Fiona Macpherson
Biographic Data
| ID | 3866234 |
|---|---|
| NAME | Fiona Macpherson |
| GIVEN NAMES | Fiona |
| FAMILY NAME | Macpherson |
| SIGNATURE | MACPHERSON F |
| AFFILIATIONS | University of Glasgow |
| ORCID | 0000-0002-4950-3309 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 49 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 3 |
Plural Imagination
The experience of visual mental imagery—seeing in the mind’s eye—varies widely between individuals, but perhaps because we tend to assume our own way of thinking to be everyone’s, how this crucial variation impacts art practice, and indeed art history, has barely been addressed. We seek to correct this omission by pursuing the implications of how artists with aphantasia (the absence of mental imagery) and hyperphantasia (imagery of extreme vividn…
After the Storm
This paper is a critical evaluation of a unique approach to working with disadvantaged communities, which involves inter-disciplinary collaboration between an Applied Theater (AT) director and a sociologist. The application of the approach, in a community disadvantaged by the loss of industry, provides the case study basis for the evaluation. Between 2014 and 2017 community participants from Eyemouth, southeast Scotland, worked with an artistic t…
Routledge Handbook of Philosophy of Colour
Phenomenal Presence
Many different features figure consciously in our perceptual experiences, in the sense that they make a subjective difference to those experiences. These features range from colours and shapes to volumes and backsides, from natural or artefactual kinds to reasons for perceptual belief, and from the existence and externality of objects to the relationality and wakefulness of our perceptual awareness of them. The topic of this collection of essays …
Sensing art and artifacts
This article proposes a sensory studies methodology for the interpretation of museum objects. The proposed method unfolds in two phases: virtual encounter via an on-line catalog and actual exposure in the context of a handling workshop. In addition to exploring the écart between image and object, the “Sensing Art and Artifacts” exercise articulates a framework for arriving at a multisensory, cross-cultural, interactive understanding of aesthetic …
The relationship between cognitive penetration and predictive coding
The claim that predictive coding entails cognitive penetration is too simplistic. • There are different forms of predictive coding and cognitive penetration. • There are different relationships between those forms. • The truth of some form of predictive coding does not entail cognitive penetration exists. • Researchers should specify which form of predictive coding & cognitive penetration they refer to. If beliefs and desires affect perception—at…
The structure of experience, the nature of the visual, and type 2 blindsight
Unlike those with type 1 blindsight, people who have type 2 blindsight have some sort of consciousness of the stimuli in their blind field. What is the nature of that consciousness? Is it visual experience? I address these questions by considering whether we can establish the existence of any structural-necessary-features of visual experience. I argue that it is very difficult to establish the existence of any such features. In particular, I inve…
The Admissible Contents of Experience
Which objects and properties are represented in perceptual experience, and how are we able to determine this? The papers in this collection address these questions together with other fundamental questions about the nature of perceptual content. The book draws together papers by leading international philosophers of mind, including Alex Byrne (MIT), Alva Noë (University of California, Berkeley), Tim Bayne (St Catherine’s College, Oxford), Michael…
Admissible Contents of Experience
Cognitive Penetration of Colour Experience
Can the phenomenal character of perceptual experience be altered by the states of one’s cognitive system, for example, one’s thoughts or beliefs? If one thinks that this can happen (at least in certain ways that are identified in the paper) then one thinks that there can be cognitive penetration of perceptual experience; otherwise, one thinks that perceptual experience is cognitively impenetrable. I claim that there is one alleged case of cogniti…
Colour Inversion Problems for Representationalism
In this paper I examine whether representationalism can account for various thought experiments about colour inversions. Representationalism is, at minimum, the view that, necessarily, if two experiences have the same representational content then they have the same phenomenal character. I argue that representationalism ought to be rejected if one holds externalist views about experiential content and one holds traditional externalist views about…
Cognitive Penetration of Colour Experience
Can the phenomenal character of perceptual experience be altered by the states of one’s cognitive system, for example, one’s thoughts or beliefs? If one thinks that this can happen (at least in certain ways that are identified in the paper) then one thinks that there can be cognitive penetration of perceptual experience; otherwise, one thinks that perceptual experience is cognitively impenetrable. I claim that there is one alleged case of cogniti…
Sensing art and artifacts
This article proposes a sensory studies methodology for the interpretation of museum objects. The proposed method unfolds in two phases: virtual encounter via an on-line catalog and actual exposure in the context of a handling workshop. In addition to exploring the écart between image and object, the “Sensing Art and Artifacts” exercise articulates a framework for arriving at a multisensory, cross-cultural, interactive understanding of aesthetic …
