the course of his dramatic career. Foakes argues that Shakespeare's plays "may be seen as following a trajectory that begins with a delight in representing violence for entertainment, continues in a series of plays that explore various aspects of the problem of violence, and ends with a searching study of human aggression in relation …

  • Heavyweight Shakespeare

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1998

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Hamlet versus Lear

    Open Access•R A Foakes•BOOK•Hamlet Versus Lear•1993

    This book focuses on the two plays of Shakespeare that have generally contended for the title of 'greatest' among his works. Hamlet remained a focal point of reference until about 1960, when it was displaced by King Lear, a play which at the same time ceased to be perceived as a play of redemption and became a play of despair. Foakes attempts to explain these shifts by analysing the reception of the plays since about 1800, an analysis which neces…

  • Hamlet versus Lear

    R A Foakes•BOOK•Hamlet versus Lear•1993

  • Patrons and Performance

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Register of English Theatrical Documents 1600-1737

    R A Foakes, Judith Milhous et al.•ARTICLE•Theatre Journal•1992•Cited by: 7

  • Tudor Royal Iconography

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Rebuilding Shakespeare's Globe

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Human Stage

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Illustrations of the English Stage, 1580-1642

    Judith Milhous, R A Foakes•ARTICLE•Theatre Journal•1986•Cited by: 3

  • The Profession of Player in Shakespeare's Time 1590-1642

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1985

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Attendance at meeetings is expected

    Open Access•R A Foakes, R FOAKES•ARTICLE•Critical Quarterly•1984

  • The Children of Paul's

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Restoration and Eighteenth-Century Poetry 1660-1780

    Richard Eversole, Eric Rothstein et al.•ARTICLE•Eighteenth-Century Studies•1983•Cited by: 2

    Restoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period which, although largely recovered from its nineteenth-century reputation, still attracts widely varying critical responses. Abandoning the old labels such as 'neoclassicism', 'romanticism' and 'sensibility', the author focuses on descriptions of genres and their formal elements and traces the broader patterns…

  • Elizabethan Grotesque

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Achievement of Shakespeare's `Measure for Measure

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1967

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Register of English Theatrical Documents 1600-1737

    R A Foakes, Judith Milhous et al.•ARTICLE•Theatre Journal•1992•Cited by: 7

  • Illustrations of the English Stage, 1580-1642

    Judith Milhous, R A Foakes•ARTICLE•Theatre Journal•1986•Cited by: 3

  • Restoration and Eighteenth-Century Poetry 1660-1780

    Richard Eversole, Eric Rothstein et al.•ARTICLE•Eighteenth-Century Studies•1983•Cited by: 2

    Restoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period which, although largely recovered from its nineteenth-century reputation, still attracts widely varying critical responses. Abandoning the old labels such as 'neoclassicism', 'romanticism' and 'sensibility', the author focuses on descriptions of genres and their formal elements and traces the broader patterns…

  • The Achievement of Shakespeare's `Measure for Measure

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1967

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Elizabethan Grotesque

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Restoration and Eighteenth-Century Poetry 1660-1780

    Richard Eversole, Eric Rothstein et al.•ARTICLE•Eighteenth-Century Studies•1983•Cited by: 2

    Restoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period which, although largely recovered from its nineteenth-century reputation, still attracts widely varying critical responses. Abandoning the old labels such as 'neoclassicism', 'romanticism' and 'sensibility', the author focuses on descriptions of genres and their formal elements and traces the broader patterns…

  • Attendance at meeetings is expected

    Open Access•R A Foakes, R FOAKES•ARTICLE•Critical Quarterly•1984

  • The Children of Paul's

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Profession of Player in Shakespeare's Time 1590-1642

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1985

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Illustrations of the English Stage, 1580-1642

    Judith Milhous, R A Foakes•ARTICLE•Theatre Journal•1986•Cited by: 3

  • The Human Stage

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Tudor Royal Iconography

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Rebuilding Shakespeare's Globe

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Patrons and Performance

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1992

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Register of English Theatrical Documents 1600-1737

    R A Foakes, Judith Milhous et al.•ARTICLE•Theatre Journal•1992•Cited by: 7

  • Hamlet versus Lear

    Open Access•R A Foakes•BOOK•Hamlet Versus Lear•1993

    This book focuses on the two plays of Shakespeare that have generally contended for the title of 'greatest' among his works. Hamlet remained a focal point of reference until about 1960, when it was displaced by King Lear, a play which at the same time ceased to be perceived as a play of redemption and became a play of despair. Foakes attempts to explain these shifts by analysing the reception of the plays since about 1800, an analysis which neces…

  • Hamlet versus Lear

    R A Foakes•BOOK•Hamlet versus Lear•1993

  • Heavyweight Shakespeare

    Open Access•R A Foakes•ARTICLE•Renaissance Quarterly•1998

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare and Violence

    R A Foakes, Mathew R Martin et al.•ARTICLE•Renaissance and Reformation•2002

    A. Foakes aims in Shakespeare and Violence to chart the development of Shakespeare's thinking about violence over the course of his dramatic career. Foakes argues that Shakespeare's plays "may be seen as following a trajectory that begins with a delight in representing violence for entertainment, continues in a series of plays that explore various aspects of the problem of violence, and ends with a searching study of human aggression in relation …

History (11 works) · History (10 works) · Art (9 works) · Media studies (7 works) · Sociology (7 works) · Historical Art and Culture Studies (5 works) · Shakespeare, Adaptation, and Literary Criticism (5 works) · Art history (4 works) · Computer Science (3 works) · Historical Studies of British Isles (3 works)

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