Alisa Solomon
Biographic Data
| ID | 3868932 |
|---|---|
| NAME | Alisa Solomon |
| GIVEN NAMES | Alisa |
| FAMILY NAME | Solomon |
| SIGNATURE | SOLOMON A |
| AFFILIATIONS | Alisa Solomon is Associate Professor at Columbia University's Graduate School of Journalism, where she directs the MA concentration in Arts and Culture. She has published in The Nation, the Forward, the New York Times, and was on staff at the Village Voice for 21 years. She is author of Re-Dressing the Canon: Essays on Theater and Gender (Routledge, 1997) and editor of three anthologies: Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict (with Tony Kushner;... |
| VERIFIED | No |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 20 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
María Irene Fornés in Context
My Epistemological Crisis
What has happened to evidence, rationality, and critical thinking at a time when Donald Trump’s mendacious performance of guilelessness commands the airwaves, and when the news industry — especially arts criticism — has foundered
Balancing Act
The Bottle Dance in Fiddler on the Roof was inspired by what the director/choreographer Jerome Robbins called “field research” at Orthodox Jewish weddings. Reshaped and expanded by Robbins's masterful showbiz sensibility, it became a show-stopping number—and, thus transformed, filtered back out of the musical into Jewish celebrations to confer “tradition.”
Pleasure and Freedom
Research Article| March 01 2007 Pleasure and Freedom: REMEMBERING ELLEN WILLIS Alisa Solomon Alisa Solomon Search for other works by this author on: This Site Google Social Text (2007) 25 (1 (90)): 135–136. https://doi.org/10.1215/01642472-2006-022 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Alisa Solomon; Pleasure and Freedom: REMEMBERING ELLEN WILLIS. Social Text 1 March 2007; 25 (1 (90)): 135–136. doi: https://doi.…
Not Just a Passing Fancy
Research Article| May 01 1993 Not Just a Passing Fancy: Notes on Butch Alisa Solomon Alisa Solomon Search for other works by this author on: This Site Google Theater (1993) 24 (2): 35–46. https://doi.org/10.1215/01610775-24-2-35 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Alisa Solomon; Not Just a Passing Fancy: Notes on Butch. Theater 1 May 1993; 24 (2): 35–46. doi: https://doi.org/10.1215/01…
Paradise Lost
is the 'gos, so there aren't any pickets this time. No padlocks, no cops confiscating scenery, no sit-ins, no final defiant performances with spectators coming into the theatre by climbing a ladder and squeezing through a window. That was 1963, and the Living Theatre was being evicted from its I4th Street space for nonpayment of taxes. Quarantined in the theatre's office, Julian Beck, the LT's late codirector, watched IRS agents lumber through th…
The Politics of Breast Cancer
Research Article| January 01 1992 The Politics of Breast Cancer Alisa Solomon Alisa Solomon Search for other works by this author on: This Site Google Camera Obscura (1992) 10 (1 (28)): 156–177. https://doi.org/10.1215/02705346-10-1_28-156 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Alisa Solomon; The Politics of Breast Cancer. Camera Obscura 1 January 1992; 10 (1 (28)): 156–177. doi: https://doi.org/10.1215/02705346-…
Queer Justice
Interview
American Set Design
The WOW Cafe
Rehearsals of Revolution
Bertolt Brecht Short Stories 1921-1946
Good
The Marionette Theatre of Meyer Levin
From Stereotype to Metaphor
A Susan Sontag Reader
Women in Theatre
About Face
Cloud Nine
The Politics of Breast Cancer
Research Article| January 01 1992 The Politics of Breast Cancer Alisa Solomon Alisa Solomon Search for other works by this author on: This Site Google Camera Obscura (1992) 10 (1 (28)): 156–177. https://doi.org/10.1215/02705346-10-1_28-156 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Alisa Solomon; The Politics of Breast Cancer. Camera Obscura 1 January 1992; 10 (1 (28)): 156–177. doi: https://doi.org/10.1215/02705346-…
The WOW Cafe
Cloud Nine
Good
The Marionette Theatre of Meyer Levin
From Stereotype to Metaphor
A Susan Sontag Reader
Women in Theatre
About Face
Rehearsals of Revolution
Bertolt Brecht Short Stories 1921-1946
American Set Design
The WOW Cafe
Interview
Queer Justice
The Politics of Breast Cancer
Research Article| January 01 1992 The Politics of Breast Cancer Alisa Solomon Alisa Solomon Search for other works by this author on: This Site Google Camera Obscura (1992) 10 (1 (28)): 156–177. https://doi.org/10.1215/02705346-10-1_28-156 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Alisa Solomon; The Politics of Breast Cancer. Camera Obscura 1 January 1992; 10 (1 (28)): 156–177. doi: https://doi.org/10.1215/02705346-…
Not Just a Passing Fancy
Research Article| May 01 1993 Not Just a Passing Fancy: Notes on Butch Alisa Solomon Alisa Solomon Search for other works by this author on: This Site Google Theater (1993) 24 (2): 35–46. https://doi.org/10.1215/01610775-24-2-35 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Alisa Solomon; Not Just a Passing Fancy: Notes on Butch. Theater 1 May 1993; 24 (2): 35–46. doi: https://doi.org/10.1215/01…
Paradise Lost
is the 'gos, so there aren't any pickets this time. No padlocks, no cops confiscating scenery, no sit-ins, no final defiant performances with spectators coming into the theatre by climbing a ladder and squeezing through a window. That was 1963, and the Living Theatre was being evicted from its I4th Street space for nonpayment of taxes. Quarantined in the theatre's office, Julian Beck, the LT's late codirector, watched IRS agents lumber through th…
Pleasure and Freedom
Research Article| March 01 2007 Pleasure and Freedom: REMEMBERING ELLEN WILLIS Alisa Solomon Alisa Solomon Search for other works by this author on: This Site Google Social Text (2007) 25 (1 (90)): 135–136. https://doi.org/10.1215/01642472-2006-022 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Alisa Solomon; Pleasure and Freedom: REMEMBERING ELLEN WILLIS. Social Text 1 March 2007; 25 (1 (90)): 135–136. doi: https://doi.…
Balancing Act
The Bottle Dance in Fiddler on the Roof was inspired by what the director/choreographer Jerome Robbins called “field research” at Orthodox Jewish weddings. Reshaped and expanded by Robbins's masterful showbiz sensibility, it became a show-stopping number—and, thus transformed, filtered back out of the musical into Jewish celebrations to confer “tradition.”
My Epistemological Crisis
What has happened to evidence, rationality, and critical thinking at a time when Donald Trump’s mendacious performance of guilelessness commands the airwaves, and when the news industry — especially arts criticism — has foundered
María Irene Fornés in Context
Art (16 works) · Art history (7 works) · Computer Science (7 works) · Theatre and Performance Studies (6 works) · History (5 works) · Philosophy (5 works) · Psychology (5 works) · Sociology (5 works) · Law (4 works) · Law (4 works)