Patricia Meyer Spacks
Biographic Data
| ID | 387097 |
|---|---|
| NAME | Patricia Meyer Spacks |
| GIVEN NAMES | Patricia Meyer |
| FAMILY NAME | Spacks |
| SIGNATURE | SPACKS P M |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 32 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 32 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1962 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
The Female Imagination: A Literary and Psychological Investigation of Women's Writing
Is there such a thing as a female literary imagination – a special brand of insight and intuition that characterises women’s writing? Is there something about a novel, whether by Jane Austen, Charlotte Brontë or Doris Lessing, that tells us that it could only have been written by a woman? Do the subject matter, form and style that women choose throw light on the way they think and feel? In this brilliant and highly readable book, originally publi…
The Power of Middlemarch
PATRICIAMEYER SPACKS, a Fellow of the American Academy since 1994, is the Edgar F. Shannon Professor of English, Emerita, at the University of Virginia. Her recent books include On Rereading (2011), Reading Eighteenth-Century Poetry (2009), and Novel Beginnings: Experiments in Eighteenth-Century English Fiction (2006). She has also recently prepared annotated editions of the Jane Austen novels Pride and Prejudice and Sense and Sensibility. Doroth…
On Rereading
Reflecting on the humanities
Revolution in the humanities
A Dull Book is Easily Renounced”
Oscillations of Sensibility
IGHTEENTH-CENTURY VERSIONS of sensibility provide few obvious attractions for the postmodern consciousness. Novel after novel, play after play, the early literature of sensibility rehearses its register of human misery, without consistent irony, without appropriate rage. In their sheer relentlessness, the bizarre multiplications of misfortune frequently verge on inadvertent comedy. Equally appalling to twentieth-century feelings are the remedies …
Desire and Truth: Functions of Plot in Eighteenth-Century Novels
Image and Action: Critics of the Academy
The current discourses of cultural politics, inasmuch as they bear on the academy, concern themselves less with practices than with images. The teacher as lazy lout, to be put to work; as aristocrat, to be brought down a peg or two; as servant, to be directed toward fulfilling the master's ends; as bad priest who has failed to lead the flock to virtue. The teacher as showman, endlessly parading his brilliance or her radical politics, and as shama…
The Courtship Novel, 1740-1820: A Feminized Genre
The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles. That the choice among suitors ideally depended on love and sh…
Dangerous by Degrees: Women at Oxford and the Somerville College Novelists
Describes the experiences of women attending Oxford shortly before and after World War I and examines these experiences in the works of major novelists
Sentiment and Sociability: The Language of Feeling in the Eighteenth Century
Introduction. Sympathy and the production of society Richardson - sentiment and the construction of femininity the availability of virtue Laurence Sterne and sociality of the novel hypochondria and hysteria - sensibility and the physicians. Bibliography. Index
Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860 . Judith Lowder Newton The Determined Reader: Gender and Culture in the Novel from Napoleon to Victoria . Carla L. Peterso…
Austen's laughter
(1988). Austen's laughter. Women's Studies: Vol. 15, Last Laughs: Perspectives on Women and Comedy, pp. 71-85
Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction
Pope's Imagination
Gossip
Imaginations Warm and Tender: Pope and Lady Mary
Research Article| April 01 1984 Imaginations Warm and Tender: Pope and Lady Mary Patricia Meyer Spacks Patricia Meyer Spacks Search for other works by this author on: This Site Google South Atlantic Quarterly (1984) 83 (2): 207–215. https://doi.org/10.1215/00382876-83-2-207 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Patricia Meyer Spacks; Imaginations Warm and Tender: Pope and Lady Mary. Sout…
Literary Loneliness in Mid-Eighteenth-Century England by John Sitter
Book Review| October 01 1983 Literary Loneliness in Mid-Eighteenth-Century England by John Sitter Literary Loneliness in Mid-Eighteenth-Century England. By Sitter, John. Ithaca and London: Cornell University Press, 1982. Pp. 230. $19.50. Patricia Meyer Spacks Patricia Meyer Spacks Yale University Search for other works by this author on: This Site Google South Atlantic Quarterly (1983) 82 (4): 452–455. https://doi.org/10.1215/00382876-82-4-452 Ci…
Sex and Sensibility: Ideal and Erotic Love from Milton to Mozart
The Boswellian Hero
English Literature in the Age of Disguise
The Dangerous Age
I ought now to think of concluding this Paper: But I know not how to give over. I am so much aware of the Inconstancy and Unsteddiness of the human Heart, the Frailty of the best Resolutions, and the most obstinate Virtue we can boast, the fatal Power of Temptation, the terrible Effects of bad Company, and the almost irresistible Force of Example, and withal, the Difficulty of attaining that high Pitch of Virtue necessary to qualify for the Enjoy…
Autobiographical Acts: The Changing Situation of a Literary Genre
Imagining a Self: Autobiography and Novel in Eighteenth-Century England
Ev'ry Woman is at Heart a Rake
THE EIGHTEENTH CENTURY BEGINS IN ENGLAND with Congreve's portrayal of Lady Wishfort, who's flattered, at the age of fifty-five, by being rumored pregnant, who declares hopefully that tenderness becomes me best, and is comic butt because of her painted face and her delight at finding that prospective suitor is a brisk who may take her by storm. The century ends with Coleridge's more sinister evocation of Geraldine, the female corrupter of Christab…
Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction
Reflecting on the humanities
Dangerous by Degrees: Women at Oxford and the Somerville College Novelists
Describes the experiences of women attending Oxford shortly before and after World War I and examines these experiences in the works of major novelists
The Power of Middlemarch
PATRICIAMEYER SPACKS, a Fellow of the American Academy since 1994, is the Edgar F. Shannon Professor of English, Emerita, at the University of Virginia. Her recent books include On Rereading (2011), Reading Eighteenth-Century Poetry (2009), and Novel Beginnings: Experiments in Eighteenth-Century English Fiction (2006). She has also recently prepared annotated editions of the Jane Austen novels Pride and Prejudice and Sense and Sensibility. Doroth…
The Insistence of Horror: Aspects of the Supernatural in Eighteenth-Century Poetry
Confrontation And Escape In Two Social Dramas
Like Ibsen in A Doll's House (1870), John Osborne in Look Back in Anger (first produced in 1956) offered a "revolutionary" play, one destined to create not only a literary sensation but social excitement as well. Both plays seem to have filled similar places in the literary history of their times; both were taken as manifestoes of significant new ways of thinking and feeling. The specific social situations they reflect are, of course, radically d…
Pope and the Context of Controversy: The Manipulation of Ideas in An Essay on Man
The English Georgic: A Study in the Development of a Form
Ev'ry Woman is at Heart a Rake
THE EIGHTEENTH CENTURY BEGINS IN ENGLAND with Congreve's portrayal of Lady Wishfort, who's flattered, at the age of fifty-five, by being rumored pregnant, who declares hopefully that tenderness becomes me best, and is comic butt because of her painted face and her delight at finding that prospective suitor is a brisk who may take her by storm. The century ends with Coleridge's more sinister evocation of Geraldine, the female corrupter of Christab…
Imagining a self: Autobiography and Novel in Eighteenth-Century England
An Essay on Pope
Imagining a Self: Autobiography and Novel in Eighteenth-Century England
The Dangerous Age
I ought now to think of concluding this Paper: But I know not how to give over. I am so much aware of the Inconstancy and Unsteddiness of the human Heart, the Frailty of the best Resolutions, and the most obstinate Virtue we can boast, the fatal Power of Temptation, the terrible Effects of bad Company, and the almost irresistible Force of Example, and withal, the Difficulty of attaining that high Pitch of Virtue necessary to qualify for the Enjoy…
Autobiographical Acts: The Changing Situation of a Literary Genre
English Literature in the Age of Disguise
The Boswellian Hero
Sex and Sensibility: Ideal and Erotic Love from Milton to Mozart
Literary Loneliness in Mid-Eighteenth-Century England by John Sitter
Book Review| October 01 1983 Literary Loneliness in Mid-Eighteenth-Century England by John Sitter Literary Loneliness in Mid-Eighteenth-Century England. By Sitter, John. Ithaca and London: Cornell University Press, 1982. Pp. 230. $19.50. Patricia Meyer Spacks Patricia Meyer Spacks Yale University Search for other works by this author on: This Site Google South Atlantic Quarterly (1983) 82 (4): 452–455. https://doi.org/10.1215/00382876-82-4-452 Ci…
Imaginations Warm and Tender: Pope and Lady Mary
Research Article| April 01 1984 Imaginations Warm and Tender: Pope and Lady Mary Patricia Meyer Spacks Patricia Meyer Spacks Search for other works by this author on: This Site Google South Atlantic Quarterly (1984) 83 (2): 207–215. https://doi.org/10.1215/00382876-83-2-207 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Patricia Meyer Spacks; Imaginations Warm and Tender: Pope and Lady Mary. Sout…
Pope's Imagination
Gossip
Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction
Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860 . Judith Lowder Newton The Determined Reader: Gender and Culture in the Novel from Napoleon to Victoria . Carla L. Peterso…
Austen's laughter
(1988). Austen's laughter. Women's Studies: Vol. 15, Last Laughs: Perspectives on Women and Comedy, pp. 71-85
Sentiment and Sociability: The Language of Feeling in the Eighteenth Century
Introduction. Sympathy and the production of society Richardson - sentiment and the construction of femininity the availability of virtue Laurence Sterne and sociality of the novel hypochondria and hysteria - sensibility and the physicians. Bibliography. Index
Dangerous by Degrees: Women at Oxford and the Somerville College Novelists
Describes the experiences of women attending Oxford shortly before and after World War I and examines these experiences in the works of major novelists
The Courtship Novel, 1740-1820: A Feminized Genre
The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles. That the choice among suitors ideally depended on love and sh…
Desire and Truth: Functions of Plot in Eighteenth-Century Novels
Image and Action: Critics of the Academy
The current discourses of cultural politics, inasmuch as they bear on the academy, concern themselves less with practices than with images. The teacher as lazy lout, to be put to work; as aristocrat, to be brought down a peg or two; as servant, to be directed toward fulfilling the master's ends; as bad priest who has failed to lead the flock to virtue. The teacher as showman, endlessly parading his brilliance or her radical politics, and as shama…
Art (22 works) · History (15 works) · Psychology (14 works) · Literature (13 works) · History (9 works) · Philosophy (9 works) · Literature: history, themes, analysis (7 works) · Philosophy (7 works) · Sociology (7 works) · Art history (6 works)