Claire Bishop
Biographic Data
| ID | 3867002 |
|---|---|
| NAME | Claire Bishop |
| GIVEN NAMES | Claire |
| FAMILY NAME | Bishop |
| SIGNATURE | BISHOP C |
| AFFILIATIONS | City University of New York |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 151 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 3 |
Le tournant social: Les pratiques collaboratives et ceux qu’elles mécontentent
L’article est une traduction du texte de Claire Bishop, publié en 2006 dans Artforum. L’autrice y interroge les pratiques artistiques collaboratives, notamment du collectif Oda Projesi, Thomas Hirschhorn, Phil Collins, Jeremy Deller et Artur Żmijewski. Elle discute et problématise les enjeux éthiques et la valeur artistique de tels projets, qui revendiquent une certaine portée politique
Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention
Relocated from the “black box” of experimental theatre to the “white cube” of the gallery, dance in the museum brings about new forms of performance — the dance exhibition — and new protocols of audience behavior that permit, even encourage, smartphone photography. This is the “gray zone” of recent performance, which is both a symptom of, and compensation for, the virtualization of contemporary perception
Mass effect: Art and the Internet in the Twenty-First Century
The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney
This article argues that the art world's current fascination for dance follows on from a previous high point of interaction in the late 1960s and 1970s, and before that, a moment in the late 1930s and early 1940s. It traces these first, second, and third waves of dance in the museum at three institutions: the Tate in London, and the Museum of Modern Art and the Whitney Museum of American Art in New York. Three institutional histories are sketched…
Delegated Performance: Outsourcing Authenticity
May 01 2012 Delegated Performance: Outsourcing Authenticity Claire Bishop Claire Bishop CLAIRE BISHOP is Associate Professor in the Ph.D. Program in Art History at CUNY Graduate Center, New York. Her publications include Installation Art: A Critical History (Tate, 2005) and Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012). Search for other works by this author on: This Site Google Scholar Author and Article Info…
Vienna Inc: The Analytic documenta
Letters and Responses: Claire Bishop Responds
January 01 2006 Letters and Responses: Claire Bishop Responds Claire Bishop Claire Bishop Search for other works by this author on: This Site Google Scholar Author and Article Information Claire Bishop Online Issn: 1536-013X Print Issn: 0162-2870 © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 October (2006) (115): 107. https://doi.org/10.1162/octo.2006.115.1.107 Cite Icon Cite Permissions Share Icon Share Twitter Link…
Letters and Responses
January 01 2006 Letters and Responses Liam Gillick Liam Gillick Search for other works by this author on: This Site Google Scholar Author and Article Information Liam Gillick Online Issn: 1536-013X Print Issn: 0162-2870 © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 October (2006) (115): 95–106. https://doi.org/10.1162/octo.2006.115.1.95 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Art…
Antagonism and Relational Aesthetics
October 01 2004 Antagonism and Relational Aesthetics Claire Bishop Claire Bishop Search for other works by this author on: This Site Google Scholar Author and Article Information Claire Bishop Online Issn: 1536-013X Print Issn: 0162-2870 (c) 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (110): 51-79. https://doi.org/10.1162/0162287042379810 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Vie…
The Trafficking Victims Protection Act of 2000: Three Years Later
Antagonism and Relational Aesthetics
October 01 2004 Antagonism and Relational Aesthetics Claire Bishop Claire Bishop Search for other works by this author on: This Site Google Scholar Author and Article Information Claire Bishop Online Issn: 1536-013X Print Issn: 0162-2870 (c) 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (110): 51-79. https://doi.org/10.1162/0162287042379810 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Vie…
Delegated Performance: Outsourcing Authenticity
May 01 2012 Delegated Performance: Outsourcing Authenticity Claire Bishop Claire Bishop CLAIRE BISHOP is Associate Professor in the Ph.D. Program in Art History at CUNY Graduate Center, New York. Her publications include Installation Art: A Critical History (Tate, 2005) and Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012). Search for other works by this author on: This Site Google Scholar Author and Article Info…
