Joan Templeton
Biographic Data
| ID | 3868787 |
|---|---|
| NAME | Joan Templeton |
| GIVEN NAMES | Joan |
| FAMILY NAME | Templeton |
| SIGNATURE | TEMPLETON J |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 0 |
The Ibsen Festival (review)
The Ibsen Festival (review)
The Ibsen Festival is the brainchild of the distinguished Norwegian director Stein Winge, who founded it in 1990 during his tenure as Artistic Director of Norway's National Theatre. Held annually for the first three years, becoming biennial in 1992,the Festival features both Norwegian productions—chiefly, but not wholly, of the National Theatre—and an array of foreign ones. The glory of the Festival is twofold: the opportunity to see and hear Ibs…
Hedda Gabler (review)
The much touted Nicholas Martin's Hedda Gabler, with Kate Burton as Hedda, reached Broadway after engagements at the Bay Street Theatre of Sag Harbor (on Long Island), the Williamstown Theatre Festival, and Boston's Huntington Theatre Company. An exuberant account of Burton's Boston performance by the chief drama critic of the New YorkTimes, Ben Brantley, led to the Broadway run. Brantley's chief praise was that Burton's performance made Ibsen's …
Reconfigured spheres: Feminist explorations of literary space
This collection of essays looks at literary representations of space - physical, psychological political and cultural - from a perspective that is at once comparative and feminist. Combining historical analysis with literary theory, contributors explore changing definitions of woman's place through such themes as exile and exclusion, property and territoriality, and body as interface between individual and communal identities. They show how maps …
Ibsen's Forsaken Merman: Folklore in the Late Plays
No prominent works on this page.
Ibsen's Forsaken Merman: Folklore in the Late Plays
Reconfigured spheres: Feminist explorations of literary space
This collection of essays looks at literary representations of space - physical, psychological political and cultural - from a perspective that is at once comparative and feminist. Combining historical analysis with literary theory, contributors explore changing definitions of woman's place through such themes as exile and exclusion, property and territoriality, and body as interface between individual and communal identities. They show how maps …
Hedda Gabler (review)
The much touted Nicholas Martin's Hedda Gabler, with Kate Burton as Hedda, reached Broadway after engagements at the Bay Street Theatre of Sag Harbor (on Long Island), the Williamstown Theatre Festival, and Boston's Huntington Theatre Company. An exuberant account of Burton's Boston performance by the chief drama critic of the New YorkTimes, Ben Brantley, led to the Broadway run. Brantley's chief praise was that Burton's performance made Ibsen's …
The Ibsen Festival (review)
The Ibsen Festival is the brainchild of the distinguished Norwegian director Stein Winge, who founded it in 1990 during his tenure as Artistic Director of Norway's National Theatre. Held annually for the first three years, becoming biennial in 1992,the Festival features both Norwegian productions—chiefly, but not wholly, of the National Theatre—and an array of foreign ones. The glory of the Festival is twofold: the opportunity to see and hear Ibs…
The Ibsen Festival (review)
Art (5 works) · Cultural Studies and Interdisciplinary Research (4 works) · History (3 works) · History (2 works) · Literature (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Ancient history (1 works) · Archaeology (1 works)