Sérgio B Martins
Biographic Data
| ID | 3867133 |
|---|---|
| NAME | Sérgio B Martins |
| GIVEN NAMES | Sérgio B |
| FAMILY NAME | Martins |
| SIGNATURE | MARTINS S B |
| AFFILIATIONS | SÉRGIO B. MARTINS is a professor in the History Department at the Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio), where he teaches art history and theory. He is the author of Constructing an Avant-Garde: Art in Brazil, 1949–1979 (MIT, 2013). |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Mano, Rubens
Pitta, Matheus Rocha
Camargo, Gisele
Redondo, Laercio
The Pulp of Color: Toward a Notion of Expenditure in Ferreira Gullar's Neo-concrete Writings
Most scholarship on Neo-concretism tends either to ignore Ferreira Gullar's early poetry or simply reiterate the poet's own account of his book A Luta Corporal (1954) as concerned solely with the implosion of language. However, Gullar's book also engages with a sustained existential meditation on temporality and finitude through images of material expenditure, with pears and apples recurring throughout its pages as self-consuming entities that dr…
The Pulp of Color: Toward a Notion of Expenditure in Ferreira Gullar's Neo-concrete Writings
Most scholarship on Neo-concretism tends either to ignore Ferreira Gullar's early poetry or simply reiterate the poet's own account of his book A Luta Corporal (1954) as concerned solely with the implosion of language. However, Gullar's book also engages with a sustained existential meditation on temporality and finitude through images of material expenditure, with pears and apples recurring throughout its pages as self-consuming entities that dr…
The Pulp of Color: Toward a Notion of Expenditure in Ferreira Gullar's Neo-concrete Writings
Most scholarship on Neo-concretism tends either to ignore Ferreira Gullar's early poetry or simply reiterate the poet's own account of his book A Luta Corporal (1954) as concerned solely with the implosion of language. However, Gullar's book also engages with a sustained existential meditation on temporality and finitude through images of material expenditure, with pears and apples recurring throughout its pages as self-consuming entities that dr…
Mano, Rubens
Pitta, Matheus Rocha
Camargo, Gisele
Redondo, Laercio
Computer Science (2 works) · History and Developments in Astronomy (2 works) · Abstract art (1 works) · Aesthetics (1 works) · Architecture and Computational Design (1 works) · Art (1 works) · Art history (1 works) · Chemistry (1 works) · Economics (1 works) · Epistemology (1 works)