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Dorothy Rowe

Biographic Data

ID3870530
NAMEDorothy Rowe
GIVEN NAMESDorothy
FAMILY NAMERowe
SIGNATUREROWE D
AFFILIATIONSUniversity of Surrey
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS2
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1930
LATEST PUBLICATION YEAR2018
H-INDEX1
  • La forme spectacle

    Open Access•Sergio Dalla Bernardina, Anthony Pecqueux et al.•BOOK•La forme spectacle•2018

    Ce volume délimite les périmètres qu’épousent les formes spectaculaires en explorant les frontières de ce qui fait spectacle. Il les décrit et détaille les régimes qui leur donnent vie en brossant l’histoire des communautés spectaculaires qui, dans la durée, « font et refont leurs états mentaux », pour parler comme Durkheim. Inscrites dans le continuum des pratiques sociales et dans l’histoire, ces formes ne se regroupent pas en idéaux-types aisé…

  • Nonsynchronous Cartographies: Frank Bowling's Map Paintings

    Dorothy Rowe, Dorothy C Rowe•ARTICLE•Small Axe A Caribbean Journal of…•2013

    Born in British Guiana (now Guyana) in 1936, a resident of London in the 1950s, and dividing his time between London and New York since the late 1960s, Frank Bowling is one of the foremost artists of his generation. As a pioneer of abstraction during the 1960s, his work as both a painter and critic for the New York–based Arts Magazine is of singular importance to the historiography of the visual culture of the “black Atlantic.” In particular, the…

  • Mapks are essential upstream signaling pathways in proteolytic cartilage degradation – divergence in pathways leading to aggrecanase and MMP-mediated articular cartilage degradation

    Open Access•Dorothy Rowe, B-C Sondergaard et al.•ARTICLE•Osteoarthritis and Cartilage•2010

    We found that inhibition of MAPK P38, P44/42 and Src family abrogated proteolytic cartilage degradation by blocking MMP synthesis and activity. However, only MAPK P44/42 was essential for aggrecanase-mediated aggrecan degradation. These data suggest that various aspects of cartilage degradation can be targeted independently by inhibiting specific upstream signaling pathway.

  • Representing Berlin: Sexuality and the Big City in Imperial and Weimar Germany

    Belinda Davis, Dorothy Rowe•ARTICLE•German Studies Review•2004

  • On Vision, Spectacle and Panorama

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2004

    Books reviewed in this article: Michael Fried, Menzel's Realism: Art and Embodiment in Nineteenth‐Century Berlin Jonathan Crary, Suspensions of Perception: Attention, Spectacle and Modern Culture Wilhem S. Wurzer (ed), Panorama: Philosophies of the Visible

  • Site‐Specificity

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2004

    Books reviewed in this article: Guy Lelong, Daniel Buren Harriet F. Senie, The Tilted Arc Controversy: Dangerous Precedent Miwon Kwon, One Place After Another: Site‐Specific Art and Locational Identity John Ravenal, Outer and Inner Space: Pipilotti Rost, Shirin Neshat, Jane and Louise Wilson and the History of Video Art

  • Decadence and Detachment: Cultural Life in Weimar Germany

    Open Access•Dorothy Rowe•ARTICLE•Art History•2004

  • Fragments of Berlin and Other Cities

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2003

    Books reviewed in this article: Steven Spier (ed.), Urban Visions Experiencing and Envisioning the City Filippo Maggia and Gabriele Basilico (eds.), Gabriele Basilico: Berlin Jeremy Gilbert–Rolfe with Frank Gehry, Frank Gehry: The City and Music Molly Donovan (ed.), Christo and Jean–Claude in the Vogel Collection Ruth Eaton, Ideal Cities: Utopianism and the (Un) Built Environment

  • Cultural Crossings: Performing race and transgender in the work of moti roti

    Open Access•Dorothy Rowe•ARTICLE•Art History•2003

    This essay investigates the possibilities offered for an exploration of racial and gendered identities as performed through the experimental art projects of the diasporic London-based artist-led group moti roti. Framed within the context of a Butlerian theory of the performative, moti roti's 1995 installation/performance, Wigs of Wonderment is considered both in terms of Butler's proposition for the destablization of fixed gendered identities and…

  • Cultural Crossings: Performing race and transgender in the work of moti roti

    Open Access•Dorothy Rowe•ARTICLE•Art History•2003

    This essay investigates the possibilities offered for an exploration of racial and gendered identities as performed through the experimental art projects of the diasporic London‐based artist‐led group moti roti. Framed within the context of a Butlerian theory of the performative, moti roti's 1995 installation/performance, Wigs of Wonderment is considered both in terms of Butler's proposition for the destablization of fixed gendered identities and…

  • German Visual Culture 1890–1945

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2002

    Books reviewed in this article: Shearer West, The Visual Arts in Germany 1890–1937: Utopia and Despair Jeremy Aynsley, Graphic Design in Germany 1890–1945 Christiane Schönfeld, Commodities of Desire: The Prostitute in Modern German Literature

  • Gender, Post‐Colonialism and the History of Art

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2001

    Books reviewed in this article: Deborah Cherry, Beyond the Frame: Feminism and Visual Culture, Britain 1850–1900 Gen Doy, Black Visual Culture: Modernity and Postmodernity Marc Rosen and Susan Pinsky, Mary Cassatt: Prints and Drawings from the Artist's Studio

  • Overcoming All Obstacles: The Women of the Académie Julian

    Open Access•Dorothy Rowe•ARTICLE•Women s Studies International Forum•2000

  • Women Artists and the Limits of Modernist Art History

    Open Access•Dorothy Rowe•ARTICLE•Art History•2000

    Books reviewed in this article: Katy Deepwell, Women Artists and Modernism Marsha Meskimmon, We Weren’t Enough: Women Artists and the Limits of German Modernism Annegret Friedrich, Birgit Haehnel, Viktoria Schmidt‐Lisenhoff and Christina Threuter, eds, Projektionen: Rassismus und Sexismus in der Visuellen Kultur Kathrin Hoffmann‐Curtius and Silke Wenke, eds, Mythen von Autorschaft und Wieblichkeit im 20. Jahrhundert

  • The Art of Persuasion

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•1999

    Books reviewed in this article: Toby Clark Art and Propaganda: the Political Image in the Age of Mass Culture Margaret Timmers (ed.) The Power of the Poster Matthew Cullerne Bown Social Realist Painting

  • Geistliche Heimat: Germany’s Past and Present

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•1998

    Stephanie Barron and Wolf‐Dieter Dube (eds), German Expressionism: Art and Society 1909–1923 Eckhart Gillen (ed), German art from Beckmann to Richter: Images of a Divided Country

  • Georg Simmel and the Berlin Trade Exhibition of 1896

    Open Access•Dorothy Rowe, DC Rowe•ARTICLE•Urban History•1995•Cited by: 2•References: 3

    In tracing a theoretical history of modernity peculiar to Imperial Berlin after 1871, the urban themes developed in the writings of the German social theorist, Georg Simmel, have proved to be particularly pertinent. The exhibition of 1896 provides Simmel with a major site of investigation into the visible effects of the commodified urban sphere upon the individual city dweller which finds one of its most spectacular forms in the rise of the mid-n…

  • Establishing Traditions: Realized Utopias of Modern Life

    Open Access•Dorothy Rowe•ARTICLE•Art History•1995

    Profession ohne Tradition; 125 Jahre Verein der Berliner Künstlerinnen compiled by the Berlinischen Galerie Museum für Moderne Kunst, Photographie und Architektur and the Verein der Berliner Künstlerinnen . Foreword by Jörn Merkert and Karoline Müller , exh. cat., Berlin: Berlinische Galerie, 1992, 619 pp., DM 98 Gabriele Münter Retrospektive 1877—1962 edited by Annegret Hoberg and Helmut Friedel , exh. cat., Munich: Prestel‐Verlag, 1992, 300 pp.…

  • A Book of Indian Tales

    B M, Charles Erskine Scott Wood et al.•ARTICLE•Pacific Affairs•1930

  • Georg Simmel and the Berlin Trade Exhibition of 1896

    Open Access•Dorothy Rowe, DC Rowe•ARTICLE•Urban History•1995•Cited by: 2•References: 3

    In tracing a theoretical history of modernity peculiar to Imperial Berlin after 1871, the urban themes developed in the writings of the German social theorist, Georg Simmel, have proved to be particularly pertinent. The exhibition of 1896 provides Simmel with a major site of investigation into the visible effects of the commodified urban sphere upon the individual city dweller which finds one of its most spectacular forms in the rise of the mid-n…

  • A Book of Indian Tales

    B M, Charles Erskine Scott Wood et al.•ARTICLE•Pacific Affairs•1930

  • Georg Simmel and the Berlin Trade Exhibition of 1896

    Open Access•Dorothy Rowe, DC Rowe•ARTICLE•Urban History•1995•Cited by: 2•References: 3

    In tracing a theoretical history of modernity peculiar to Imperial Berlin after 1871, the urban themes developed in the writings of the German social theorist, Georg Simmel, have proved to be particularly pertinent. The exhibition of 1896 provides Simmel with a major site of investigation into the visible effects of the commodified urban sphere upon the individual city dweller which finds one of its most spectacular forms in the rise of the mid-n…

  • Establishing Traditions: Realized Utopias of Modern Life

    Open Access•Dorothy Rowe•ARTICLE•Art History•1995

    Profession ohne Tradition; 125 Jahre Verein der Berliner Künstlerinnen compiled by the Berlinischen Galerie Museum für Moderne Kunst, Photographie und Architektur and the Verein der Berliner Künstlerinnen . Foreword by Jörn Merkert and Karoline Müller , exh. cat., Berlin: Berlinische Galerie, 1992, 619 pp., DM 98 Gabriele Münter Retrospektive 1877—1962 edited by Annegret Hoberg and Helmut Friedel , exh. cat., Munich: Prestel‐Verlag, 1992, 300 pp.…

  • Geistliche Heimat: Germany’s Past and Present

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•1998

    Stephanie Barron and Wolf‐Dieter Dube (eds), German Expressionism: Art and Society 1909–1923 Eckhart Gillen (ed), German art from Beckmann to Richter: Images of a Divided Country

  • The Art of Persuasion

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•1999

    Books reviewed in this article: Toby Clark Art and Propaganda: the Political Image in the Age of Mass Culture Margaret Timmers (ed.) The Power of the Poster Matthew Cullerne Bown Social Realist Painting

  • Overcoming All Obstacles: The Women of the Académie Julian

    Open Access•Dorothy Rowe•ARTICLE•Women s Studies International Forum•2000

  • Women Artists and the Limits of Modernist Art History

    Open Access•Dorothy Rowe•ARTICLE•Art History•2000

    Books reviewed in this article: Katy Deepwell, Women Artists and Modernism Marsha Meskimmon, We Weren’t Enough: Women Artists and the Limits of German Modernism Annegret Friedrich, Birgit Haehnel, Viktoria Schmidt‐Lisenhoff and Christina Threuter, eds, Projektionen: Rassismus und Sexismus in der Visuellen Kultur Kathrin Hoffmann‐Curtius and Silke Wenke, eds, Mythen von Autorschaft und Wieblichkeit im 20. Jahrhundert

  • Gender, Post‐Colonialism and the History of Art

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2001

    Books reviewed in this article: Deborah Cherry, Beyond the Frame: Feminism and Visual Culture, Britain 1850–1900 Gen Doy, Black Visual Culture: Modernity and Postmodernity Marc Rosen and Susan Pinsky, Mary Cassatt: Prints and Drawings from the Artist's Studio

  • German Visual Culture 1890–1945

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2002

    Books reviewed in this article: Shearer West, The Visual Arts in Germany 1890–1937: Utopia and Despair Jeremy Aynsley, Graphic Design in Germany 1890–1945 Christiane Schönfeld, Commodities of Desire: The Prostitute in Modern German Literature

  • Fragments of Berlin and Other Cities

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2003

    Books reviewed in this article: Steven Spier (ed.), Urban Visions Experiencing and Envisioning the City Filippo Maggia and Gabriele Basilico (eds.), Gabriele Basilico: Berlin Jeremy Gilbert–Rolfe with Frank Gehry, Frank Gehry: The City and Music Molly Donovan (ed.), Christo and Jean–Claude in the Vogel Collection Ruth Eaton, Ideal Cities: Utopianism and the (Un) Built Environment

  • Cultural Crossings: Performing race and transgender in the work of moti roti

    Open Access•Dorothy Rowe•ARTICLE•Art History•2003

    This essay investigates the possibilities offered for an exploration of racial and gendered identities as performed through the experimental art projects of the diasporic London-based artist-led group moti roti. Framed within the context of a Butlerian theory of the performative, moti roti's 1995 installation/performance, Wigs of Wonderment is considered both in terms of Butler's proposition for the destablization of fixed gendered identities and…

  • Cultural Crossings: Performing race and transgender in the work of moti roti

    Open Access•Dorothy Rowe•ARTICLE•Art History•2003

    This essay investigates the possibilities offered for an exploration of racial and gendered identities as performed through the experimental art projects of the diasporic London‐based artist‐led group moti roti. Framed within the context of a Butlerian theory of the performative, moti roti's 1995 installation/performance, Wigs of Wonderment is considered both in terms of Butler's proposition for the destablization of fixed gendered identities and…

  • Representing Berlin: Sexuality and the Big City in Imperial and Weimar Germany

    Belinda Davis, Dorothy Rowe•ARTICLE•German Studies Review•2004

  • On Vision, Spectacle and Panorama

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2004

    Books reviewed in this article: Michael Fried, Menzel's Realism: Art and Embodiment in Nineteenth‐Century Berlin Jonathan Crary, Suspensions of Perception: Attention, Spectacle and Modern Culture Wilhem S. Wurzer (ed), Panorama: Philosophies of the Visible

  • Site‐Specificity

    Open Access•Dorothy Rowe•ARTICLE•The Art Book•2004

    Books reviewed in this article: Guy Lelong, Daniel Buren Harriet F. Senie, The Tilted Arc Controversy: Dangerous Precedent Miwon Kwon, One Place After Another: Site‐Specific Art and Locational Identity John Ravenal, Outer and Inner Space: Pipilotti Rost, Shirin Neshat, Jane and Louise Wilson and the History of Video Art

  • Decadence and Detachment: Cultural Life in Weimar Germany

    Open Access•Dorothy Rowe•ARTICLE•Art History•2004

  • Mapks are essential upstream signaling pathways in proteolytic cartilage degradation – divergence in pathways leading to aggrecanase and MMP-mediated articular cartilage degradation

    Open Access•Dorothy Rowe, B-C Sondergaard et al.•ARTICLE•Osteoarthritis and Cartilage•2010

    We found that inhibition of MAPK P38, P44/42 and Src family abrogated proteolytic cartilage degradation by blocking MMP synthesis and activity. However, only MAPK P44/42 was essential for aggrecanase-mediated aggrecan degradation. These data suggest that various aspects of cartilage degradation can be targeted independently by inhibiting specific upstream signaling pathway.

  • Nonsynchronous Cartographies: Frank Bowling's Map Paintings

    Dorothy Rowe, Dorothy C Rowe•ARTICLE•Small Axe A Caribbean Journal of…•2013

    Born in British Guiana (now Guyana) in 1936, a resident of London in the 1950s, and dividing his time between London and New York since the late 1960s, Frank Bowling is one of the foremost artists of his generation. As a pioneer of abstraction during the 1960s, his work as both a painter and critic for the New York–based Arts Magazine is of singular importance to the historiography of the visual culture of the “black Atlantic.” In particular, the…

  • La forme spectacle

    Open Access•Sergio Dalla Bernardina, Anthony Pecqueux et al.•BOOK•La forme spectacle•2018

    Ce volume délimite les périmètres qu’épousent les formes spectaculaires en explorant les frontières de ce qui fait spectacle. Il les décrit et détaille les régimes qui leur donnent vie en brossant l’histoire des communautés spectaculaires qui, dans la durée, « font et refont leurs états mentaux », pour parler comme Durkheim. Inscrites dans le continuum des pratiques sociales et dans l’histoire, ces formes ne se regroupent pas en idéaux-types aisé…

Art (17 works) · Art history (13 works) · History (12 works) · Art, Politics, and Modernism (8 works) · Sociology (8 works) · Archaeology (7 works) · Philosophy (6 works) · Political science (6 works) · Visual arts (6 works) · European history and politics (5 works)

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