Patrick Greaney
Biographic Data
| ID | 387172 |
|---|---|
| NAME | Patrick Greaney |
| GIVEN NAMES | Patrick |
| FAMILY NAME | Greaney |
| SIGNATURE | GREANEY P |
| AFFILIATIONS | University of Colorado Boulder |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 17 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Fassbinder, Functionalism, and the Beauty of Braun Design
Never Again
Never AgainAn Excerpt from 11 Carlos Soto-Román (bio) Translated by Alexis Almeida, Daniel Beauregard, Daniel Borzutzky, Whitney DeVos, Patrick Greaney, Robin Myers, Jessica Pujol Durán, and Thomas Rothe (bio) Click for larger view View full resolution JORGE TACLA, IDENTIDAD OCULTA 25 (2013), OIL AND MARBLE POWDER ON CANVAS, 64 X 78 IN. /COPYRIGHT BY JORGE TACLA [End Page 50] Never again . . . Bearing in mind: 1st – The severe economic, social, a…
Wiederaufgelegt
Reviewed by: Wiederaufgelegt: Zur Appropriation von Texten und Büchern in Büchern ed. by Annette Gilbert, and: Reprint: Appropriation (&) Literature, Appropriationen von 1960 bis heute ed. by Annette Gilbert Patrick Greaney (bio) Annette Gilbert, ed. Wiederaufgelegt: Zur Appropriation von Texten und Büchern in Büchern. Bielefeld: Transcript, 2012. 422 pages. Annette Gilbert, ed. Reprint: Appropriation (&) Literature, Appropriationen von 1960 bis …
Essentially the Same
On the Chaos in Chandos
On the Chaos in Chandos:Hofmannsthal on Modernity’s Threshold Patrick Greaney (bio) In 1902, Hugo von Hofmannsthal published “A Letter,” in which a certain Lord Chandos writes to Francis Bacon to “excuse himself” for his “complete abandonment of literary activity.”1 It’s difficult to think of another short literary work in German that has received as much attention as this “founding text of literary high modernism.”2 Often, “A Letter” is introduc…
Last Words
This article examines the tensions between expression and expressionlessness in the works of the artist Luis Camnitzer, with special attention to these three works: Selbstbedienung (Self-Service), Patentanmeldung (Patent Application), Uruguayan Torture Series, and Last Words
Quotational Practices
Next to Nothing
This essay attempts to do two things which is really one thing. Flusser speaks eloquently about the use apparatuses and our own roles as users who “process and repurpose images and text.” In this essay, Robert Fitterman has taken Flusser at his word and plagiarized or repurposed his own text. But, he has also changed the photography references to Internet references. By doing so, he hopes this essay re-enacts Flusser's own articulation of how too…
Insinuation
This essay examines how key Situationist concepts-the spectacle and détournement-are gendered. The first half of the essay presents these concepts along with a discussion of Asger Jorn's and Isidore Isou's gendered theories of creation and a reading of the figure of Jack the Ripper in Guy Debord and Jorn's book Mémoires. The second half of the essay argues that one of Debord's sources, Baudelaire's prose poem "Solitude," presents a concept-"insin…
Let’S Get Beat Up By The Poor
Aestheticization and the Shoah
This article expands the range of critical responses to nachschrift , Heimrad Bäcker's 1986 work that uses the methods of concrete and visual poetry to present quotations from documents about the Shoah. The article proposes that transcript should be considered not only as a documentary work but also as a work determined by several forms of incompleteness, and it shows how the aestheticizing aspects of Bäcker's text repeat or quote National Social…
Untimely Beggar
Urs Allemann’s Beginnings
Urs Allemann’s Beginnings Patrick Greaney In the past twenty years, few literary events have caused as much controversy in German-speaking Europe as the awarding of second prize (the “Ingeborg Bachmann Preis des Landes Kärnten”) in the 1991 Ingeborg Bachmann Competition to Urs Allemann’s Babyficker.1 In a list prepared for the newsmagazine Spiegel of the top forty-five scandals between 1949 and 1999, the “Allemann affair” is one of only three cul…
Estranging Memory in Ilse Aichinger1
Untimely Beggar
Mallarme
MLN - Volume 113, Number 5, December 1998 (Comparative Literature Issue)
Language and Form
MLN - Volume 113, Number 3, April 1998 (German Issue)
Quotational Practices
Insinuation
