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Alexandre Pinto

Biographic Data

ID3871073
NAMEAlexandre Pinto
GIVEN NAMESAlexandre
FAMILY NAMEPinto
SIGNATUREPINTO A
AFFILIATIONSArchéologies et Sciences de l’Antiquité
ORCID0000-0002-3774-0884
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Modéliser les sonorités du passé: Étude de cas à Malia (Crète, âge du Bronze)

    Open Access•Alexandre Pinto, Bastien Rueff et al.•ARTICLE•Anabases•2025

  • Senses and Activities: A Virtual Reconstruction of the Potter’s Workshop and the North Area of Quartier Mu at Malia (c. 1800-1700 BC)

    Open Access•Bastien Rueff, Alexandre Pinto et al.•ARTICLE•Studies in Digital Heritage•2024

    This article aims to reconstruct the sensory space in which craft activities took place in the Quartier Mu at Malia, an urban district dating to the beginning of the 2nd millennium BC in Crete. The study focuses on two areas: Room VIII 5* of the Potter’s workshop and the North Area, where pottery manufacturing, stone roughing out, drilling, and polishing were carried out. The goal of the research is to address sensory questions, including the sou…

  • Un idiophone de l'Âge du Bronze en Égée: Le sistre crétois.Premières approches expérimentales

    Open Access•Alexandre Pinto, Alexandre H Pinto•ARTICLE•Pallas•2021•References: 13

    Among the Aegean Bronze Age instruments, the idiophone’s group is the smallest in terms of quantity. The sistrum is the most encountered within this group, although we do not know how the Minoans perceived this instrument. Scholars have often linked it to a religious or symbolic perception ; our aim here is to focus our study on the instrument itself. By approaching the object and its materiality, at both macroscopic and microscopic scales, we in…

No prominent works on this page.

  • Un idiophone de l'Âge du Bronze en Égée: Le sistre crétois.Premières approches expérimentales

    Open Access•Alexandre Pinto, Alexandre H Pinto•ARTICLE•Pallas•2021•References: 13

    Among the Aegean Bronze Age instruments, the idiophone’s group is the smallest in terms of quantity. The sistrum is the most encountered within this group, although we do not know how the Minoans perceived this instrument. Scholars have often linked it to a religious or symbolic perception ; our aim here is to focus our study on the instrument itself. By approaching the object and its materiality, at both macroscopic and microscopic scales, we in…

  • Senses and Activities: A Virtual Reconstruction of the Potter’s Workshop and the North Area of Quartier Mu at Malia (c. 1800-1700 BC)

    Open Access•Bastien Rueff, Alexandre Pinto et al.•ARTICLE•Studies in Digital Heritage•2024

    This article aims to reconstruct the sensory space in which craft activities took place in the Quartier Mu at Malia, an urban district dating to the beginning of the 2nd millennium BC in Crete. The study focuses on two areas: Room VIII 5* of the Potter’s workshop and the North Area, where pottery manufacturing, stone roughing out, drilling, and polishing were carried out. The goal of the research is to address sensory questions, including the sou…

  • Modéliser les sonorités du passé: Étude de cas à Malia (Crète, âge du Bronze)

    Open Access•Alexandre Pinto, Bastien Rueff et al.•ARTICLE•Anabases•2025

Ancient Mediterranean Archaeology and History (3 works) · Art (3 works) · Maritime and Coastal Archaeology (2 works) · Archaeology and Rock Art Studies (1 works) · Conservation Techniques and Studies (1 works) · Craft (1 works) · Cultural Heritage Materials Analysis (1 works) · Dusk (1 works) · Ecology (1 works) · Geography (1 works)

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