Julian Myers
Biographic Data
| ID | 3867104 |
|---|---|
| NAME | Julian Myers |
| GIVEN NAMES | Julian |
| FAMILY NAME | Myers |
| SIGNATURE | MYERS J |
| AFFILIATIONS | California College of the Arts |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
On San Francisco
A contribution to October's series Arts Communities at Risk, “Fake Estates” explores the systemic collapse of intersecting art worlds in the San Francisco Bay Area in the wake of the announced closure of California College of the Arts, its campus and facilities having been acquired by Nashville-based Vanderbilt University. The essay traces the demise of the 120-year-old art college to larger trends—the so-called “demographic cliff” augured by hig…
What Happened in Vegas
The Future as Fetish
It is September 15, 1961, one month after the border to West Germany was closed and the Berlin Wall erected. The cover of Life magazine depicts a man in a fallout suit flinching from a shower of crimson light aimed at him from an unseen source high on our left.' He stands, incandescent, in front of a saturated black field that is less shadow than the very definition of negative space: there is nothing there at all. The man extends his right hand …
Selected Letters from Readers
Postmodern Culture - Volume 6, Number 1, September 1995
No prominent works on this page.
Selected Letters from Readers
Postmodern Culture - Volume 6, Number 1, September 1995
The Future as Fetish
It is September 15, 1961, one month after the border to West Germany was closed and the Berlin Wall erected. The cover of Life magazine depicts a man in a fallout suit flinching from a shower of crimson light aimed at him from an unseen source high on our left.' He stands, incandescent, in front of a saturated black field that is less shadow than the very definition of negative space: there is nothing there at all. The man extends his right hand …
What Happened in Vegas
On San Francisco
A contribution to October's series Arts Communities at Risk, “Fake Estates” explores the systemic collapse of intersecting art worlds in the San Francisco Bay Area in the wake of the announced closure of California College of the Arts, its campus and facilities having been acquired by Nashville-based Vanderbilt University. The essay traces the demise of the 120-year-old art college to larger trends—the so-called “demographic cliff” augured by hig…
Art (3 works) · Art, Politics, and Modernism (2 works) · Aesthetics (1 work) · American Sports and Literature (1 work) · Archaeology (1 work) · Art History and Market Analysis (1 work) · Art world (1 work) · Art, Technology, and Culture (1 work) · Contemporary Literature and Criticism (1 work) · Demise (1 work)