Cüneyt Çakirlar
Biographic Data
| ID | 3871737 |
|---|---|
| NAME | Cüneyt Çakirlar |
| GIVEN NAMES | Cüneyt |
| FAMILY NAME | Çakirlar |
| SIGNATURE | ÇAKIRLAR C |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Aesthetics of self-scaling
This article examines relations of ethnography, contemporary art practice, globalisation and scalar geopolitics with particular reference to Kutluğ Ataman's artworks. Having been shortlisted for the Turner Prize at the Tate and awarded the prestigious international Carnegie Prize in 2004 with his 40-screen video installation Küba (2004), Ataman became an extremely well-known, globally acclaimed artist and filmmaker. Self-conscious of their global…
Masculinity, Scatology, Mooning and the Queer/able Art of Gilbert & George
The aim of this essay is to investigate the intersections between masculinity, shame, art, anality, the abject and embodiment by focusing on a particular period of the British art duo Gilbert & George's work in the 1990s. In their series The Naked Shit Pictures (1994), The Fundamental Pictures (1996) and The Rudimentary Pictures (1999), the duo's artistic self-performance opens a scatological narrative territory where the male body encounters its…
Aesthetics of self-scaling
This article examines relations of ethnography, contemporary art practice, globalisation and scalar geopolitics with particular reference to Kutluğ Ataman's artworks. Having been shortlisted for the Turner Prize at the Tate and awarded the prestigious international Carnegie Prize in 2004 with his 40-screen video installation Küba (2004), Ataman became an extremely well-known, globally acclaimed artist and filmmaker. Self-conscious of their global…
Masculinity, Scatology, Mooning and the Queer/able Art of Gilbert & George
The aim of this essay is to investigate the intersections between masculinity, shame, art, anality, the abject and embodiment by focusing on a particular period of the British art duo Gilbert & George's work in the 1990s. In their series The Naked Shit Pictures (1994), The Fundamental Pictures (1996) and The Rudimentary Pictures (1999), the duo's artistic self-performance opens a scatological narrative territory where the male body encounters its…
Aesthetics of self-scaling
This article examines relations of ethnography, contemporary art practice, globalisation and scalar geopolitics with particular reference to Kutluğ Ataman's artworks. Having been shortlisted for the Turner Prize at the Tate and awarded the prestigious international Carnegie Prize in 2004 with his 40-screen video installation Küba (2004), Ataman became an extremely well-known, globally acclaimed artist and filmmaker. Self-conscious of their global…
Aesthetics (2 works) · Art (2 works) · Sociology (2 works) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Cinema and Media Studies (1 work) · Ethnography (1 work) · Feminism, Gender, and Sexuality Studies (1 work) · Film director (1 work) · Foucault, Power, and Ethics (1 work)