Letters and Responses
January 01 2006 Letters and Responses Liam Gillick Liam Gillick Search for other works by this author on: This Site Google Scholar Author and Article Information Liam Gillick Online Issn: 1536-013X Print Issn: 0162-2870 © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 October (2006) (115): 95–106. https://doi.org/10.1162/octo.2006.115.1.95 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Art…
The Trafficking Victims Protection Act of 2000: Three Years Later
The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney
This article argues that the art world's current fascination for dance follows on from a previous high point of interaction in the late 1960s and 1970s, and before that, a moment in the late 1930s and early 1940s. It traces these first, second, and third waves of dance in the museum at three institutions: the Tate in London, and the Museum of Modern Art and the Whitney Museum of American Art in New York. Three institutional histories are sketched…
The Trafficking Victims Protection Act of 2000: Three Years Later
Antagonism and Relational Aesthetics
October 01 2004 Antagonism and Relational Aesthetics Claire Bishop Claire Bishop Search for other works by this author on: This Site Google Scholar Author and Article Information Claire Bishop Online Issn: 1536-013X Print Issn: 0162-2870 (c) 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (110): 51-79. https://doi.org/10.1162/0162287042379810 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Vie…
Letters and Responses: Claire Bishop Responds
January 01 2006 Letters and Responses: Claire Bishop Responds Claire Bishop Claire Bishop Search for other works by this author on: This Site Google Scholar Author and Article Information Claire Bishop Online Issn: 1536-013X Print Issn: 0162-2870 © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 October (2006) (115): 107. https://doi.org/10.1162/octo.2006.115.1.107 Cite Icon Cite Permissions Share Icon Share Twitter Link…
Letters and Responses
January 01 2006 Letters and Responses Liam Gillick Liam Gillick Search for other works by this author on: This Site Google Scholar Author and Article Information Liam Gillick Online Issn: 1536-013X Print Issn: 0162-2870 © 2006 October Magazine, Ltd. and Massachusetts Institute of Technology2006 October (2006) (115): 95–106. https://doi.org/10.1162/octo.2006.115.1.95 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Art…
Vienna Inc: The Analytic documenta
Delegated Performance: Outsourcing Authenticity
May 01 2012 Delegated Performance: Outsourcing Authenticity Claire Bishop Claire Bishop CLAIRE BISHOP is Associate Professor in the Ph.D. Program in Art History at CUNY Graduate Center, New York. Her publications include Installation Art: A Critical History (Tate, 2005) and Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012). Search for other works by this author on: This Site Google Scholar Author and Article Info…
The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney
This article argues that the art world's current fascination for dance follows on from a previous high point of interaction in the late 1960s and 1970s, and before that, a moment in the late 1930s and early 1940s. It traces these first, second, and third waves of dance in the museum at three institutions: the Tate in London, and the Museum of Modern Art and the Whitney Museum of American Art in New York. Three institutional histories are sketched…
Mass effect: Art and the Internet in the Twenty-First Century
Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention
Relocated from the “black box” of experimental theatre to the “white cube” of the gallery, dance in the museum brings about new forms of performance — the dance exhibition — and new protocols of audience behavior that permit, even encourage, smartphone photography. This is the “gray zone” of recent performance, which is both a symptom of, and compensation for, the virtualization of contemporary perception
Le tournant social: Les pratiques collaboratives et ceux qu’elles mécontentent
L’article est une traduction du texte de Claire Bishop, publié en 2006 dans Artforum. L’autrice y interroge les pratiques artistiques collaboratives, notamment du collectif Oda Projesi, Thomas Hirschhorn, Phil Collins, Jeremy Deller et Artur Żmijewski. Elle discute et problématise les enjeux éthiques et la valeur artistique de tels projets, qui revendiquent une certaine portée politique
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