Colour Inversion Problems for Representationalism
In this paper I examine whether representationalism can account for various thought experiments about colour inversions. Representationalism is, at minimum, the view that, necessarily, if two experiences have the same representational content then they have the same phenomenal character. I argue that representationalism ought to be rejected if one holds externalist views about experiential content and one holds traditional externalist views about…
After the Storm
This paper is a critical evaluation of a unique approach to working with disadvantaged communities, which involves inter-disciplinary collaboration between an Applied Theater (AT) director and a sociologist. The application of the approach, in a community disadvantaged by the loss of industry, provides the case study basis for the evaluation. Between 2014 and 2017 community participants from Eyemouth, southeast Scotland, worked with an artistic t…
Colour Inversion Problems for Representationalism
In this paper I examine whether representationalism can account for various thought experiments about colour inversions. Representationalism is, at minimum, the view that, necessarily, if two experiences have the same representational content then they have the same phenomenal character. I argue that representationalism ought to be rejected if one holds externalist views about experiential content and one holds traditional externalist views about…
The Admissible Contents of Experience
Which objects and properties are represented in perceptual experience, and how are we able to determine this? The papers in this collection address these questions together with other fundamental questions about the nature of perceptual content. The book draws together papers by leading international philosophers of mind, including Alex Byrne (MIT), Alva Noë (University of California, Berkeley), Tim Bayne (St Catherine’s College, Oxford), Michael…
Admissible Contents of Experience
Cognitive Penetration of Colour Experience
Can the phenomenal character of perceptual experience be altered by the states of one’s cognitive system, for example, one’s thoughts or beliefs? If one thinks that this can happen (at least in certain ways that are identified in the paper) then one thinks that there can be cognitive penetration of perceptual experience; otherwise, one thinks that perceptual experience is cognitively impenetrable. I claim that there is one alleged case of cogniti…
The structure of experience, the nature of the visual, and type 2 blindsight
Unlike those with type 1 blindsight, people who have type 2 blindsight have some sort of consciousness of the stimuli in their blind field. What is the nature of that consciousness? Is it visual experience? I address these questions by considering whether we can establish the existence of any structural-necessary-features of visual experience. I argue that it is very difficult to establish the existence of any such features. In particular, I inve…
The relationship between cognitive penetration and predictive coding
The claim that predictive coding entails cognitive penetration is too simplistic. • There are different forms of predictive coding and cognitive penetration. • There are different relationships between those forms. • The truth of some form of predictive coding does not entail cognitive penetration exists. • Researchers should specify which form of predictive coding & cognitive penetration they refer to. If beliefs and desires affect perception—at…
Phenomenal Presence
Many different features figure consciously in our perceptual experiences, in the sense that they make a subjective difference to those experiences. These features range from colours and shapes to volumes and backsides, from natural or artefactual kinds to reasons for perceptual belief, and from the existence and externality of objects to the relationality and wakefulness of our perceptual awareness of them. The topic of this collection of essays …
Sensing art and artifacts
This article proposes a sensory studies methodology for the interpretation of museum objects. The proposed method unfolds in two phases: virtual encounter via an on-line catalog and actual exposure in the context of a handling workshop. In addition to exploring the écart between image and object, the “Sensing Art and Artifacts” exercise articulates a framework for arriving at a multisensory, cross-cultural, interactive understanding of aesthetic …
After the Storm
This paper is a critical evaluation of a unique approach to working with disadvantaged communities, which involves inter-disciplinary collaboration between an Applied Theater (AT) director and a sociologist. The application of the approach, in a community disadvantaged by the loss of industry, provides the case study basis for the evaluation. Between 2014 and 2017 community participants from Eyemouth, southeast Scotland, worked with an artistic t…
Routledge Handbook of Philosophy of Colour
Plural Imagination
The experience of visual mental imagery—seeing in the mind’s eye—varies widely between individuals, but perhaps because we tend to assume our own way of thinking to be everyone’s, how this crucial variation impacts art practice, and indeed art history, has barely been addressed. We seek to correct this omission by pursuing the implications of how artists with aphantasia (the absence of mental imagery) and hyperphantasia (imagery of extreme vividn…
Psychology (7 works) · Cognitive psychology (5 works) · Computer Science (5 works) · Perception (5 works) · Aesthetic Perception and Analysis (4 works) · Cognitive science (4 works) · Philosophy (4 works) · Artificial Intelligence (3 works) · Mathematics (3 works) · Sociology (3 works)