Tom Mcdonough
Dados Biográficos
| ID | 3867017 |
|---|---|
| NOME | Tom Mcdonough |
| PRENOMES | Tom |
| SOBRENOME | Mcdonough |
| ASSINATURA | MCDONOUGH T |
| AFILIAÇÕES | Tom McDonough is Assistant Professor of Art History at Binghamton University and an editor at Grey Room. |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAÇÕES | 14 |
| TOTAL COMO AUTOR | 14 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 2 |
Parreno, Philippe
Cinema at a Standstill
Cinema at a Standstill" examines the theory and practice of film within the Situationist International, circa 1968. Questioning Guy Debord's refusal to document the group's participation in the abortive revolution of May-June '68, the essay explores the Situationists' ambivalence to the image as mnemonic device. Their refusal of film's iconicity did not, however, mean a complete refusal of its logic: The austere, text-based posters produced by th…
Human/Capital
This essay inquires into the vexed place of labor in the work of Cindy Sherman. Noting the curious absence of images of workingwomen among the vast repertoire of feminine types featured in the artist's photographs, it turns to her oft-disparaged film Office Killer (1997) to consider the stakes of representing class and labor within the contemporary regime of neoliberalism. The lead character in this horror film is read as an exemplar of human cap…
From My Thousand & One Nights
from My Thousand & One Nights Raja Alem (bio) Translated by Tom McDonough Ice Flame The first donkey my father owned was a Yemenite bred in the mountains of Sunaa. It was brought to him by a haji, a pilgrim from Yemen who traded it to pay his expenses in the Holy Land. It was customary for Yemenite pilgrims to enter Mecca shepherding three to seven donkeys. The city’s markets welcomed these beautiful animals, because they contributed so much to t…
Metastructure
October 01 2008 Metastructure: Experimental Utopia and Traumatic Memory in Constant's New Babylon Tom McDonough Tom McDonough Tom McDonough, an editor at Grey Room, is Visiting Associate Professor in the History of Art Department at the University of California, Berkeley for the 2008–2009 academic year, on leave from his position at Binghamton University. His publications include "The Beautiful Language of My Century": Reinventing the Language of…
Fictions of the Dismal Theorem
January 01 2008 Fictions of the Dismal Theorem Tom McDonough Tom McDonough Director of Graduate Studies and Associate Professor of Art History at the State University of New York, Binghamton. Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Director of Graduate Studies and Associate Professor of Art History at the State University of New York, Binghamton. Online Issn: 1536-013X Print …
Calling from the Inside
January 01 2007 Calling from the Inside: Filmic Topologies of the Everyday Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-0105 Print Issn: 1526-3819 © 2007 by Grey Room, Inc. and the Massachusetts Institute of Technology.2007 Grey Room (2007) (26): 6–29. https://doi.org/10.1162/grey.2007.1.26.6 Cite Icon Cite Permissions Share Icon Share…
Guy Debord, or The Revolutionary Without a Halo
January 01 2006 Guy Debord, or The Revolutionary Without a Halo Tom McDonough Tom McDonough Tom McDonough is Assistant Professor of Art History at Binghamton University and an editor at Grey Room. Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Tom McDonough is Assistant Professor of Art History at Binghamton University and an editor at Grey Room. He has edited Guy Debord and the Sit…
Delirious Paris
Raymond Hains's "France in Shreds" and the Politics of Décollage
This article traces the reception of Raymond Hains's 1961 exhibition of torn posters relating to the war in Algeria, titled "La France déchirée" (France in Shreds). By examining how these works were read, and how they both mobilized and contained their imagery for different audiences, the political instability of montage during the early sixties-its availability as a tool of ambiguity for artists like Hains-becomes clear
Guy Debord and the situationist international
This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of …
No Ghost
October 01 2004 No Ghost Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-013X Print Issn: 0162-2870 © 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (110): 107–130. https://doi.org/10.1162/0162287042379829 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon View…
The Crimes of the Flaneur
No matter what trail the flaneur may follow, every one of them will lead him to a crime. -Walter Benjamin, "The Paris of the Second Empire in Baudelaire
The Surface as Stake
October 01 2001 The Surface as Stake: A Postscript to Timothy M. Rohan's “Rendering the Surface” Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-0105 Print Issn: 1526-3819 © 2001 Grey Room, Inc. and Massachusetts Institute of Technology2001 Grey Room (2001) (5): 102–111. https://doi.org/10.1162/152638101317127831 Cite Icon Cite Permission…
The Crimes of the Flaneur
No matter what trail the flaneur may follow, every one of them will lead him to a crime. -Walter Benjamin, "The Paris of the Second Empire in Baudelaire
Calling from the Inside
January 01 2007 Calling from the Inside: Filmic Topologies of the Everyday Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-0105 Print Issn: 1526-3819 © 2007 by Grey Room, Inc. and the Massachusetts Institute of Technology.2007 Grey Room (2007) (26): 6–29. https://doi.org/10.1162/grey.2007.1.26.6 Cite Icon Cite Permissions Share Icon Share…
Human/Capital
This essay inquires into the vexed place of labor in the work of Cindy Sherman. Noting the curious absence of images of workingwomen among the vast repertoire of feminine types featured in the artist's photographs, it turns to her oft-disparaged film Office Killer (1997) to consider the stakes of representing class and labor within the contemporary regime of neoliberalism. The lead character in this horror film is read as an exemplar of human cap…
Metastructure
