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Jeremy Melius

Biographic Data

ID3867098
NAMEJeremy Melius
GIVEN NAMESJeremy
FAMILY NAMEMelius
SIGNATUREMELIUS J
AFFILIATIONSJEREMY MELIUS teaches modern art in the Department of Art and Art History at Tufts University. He is currently completing a manuscript entitled “The Invention of Botticelli.”
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Ruskin’s Double Plots

    Open Access•Jeremy Melius•ARTICLE•Oxford Art Journal•2025

  • Titian, Metaphor, and the Body

    Jeremy Melius•ARTICLE•I Tatti Studies•2023•References: 3

  • Material Inspirations

    Jeremy Melius•ARTICLE•Critical Inquiry•2023

  • Inscription and Castration in Picasso's The Painter and His Model, 1927

    Jeremy Melius•ARTICLE•October•2015•References: 1

    In the spring of 1927, Picasso produced a large painting known as The Painter and His Model, now in Tehran. Perhaps because of its current location, the work has, until recently, gone largely unremarked in the literature on the artist. Nonetheless, it stands as his most arresting single canv as of the late 1920s-perhaps the strangest period of the artist's production-and indeed as one of the supreme achievements of his career. In ways we have yet…

  • Ruskin's Copies

    Jeremy Melius•ARTICLE•Critical Inquiry•2015•Cited by: 1•References: 4

  • Connoisseurship, Painting, and Personhood

    Open Access•Jeremy Melius•ARTICLE•Art History•2011•Cited by: 1

  • Ruskin's Copies

    Jeremy Melius•ARTICLE•Critical Inquiry•2015•Cited by: 1•References: 4

  • Connoisseurship, Painting, and Personhood

    Open Access•Jeremy Melius•ARTICLE•Art History•2011•Cited by: 1

  • Connoisseurship, Painting, and Personhood

    Open Access•Jeremy Melius•ARTICLE•Art History•2011•Cited by: 1

  • Inscription and Castration in Picasso's The Painter and His Model, 1927

    Jeremy Melius•ARTICLE•October•2015•References: 1

    In the spring of 1927, Picasso produced a large painting known as The Painter and His Model, now in Tehran. Perhaps because of its current location, the work has, until recently, gone largely unremarked in the literature on the artist. Nonetheless, it stands as his most arresting single canv as of the late 1920s-perhaps the strangest period of the artist's production-and indeed as one of the supreme achievements of his career. In ways we have yet…

  • Ruskin's Copies

    Jeremy Melius•ARTICLE•Critical Inquiry•2015•Cited by: 1•References: 4

  • Titian, Metaphor, and the Body

    Jeremy Melius•ARTICLE•I Tatti Studies•2023•References: 3

  • Material Inspirations

    Jeremy Melius•ARTICLE•Critical Inquiry•2023

  • Ruskin’s Double Plots

    Open Access•Jeremy Melius•ARTICLE•Oxford Art Journal•2025

Art history (5 works) · Art (4 works) · Computer Science (4 works) · Library science (3 works) · Philosophy (3 works) · Visual arts (3 works) · Visual Culture and Art Theory (3 works) · Download (2 works) · History (2 works) · History (2 works)

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