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Richard Paterson

Biographic Data

ID387270
NAMERichard Paterson
GIVEN NAMESRichard
FAMILY NAMEPaterson
SIGNATUREPATERSON R
AFFILIATIONSBritish Film Institute
ORCID0000-0003-0004-5164
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS80
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2025
H-INDEX2
  • The BFI, Cultural Diversity and its Faltering Response to Social and Epistemic Injustice

    Open Access•Richard Paterson•ARTICLE•Journal of British Cinema and…•2025

    Over its history the BFI since its foundation in 1933 has regularly had to contend with changes in culture and in relation to issues of diversity, from the language used in cataloguing films in its archive to the funding of films which reflect Britain’s evolving population and demography. This article traces that history through the lens of institutional thinking and describes repeated initiatives to address perceived epistemic injustices in Brit…

  • Doctoral writing through a trajectorial lens: An exploratory study on challenges, strategies and relationships

    Open Access•Julio Gimenez, Richard Paterson et al.•ARTICLE•Higher Education•2024

  • Obituary: ‘The role and importance of institutions’: Tony Smith

    Open Access•Richard Paterson•ARTICLE•Journal of British Cinema and…•2022

  • Television Production in Transition: Independence, Scale, Sustainability and the Digital Challenge

    Open Access•Gillian Doyle, Richard Paterson et al.•BOOK•Television Production in Transition•2021

  • Reproduced, reinterpreted, lost: Trajectories of scientific knowledge across contexts

    Julio Gimenez, Mark Baldwin et al.•ARTICLE•Text and Talk•2020

    This article reports on a research project that uses two innovative heuristics to examine the changes that texts – produced to disseminate new scientific knowledge – undergo when they travel across space and time. A critical analysis of such transformations would enhance our understanding of the processes involved in knowledge dissemination and inform the practice of communicating scientific knowledge to a variety of audiences. Based on our study…

  • Early independent production entrepreneurs in the UK television: Pioneering agents of neoliberal intervention

    Richard Paterson•ARTICLE•International Journal of…•2017

    This essay focuses on the operation of the UK independent television production sector in the context of the entrepreneurial aspirations of company owners in the 1990s. The calculative practices used running these small and medium sized companies are examined and the experiences in managing them are mapped as they negotiated an evolving fitness landscape. Analysis is provided of the strategies adopted including the need to develop reputation and …

  • Because Sometimes Your Failures Can Also Teach You Certain Skills’: Lecturer and Student Perceptions of Employability Skills at a Transnational University

    Open Access•Richard Paterson•ARTICLE•Qualitative Research in Education•2017

    This exploratory study investigates lecturers’ and students’ understanding of the concepts and language underpinning higher education strategies of developing employability skills. While a solid grounding in discipline-specific knowledge and skills is what most graduate degrees aim at providing, employability skills are increasingly becoming an important factor when evaluating prospective employees. Embedding the acquisition of employability skil…

  • Public Policy and Independent Television Production In the U.K.

    Gillian Doyle, Richard Paterson•ARTICLE•Journal of Media Business Studies•2008

    The structure and performance of the independent televisionproduction sector in the UK have been strongly affected by public policy interventions. Such interventions have introduced more competition andhave generally sought to strengthen the position of ‘indies’ by, forexample, raising levels of demand for their output amongst domesticvertically integrated broadcasters. However, the efficacy of such policies in terms of developing a thriving and …

  • Work histories in television

    Open Access•Richard Paterson•ARTICLE•Media Culture & Society•2001•Cited by: 8•References: 5

    The labour market in Britain's television industry has been transformed in the last 20 years with the emergence of a large freelance workforce and proliferation of work on short-term contracts. This article uses data from the BFI `Television Industry Tracking Study', a major longitudinal study of creative workers in television carried out between 1994 and 1998. Case studies of individuals with contrasting work histories are used to compare variat…

  • Freelance Workers and Contract Uncertainty: The effects of Contractual Changes in the Television Industry

    Open Access•Shirley Dex, J Willis et al.•ARTICLE•Work Employment and Society•2000•Cited by: 72•References: 3

    Changes in the competitive and regulative conditions of British television over the 1980s and 1990s make for an environment of increased uncertainty for those who work in television. Broadcasting legislation, increased competition and technological advances have changed the working practices of the UK's 28,000 production workforce. The introduction of a 25 per cent quota of independent productions on all terrestrial channels, the implementation o…

  • Bosnia by Television

    James Gow, Richard Paterson et al.•ARTICLE•Canadian Journal of Communication•1998

    Examines the different ways in which the Bosnian war was reported on television across the former Yugoslavia, Europe and the West. The essays consider the extent to which television news about Bosnia had an impact on government policy and public opinion. There is also an attempt to provide a deeper understanding of the general political and cultural dimensions of the television news genre

