Daisy Black
Biographic Data
| ID | 3867150 |
|---|---|
| NAME | Daisy Black |
| GIVEN NAMES | Daisy |
| FAMILY NAME | Black |
| SIGNATURE | BLACK D |
| AFFILIATIONS | University of Wolverhampton |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
‘Jeust twa folk ken’
This paper reflects upon the research and development of two performances of The Seven Sages of Scotland, based on the late medieval Scottish Buke of the Sevyne Sagis, to consider the process, impact, and outcome of creative adaptations of medieval material. These performances took place in the Scottish Storytelling Centre in Edinburgh in July 2023, and in the Byre Theatre in St Andrews in September 2024. Each performer adapted a discrete portion…
Being the Bigger Ram
This article addresses the construction of rural masculine identities through a study of the Towneley manuscript play Mactacio Abel (The Killing of Abel) and the relationships the play stages between human, animal, and land. It argues that the Mactacio Abel places pastoral and arable agricultural labor in competition through the play’s two brothers, and that this competition takes the form of a gendered attack on the masculinity of each. The arti…
Medieval Theatre Performance
Reviewed by: Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences ed. by Philip Butterworth and Katie Normington Daisy Black Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences. Edited by Philip Butterworth and Katie Normington. Martlesham, UK: D.S. Brewer, 2017; pp. 296. Medieval Theatre Performance aims to fundamentally reconsider the things categorized, researched, and analyzed as early "performan…
No prominent works on this page.
Medieval Theatre Performance
Reviewed by: Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences ed. by Philip Butterworth and Katie Normington Daisy Black Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences. Edited by Philip Butterworth and Katie Normington. Martlesham, UK: D.S. Brewer, 2017; pp. 296. Medieval Theatre Performance aims to fundamentally reconsider the things categorized, researched, and analyzed as early "performan…
Being the Bigger Ram
This article addresses the construction of rural masculine identities through a study of the Towneley manuscript play Mactacio Abel (The Killing of Abel) and the relationships the play stages between human, animal, and land. It argues that the Mactacio Abel places pastoral and arable agricultural labor in competition through the play’s two brothers, and that this competition takes the form of a gendered attack on the masculinity of each. The arti…
‘Jeust twa folk ken’
This paper reflects upon the research and development of two performances of The Seven Sages of Scotland, based on the late medieval Scottish Buke of the Sevyne Sagis, to consider the process, impact, and outcome of creative adaptations of medieval material. These performances took place in the Scottish Storytelling Centre in Edinburgh in July 2023, and in the Byre Theatre in St Andrews in September 2024. Each performer adapted a discrete portion…
Art (2 works) · Drama (2 works) · Sociology (2 works) · Aesthetics (1 work) · Agriculture (1 work) · Arable land (1 work) · Archaeology (1 work) · Communication (1 work) · Communication (1 work) · Conversation (1 work)