October 01 2008 Metastructure: Experimental Utopia and Traumatic Memory in Constant's New Babylon Tom McDonough Tom McDonough Tom McDonough, an editor at Grey Room, is Visiting Associate Professor in the History of Art Department at the University of California, Berkeley for the 2008–2009 academic year, on leave from his position at Binghamton University. His publications include "The Beautiful Language of My Century": Reinventing the Language of…
Delirious Paris
Raymond Hains's "France in Shreds" and the Politics of Décollage
This article traces the reception of Raymond Hains's 1961 exhibition of torn posters relating to the war in Algeria, titled "La France déchirée" (France in Shreds). By examining how these works were read, and how they both mobilized and contained their imagery for different audiences, the political instability of montage during the early sixties-its availability as a tool of ambiguity for artists like Hains-becomes clear
The Surface as Stake
October 01 2001 The Surface as Stake: A Postscript to Timothy M. Rohan's “Rendering the Surface” Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-0105 Print Issn: 1526-3819 © 2001 Grey Room, Inc. and Massachusetts Institute of Technology2001 Grey Room (2001) (5): 102–111. https://doi.org/10.1162/152638101317127831 Cite Icon Cite Permission…
The Surface as Stake
October 01 2001 The Surface as Stake: A Postscript to Timothy M. Rohan's “Rendering the Surface” Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-0105 Print Issn: 1526-3819 © 2001 Grey Room, Inc. and Massachusetts Institute of Technology2001 Grey Room (2001) (5): 102–111. https://doi.org/10.1162/152638101317127831 Cite Icon Cite Permission…
The Crimes of the Flaneur
No matter what trail the flaneur may follow, every one of them will lead him to a crime. -Walter Benjamin, "The Paris of the Second Empire in Baudelaire
Guy Debord and the situationist international
This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of …
No Ghost
October 01 2004 No Ghost Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-013X Print Issn: 0162-2870 © 2004 October Magazine, Ltd. and Massachusetts Institute of Technology2004 October (2004) (110): 107–130. https://doi.org/10.1162/0162287042379829 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon View…
Delirious Paris
Raymond Hains's "France in Shreds" and the Politics of Décollage
This article traces the reception of Raymond Hains's 1961 exhibition of torn posters relating to the war in Algeria, titled "La France déchirée" (France in Shreds). By examining how these works were read, and how they both mobilized and contained their imagery for different audiences, the political instability of montage during the early sixties-its availability as a tool of ambiguity for artists like Hains-becomes clear
Guy Debord, or The Revolutionary Without a Halo
January 01 2006 Guy Debord, or The Revolutionary Without a Halo Tom McDonough Tom McDonough Tom McDonough is Assistant Professor of Art History at Binghamton University and an editor at Grey Room. Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Tom McDonough is Assistant Professor of Art History at Binghamton University and an editor at Grey Room. He has edited Guy Debord and the Sit…
Calling from the Inside
January 01 2007 Calling from the Inside: Filmic Topologies of the Everyday Tom McDonough Tom McDonough Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Online Issn: 1536-0105 Print Issn: 1526-3819 © 2007 by Grey Room, Inc. and the Massachusetts Institute of Technology.2007 Grey Room (2007) (26): 6–29. https://doi.org/10.1162/grey.2007.1.26.6 Cite Icon Cite Permissions Share Icon Share…
Metastructure
October 01 2008 Metastructure: Experimental Utopia and Traumatic Memory in Constant's New Babylon Tom McDonough Tom McDonough Tom McDonough, an editor at Grey Room, is Visiting Associate Professor in the History of Art Department at the University of California, Berkeley for the 2008–2009 academic year, on leave from his position at Binghamton University. His publications include "The Beautiful Language of My Century": Reinventing the Language of…
Fictions of the Dismal Theorem
January 01 2008 Fictions of the Dismal Theorem Tom McDonough Tom McDonough Director of Graduate Studies and Associate Professor of Art History at the State University of New York, Binghamton. Search for other works by this author on: This Site Google Scholar Author and Article Information Tom McDonough Director of Graduate Studies and Associate Professor of Art History at the State University of New York, Binghamton. Online Issn: 1536-013X Print …
From My Thousand & One Nights
from My Thousand & One Nights Raja Alem (bio) Translated by Tom McDonough Ice Flame The first donkey my father owned was a Yemenite bred in the mountains of Sunaa. It was brought to him by a haji, a pilgrim from Yemen who traded it to pay his expenses in the Holy Land. It was customary for Yemenite pilgrims to enter Mecca shepherding three to seven donkeys. The city’s markets welcomed these beautiful animals, because they contributed so much to t…
Human/Capital
This essay inquires into the vexed place of labor in the work of Cindy Sherman. Noting the curious absence of images of workingwomen among the vast repertoire of feminine types featured in the artist's photographs, it turns to her oft-disparaged film Office Killer (1997) to consider the stakes of representing class and labor within the contemporary regime of neoliberalism. The lead character in this horror film is read as an exemplar of human cap…
Parreno, Philippe
Cinema at a Standstill
Cinema at a Standstill" examines the theory and practice of film within the Situationist International, circa 1968. Questioning Guy Debord's refusal to document the group's participation in the abortive revolution of May-June '68, the essay explores the Situationists' ambivalence to the image as mnemonic device. Their refusal of film's iconicity did not, however, mean a complete refusal of its logic: The austere, text-based posters produced by th…
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