This essay examines how key Situationist concepts-the spectacle and détournement-are gendered. The first half of the essay presents these concepts along with a discussion of Asger Jorn's and Isidore Isou's gendered theories of creation and a reading of the figure of Jack the Ripper in Guy Debord and Jorn's book Mémoires. The second half of the essay argues that one of Debord's sources, Baudelaire's prose poem "Solitude," presents a concept-"insin…
Mallarme
MLN - Volume 113, Number 5, December 1998 (Comparative Literature Issue)
Language and Form
MLN - Volume 113, Number 3, April 1998 (German Issue)
Estranging Memory in Ilse Aichinger1
Untimely Beggar
Untimely Beggar
Urs Allemann’s Beginnings
Urs Allemann’s Beginnings Patrick Greaney In the past twenty years, few literary events have caused as much controversy in German-speaking Europe as the awarding of second prize (the “Ingeborg Bachmann Preis des Landes Kärnten”) in the 1991 Ingeborg Bachmann Competition to Urs Allemann’s Babyficker.1 In a list prepared for the newsmagazine Spiegel of the top forty-five scandals between 1949 and 1999, the “Allemann affair” is one of only three cul…
Let’S Get Beat Up By The Poor
Aestheticization and the Shoah
This article expands the range of critical responses to nachschrift , Heimrad Bäcker's 1986 work that uses the methods of concrete and visual poetry to present quotations from documents about the Shoah. The article proposes that transcript should be considered not only as a documentary work but also as a work determined by several forms of incompleteness, and it shows how the aestheticizing aspects of Bäcker's text repeat or quote National Social…
Insinuation
This essay examines how key Situationist concepts-the spectacle and détournement-are gendered. The first half of the essay presents these concepts along with a discussion of Asger Jorn's and Isidore Isou's gendered theories of creation and a reading of the figure of Jack the Ripper in Guy Debord and Jorn's book Mémoires. The second half of the essay argues that one of Debord's sources, Baudelaire's prose poem "Solitude," presents a concept-"insin…
Next to Nothing
This essay attempts to do two things which is really one thing. Flusser speaks eloquently about the use apparatuses and our own roles as users who “process and repurpose images and text.” In this essay, Robert Fitterman has taken Flusser at his word and plagiarized or repurposed his own text. But, he has also changed the photography references to Internet references. By doing so, he hopes this essay re-enacts Flusser's own articulation of how too…
Essentially the Same
On the Chaos in Chandos
On the Chaos in Chandos:Hofmannsthal on Modernity’s Threshold Patrick Greaney (bio) In 1902, Hugo von Hofmannsthal published “A Letter,” in which a certain Lord Chandos writes to Francis Bacon to “excuse himself” for his “complete abandonment of literary activity.”1 It’s difficult to think of another short literary work in German that has received as much attention as this “founding text of literary high modernism.”2 Often, “A Letter” is introduc…
Last Words
This article examines the tensions between expression and expressionlessness in the works of the artist Luis Camnitzer, with special attention to these three works: Selbstbedienung (Self-Service), Patentanmeldung (Patent Application), Uruguayan Torture Series, and Last Words
Quotational Practices
Wiederaufgelegt
Reviewed by: Wiederaufgelegt: Zur Appropriation von Texten und Büchern in Büchern ed. by Annette Gilbert, and: Reprint: Appropriation (&) Literature, Appropriationen von 1960 bis heute ed. by Annette Gilbert Patrick Greaney (bio) Annette Gilbert, ed. Wiederaufgelegt: Zur Appropriation von Texten und Büchern in Büchern. Bielefeld: Transcript, 2012. 422 pages. Annette Gilbert, ed. Reprint: Appropriation (&) Literature, Appropriationen von 1960 bis …
Never Again
Never AgainAn Excerpt from 11 Carlos Soto-Román (bio) Translated by Alexis Almeida, Daniel Beauregard, Daniel Borzutzky, Whitney DeVos, Patrick Greaney, Robin Myers, Jessica Pujol Durán, and Thomas Rothe (bio) Click for larger view View full resolution JORGE TACLA, IDENTIDAD OCULTA 25 (2013), OIL AND MARBLE POWDER ON CANVAS, 64 X 78 IN. /COPYRIGHT BY JORGE TACLA [End Page 50] Never again . . . Bearing in mind: 1st – The severe economic, social, a…
Fassbinder, Functionalism, and the Beauty of Braun Design
Philosophy (12 works) · Art (11 works) · Art history (7 works) · Linguistics (7 works) · Computer Science (6 works) · Literature (6 works) · Political science (6 works) · Sociology (6 works) · Poetry (5 works) · Epistemology (4 works)