Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Janet Adelman

Biographic Data

ID3869137
NAMEJanet Adelman
GIVEN NAMESJanet
FAMILY NAMEAdelman
SIGNATUREADELMAN J
AFFILIATIONSAssociated Press
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2003
H-INDEX1
  • Her Father's Blood: Race, Conversion, and Nation in The Merchant of Venice

    Janet Adelman•ARTICLE•Representations•2003•Cited by: 2•References: 4

    THIS ESSAY ARGUES THAT conversion in The Merchant of Venice serves as a nexus in which tensions between a universalizing Christianity and the nascent particularities of race and nation collide, and that these tensions become legible especially through the play's discourse of blood

  • Blood Relations: Christian and Jew in the Merchant of Venice

    Janet Adelman, Stacey Kate Pratt et al.•ARTICLE•Renaissance and Reformation•1969

    Janet Adelman. Blood Relations: Christian and Jew in the Merchant of Venice. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 33, Number 1, Winter 2010, pp. 3-140), on Érudit

  • Her Father's Blood: Race, Conversion, and Nation in The Merchant of Venice

    Janet Adelman•ARTICLE•Representations•2003•Cited by: 2•References: 4

    THIS ESSAY ARGUES THAT conversion in The Merchant of Venice serves as a nexus in which tensions between a universalizing Christianity and the nascent particularities of race and nation collide, and that these tensions become legible especially through the play's discourse of blood

  • Blood Relations: Christian and Jew in the Merchant of Venice

    Janet Adelman, Stacey Kate Pratt et al.•ARTICLE•Renaissance and Reformation•1969

    Janet Adelman. Blood Relations: Christian and Jew in the Merchant of Venice. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 33, Number 1, Winter 2010, pp. 3-140), on Érudit

  • Her Father's Blood: Race, Conversion, and Nation in The Merchant of Venice

    Janet Adelman•ARTICLE•Representations•2003•Cited by: 2•References: 4

    THIS ESSAY ARGUES THAT conversion in The Merchant of Venice serves as a nexus in which tensions between a universalizing Christianity and the nascent particularities of race and nation collide, and that these tensions become legible especially through the play's discourse of blood

Christianity (2 works) · Philosophy (2 works) · Religious studies (2 works) · Art (1 works) · Crime, Deviance, and Social Control (1 works) · Depiction (1 works) · Engineering (1 works) · Gender Studies (1 works) · History (1 works) · Irish and British Studies (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae