Haiping Yan
Biographic Data
| ID | 3870885 |
|---|---|
| NAME | Haiping Yan |
| GIVEN NAMES | Haiping |
| FAMILY NAME | Yan |
| SIGNATURE | YAN H |
| ORCID | 0000-0001-7449-2616 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Other Cosmopolitans
Yan Haiping explores Kang Youwei’s Book of Great Harmony , a utopian portrait of the peoples of the earth living together without racial, national, or cultural divides that emerged, almost miraculously, at the height of Chinese resistance to the Japanese invasion of the 1930s. Placing the book into its tormented historical context, Yan Haiping takes his cue from Calhoun’s observation that “statements of cosmopolitanism as universalism echo rather…
Turning Points
Turning Points:Women Playwrights in Contemporary China Yan Haiping (bio) In my introduction to Theatre and Society: An Anthology of Contemporary Chinese Drama (1998), I wrote: "The . . . texts presented in this anthology are selected from the hundreds of plays and film scripts written and produced each year in China since 1979."1 A decade later, I find myself rereading this volume and asking why women playwrights are absent from it. As an editor …
Chinese Women Writers and the Feminist Imagination, 1905-1948
Chinese Women Writers and the Feminist Imagination, 1905-1948 provides a compelling study of leading women writers in modern China, charting their literary works and life journeys to examine the politics and poetics of Chinese transcultural feminism that exceed the boundaries of bourgeois feminist selfhood. Unlike recent literary studies that focus on the discursive formation of the modern Chinese nation state and its gendering effects, Haiping Y…
Staging Modern Vagrancy
As the irruption of the consciousness of border-crossings into our present cultural analyses evinces the escalated shifting of global human geography, articulations of "nomads" as "fluid," "flexible," or "liberatory" subjects have proliferated in our humanistic studies. 2 Joining the important debates resulting from such articulations, 3 this essay revisits the problem of border-crossing by examining its figurations in contemporary women authors'…
Theatre and Society
Eugene O'neill in China
Letters of Greetings by Cao Yu, President, The Chinese Dramatists' Association, Beijing, and Frederick C. Wilkins, President, The Eugene O'Neill Society, Boston Keynote Address: Eugene O'Neill: Universal Brotherhood Theatre for Today's World by Virginia Floyd Introductions--From the People's Republic of China, Haiping Liu From the United States, Lowell Swortzell O'Neill's Philosophic and Religious Motifs Eugene O'Neill's TAO TE CHING: The Spiritu…
Theatre and Society
Chronologically third culture to devise its own drama tradition after southern Europe, initially Ancient Greece, and India, (Mackerras 1990, 221), China and its dramatic culture have attracted some of finest minds in West and have continued to induce and inspire a growing production of first-rank scholarship.' While contributions made by scholars of Chinese theatre to community of learned in West are undeniable, one cannot avoid noting that their…
Ideology and Critique
One of the prominent features of Chinese traditional music drama, as scholars of Chinese theatre generally notice, is its “folk preference for the female power in resistance to hypocrisy and villainy.“ Comprising primarily a male authorship with its historically developed repertoire, Chinese traditional music drama contains complex, powerful, and enduring images of women whose names have become an integral part of the Chinese language and whose s…
Studies in Chinese-Western Comparative Drama
Tragicomedy and Contemporary Culture
A perceptive study of the relationship between contemporary play writing and the society that gives rise to it
The Contemporary Chinese Historical Drama
Staging Modern Vagrancy
As the irruption of the consciousness of border-crossings into our present cultural analyses evinces the escalated shifting of global human geography, articulations of "nomads" as "fluid," "flexible," or "liberatory" subjects have proliferated in our humanistic studies. 2 Joining the important debates resulting from such articulations, 3 this essay revisits the problem of border-crossing by examining its figurations in contemporary women authors'…
Tragicomedy and Contemporary Culture
A perceptive study of the relationship between contemporary play writing and the society that gives rise to it
The Contemporary Chinese Historical Drama
Studies in Chinese-Western Comparative Drama
Tragicomedy and Contemporary Culture
A perceptive study of the relationship between contemporary play writing and the society that gives rise to it
Theatre and Society
Chronologically third culture to devise its own drama tradition after southern Europe, initially Ancient Greece, and India, (Mackerras 1990, 221), China and its dramatic culture have attracted some of finest minds in West and have continued to induce and inspire a growing production of first-rank scholarship.' While contributions made by scholars of Chinese theatre to community of learned in West are undeniable, one cannot avoid noting that their…
Ideology and Critique
One of the prominent features of Chinese traditional music drama, as scholars of Chinese theatre generally notice, is its “folk preference for the female power in resistance to hypocrisy and villainy.“ Comprising primarily a male authorship with its historically developed repertoire, Chinese traditional music drama contains complex, powerful, and enduring images of women whose names have become an integral part of the Chinese language and whose s…
Eugene O'neill in China
Letters of Greetings by Cao Yu, President, The Chinese Dramatists' Association, Beijing, and Frederick C. Wilkins, President, The Eugene O'Neill Society, Boston Keynote Address: Eugene O'Neill: Universal Brotherhood Theatre for Today's World by Virginia Floyd Introductions--From the People's Republic of China, Haiping Liu From the United States, Lowell Swortzell O'Neill's Philosophic and Religious Motifs Eugene O'Neill's TAO TE CHING: The Spiritu…
Theatre and Society
Staging Modern Vagrancy
As the irruption of the consciousness of border-crossings into our present cultural analyses evinces the escalated shifting of global human geography, articulations of "nomads" as "fluid," "flexible," or "liberatory" subjects have proliferated in our humanistic studies. 2 Joining the important debates resulting from such articulations, 3 this essay revisits the problem of border-crossing by examining its figurations in contemporary women authors'…
Chinese Women Writers and the Feminist Imagination, 1905-1948
Chinese Women Writers and the Feminist Imagination, 1905-1948 provides a compelling study of leading women writers in modern China, charting their literary works and life journeys to examine the politics and poetics of Chinese transcultural feminism that exceed the boundaries of bourgeois feminist selfhood. Unlike recent literary studies that focus on the discursive formation of the modern Chinese nation state and its gendering effects, Haiping Y…
Turning Points
Turning Points:Women Playwrights in Contemporary China Yan Haiping (bio) In my introduction to Theatre and Society: An Anthology of Contemporary Chinese Drama (1998), I wrote: "The . . . texts presented in this anthology are selected from the hundreds of plays and film scripts written and produced each year in China since 1979."1 A decade later, I find myself rereading this volume and asking why women playwrights are absent from it. As an editor …
Other Cosmopolitans
Yan Haiping explores Kang Youwei’s Book of Great Harmony , a utopian portrait of the peoples of the earth living together without racial, national, or cultural divides that emerged, almost miraculously, at the height of Chinese resistance to the Japanese invasion of the 1930s. Placing the book into its tormented historical context, Yan Haiping takes his cue from Calhoun’s observation that “statements of cosmopolitanism as universalism echo rather…
Art (10 works) · History (8 works) · Literature (8 works) · Theatre and Performance Studies (7 works) · Drama (6 works) · Aesthetics (5 works) · Asian Culture and Media Studies (4 works) · China (4 works) · Chinese history and philosophy (4 works) · History (4 works)