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András Kiséry

Biographic Data

ID387186
NAMEAndrás Kiséry
GIVEN NAMESAndrás
FAMILY NAMEKiséry
SIGNATUREKISÉRY A
AFFILIATIONSCity College of New York
ORCID0009-0007-4457-0784
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS1
WORKS AS AUTHOR7
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Useless Books

    András Kiséry•ARTICLE•Representations•2025

    The catalog is a technology that mediates access to books and also mediates its users' cultural categories. In a 1657 catalog, the bookseller William London effectively created a category for what we now call literature a century earlier than the familiar histories suggest this was conceivable. This essay explains this seeming oddity, while also proposing an alternative to the story, advanced by scholars from René Wellek through Raymond Williams …

  • Speech, Media, and Early Modern English Writing

    András Kiséry•ARTICLE•Critical Inquiry•2024•Cited by: 1•References: 10

  • Hamlet’s Moment

    András Kiséry•BOOK•Hamlet's Moment•2016

    Hamlet’s Moment reveals how plays written in the first decade of the seventeenth century were shaped by forms of professional political knowledge and the social promises such knowledge held. This argument presupposes that there was such a thing as a political profession, however loosely understood: that there was a career path associated with political employment that was assumed to be a means to social advancement, and that there was a recogniza…

  • Hamlet's Moment

    András Kiséry•BOOK•Hamlet's Moment•2016

    'Hamlet's Moment' reveals how plays written in the first decade of the 17th century were shaped by forms of professional political knowledge and by the social promises such knowledge held, and they familiarised their audiences with them.

  • ‘The Most Matter with Best Conceyt’

    András Kiséry•CHAPTER•Hamlet's Moment•2016

    Sejanus presents itself as a piece of authoritative Tacitean historiography, and its maxims are part of the play’s effort to align itself with the ‘politic’ histories of Tacitus, Commines, and Guicciardini, valued for the aphoristic materials that could be extracted from their texts. Jonson’s tragedy puts such materials of political analysis into public, commercial circulation, but suggests that the unmasking of power through such analysis is inc…

  • Formal Matters

    Allison K Deutermann, András Kiséry•EDITOR•BOOK•Formal Matters•2016

  • Formal matters

    Allison K Deutermann, András Kiséry•EDITOR•BOOK•Formal matters•2013

    The essays in this collection explore the intersection between literary and material forms of writing in sixteenth- and seventeenth-century England by linking formalist analysis with the insights of book history

  • The Oxford History of Popular Print Culture, Volume 1

    Open Access•András Kiséry•ARTICLE•Renaissance Quarterly•2012

    Joad Raymond, ed. The Oxford History of Popular Print Culture, Volume 1: Cheap Print in Britain and Ireland to 1660. Oxford: Oxford University Press, 2011. xxix +672 pp. $180. ISBN: 9780–19–928704–8. - Volume 65 Issue 1

  • Renaissance Transformations

    Open Access•András Kiséry•ARTICLE•Renaissance Quarterly•2010

    Margaret Healy and Thomas Healy, eds. Renaissance Transformations: The Making of English Writing 1500–1650. Edinburgh: Edinburgh University Press, 2009. vi + 218 pp. index. $95. ISBN: 978–0–7486–3873–4. - Volume 63 Issue 4

  • Speech, Media, and Early Modern English Writing

    András Kiséry•ARTICLE•Critical Inquiry•2024•Cited by: 1•References: 10

  • Renaissance Transformations

    Open Access•András Kiséry•ARTICLE•Renaissance Quarterly•2010

    Margaret Healy and Thomas Healy, eds. Renaissance Transformations: The Making of English Writing 1500–1650. Edinburgh: Edinburgh University Press, 2009. vi + 218 pp. index. $95. ISBN: 978–0–7486–3873–4. - Volume 63 Issue 4

  • The Oxford History of Popular Print Culture, Volume 1

    Open Access•András Kiséry•ARTICLE•Renaissance Quarterly•2012

    Joad Raymond, ed. The Oxford History of Popular Print Culture, Volume 1: Cheap Print in Britain and Ireland to 1660. Oxford: Oxford University Press, 2011. xxix +672 pp. $180. ISBN: 9780–19–928704–8. - Volume 65 Issue 1

  • Formal matters

    Allison K Deutermann, András Kiséry•EDITOR•BOOK•Formal matters•2013

    The essays in this collection explore the intersection between literary and material forms of writing in sixteenth- and seventeenth-century England by linking formalist analysis with the insights of book history

  • Hamlet’s Moment

    András Kiséry•BOOK•Hamlet's Moment•2016

    Hamlet’s Moment reveals how plays written in the first decade of the seventeenth century were shaped by forms of professional political knowledge and the social promises such knowledge held. This argument presupposes that there was such a thing as a political profession, however loosely understood: that there was a career path associated with political employment that was assumed to be a means to social advancement, and that there was a recogniza…

  • Hamlet's Moment

    András Kiséry•BOOK•Hamlet's Moment•2016

    'Hamlet's Moment' reveals how plays written in the first decade of the 17th century were shaped by forms of professional political knowledge and by the social promises such knowledge held, and they familiarised their audiences with them.

  • ‘The Most Matter with Best Conceyt’

    András Kiséry•CHAPTER•Hamlet's Moment•2016

    Sejanus presents itself as a piece of authoritative Tacitean historiography, and its maxims are part of the play’s effort to align itself with the ‘politic’ histories of Tacitus, Commines, and Guicciardini, valued for the aphoristic materials that could be extracted from their texts. Jonson’s tragedy puts such materials of political analysis into public, commercial circulation, but suggests that the unmasking of power through such analysis is inc…

  • Formal Matters

    Allison K Deutermann, András Kiséry•EDITOR•BOOK•Formal Matters•2016

  • Speech, Media, and Early Modern English Writing

    András Kiséry•ARTICLE•Critical Inquiry•2024•Cited by: 1•References: 10

  • Useless Books

    András Kiséry•ARTICLE•Representations•2025

    The catalog is a technology that mediates access to books and also mediates its users' cultural categories. In a 1657 catalog, the bookseller William London effectively created a category for what we now call literature a century earlier than the familiar histories suggest this was conceivable. This essay explains this seeming oddity, while also proposing an alternative to the story, advanced by scholars from René Wellek through Raymond Williams …

Art (4 works) · History (4 works) · Literature (4 works) · Sociology (4 works) · Art history (3 works) · Computer Science (3 works) · History (3 works) · History and criticism (3 works) · 1500-1700 (2 works) · Aesthetics (2 works)

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