  • Planning the Family: The Art of the Television Schedule

    Richard Paterson•CHAPTER•The Screen Education Reader•1993

    So far, most work about television has concentrated on the production of programmes, their analysis as 'texts' and their 'consumption' by audiences. Less attention has been paid to the circulation of programmes through the television schedule, the regulation of the schedule by legislative and policy concerns, and the way the schedule actually works on the audience. What I want to explore in this article is how what is produced, mapped over the in…

  • State Heroes for the Eighties

    Richard Paterson, Philip Schlesinger•ARTICLE•Screen•1983

    Journal Article State Heroes for the Eighties Get access Richard Paterson, Richard Paterson Search for other works by this author on: Oxford Academic Google Scholar Philip Schlesinger Philip Schlesinger Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 3, May/June 1983, Pages 55–73, https://doi.org/10.1093/screen/24.3.55 Published: 01 May 1983

  • Freelance Workers and Contract Uncertainty: The effects of Contractual Changes in the Television Industry

    Open Access•Shirley Dex, J Willis et al.•ARTICLE•Work Employment and Society•2000•Cited by: 72•References: 3

    Changes in the competitive and regulative conditions of British television over the 1980s and 1990s make for an environment of increased uncertainty for those who work in television. Broadcasting legislation, increased competition and technological advances have changed the working practices of the UK's 28,000 production workforce. The introduction of a 25 per cent quota of independent productions on all terrestrial channels, the implementation o…

  • Work histories in television

    Open Access•Richard Paterson•ARTICLE•Media Culture & Society•2001•Cited by: 8•References: 5

    The labour market in Britain's television industry has been transformed in the last 20 years with the emergence of a large freelance workforce and proliferation of work on short-term contracts. This article uses data from the BFI `Television Industry Tracking Study', a major longitudinal study of creative workers in television carried out between 1994 and 1998. Case studies of individuals with contrasting work histories are used to compare variat…

  • State Heroes for the Eighties

    Richard Paterson, Philip Schlesinger•ARTICLE•Screen•1983

    Journal Article State Heroes for the Eighties Get access Richard Paterson, Richard Paterson Search for other works by this author on: Oxford Academic Google Scholar Philip Schlesinger Philip Schlesinger Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 3, May/June 1983, Pages 55–73, https://doi.org/10.1093/screen/24.3.55 Published: 01 May 1983

  • Planning the Family: The Art of the Television Schedule

    Richard Paterson•CHAPTER•The Screen Education Reader•1993

    So far, most work about television has concentrated on the production of programmes, their analysis as 'texts' and their 'consumption' by audiences. Less attention has been paid to the circulation of programmes through the television schedule, the regulation of the schedule by legislative and policy concerns, and the way the schedule actually works on the audience. What I want to explore in this article is how what is produced, mapped over the in…

  • Bosnia by Television

    James Gow, Richard Paterson et al.•ARTICLE•Canadian Journal of Communication•1998

    Examines the different ways in which the Bosnian war was reported on television across the former Yugoslavia, Europe and the West. The essays consider the extent to which television news about Bosnia had an impact on government policy and public opinion. There is also an attempt to provide a deeper understanding of the general political and cultural dimensions of the television news genre

  • Freelance Workers and Contract Uncertainty: The effects of Contractual Changes in the Television Industry

    Open Access•Shirley Dex, J Willis et al.•ARTICLE•Work Employment and Society•2000•Cited by: 72•References: 3

    Changes in the competitive and regulative conditions of British television over the 1980s and 1990s make for an environment of increased uncertainty for those who work in television. Broadcasting legislation, increased competition and technological advances have changed the working practices of the UK's 28,000 production workforce. The introduction of a 25 per cent quota of independent productions on all terrestrial channels, the implementation o…

  • Work histories in television

    Open Access•Richard Paterson•ARTICLE•Media Culture & Society•2001•Cited by: 8•References: 5

    The labour market in Britain's television industry has been transformed in the last 20 years with the emergence of a large freelance workforce and proliferation of work on short-term contracts. This article uses data from the BFI `Television Industry Tracking Study', a major longitudinal study of creative workers in television carried out between 1994 and 1998. Case studies of individuals with contrasting work histories are used to compare variat…

  • Public Policy and Independent Television Production In the U.K.

    Gillian Doyle, Richard Paterson•ARTICLE•Journal of Media Business Studies•2008

    The structure and performance of the independent televisionproduction sector in the UK have been strongly affected by public policy interventions. Such interventions have introduced more competition andhave generally sought to strengthen the position of ‘indies’ by, forexample, raising levels of demand for their output amongst domesticvertically integrated broadcasters. However, the efficacy of such policies in terms of developing a thriving and …

  • Early independent production entrepreneurs in the UK television: Pioneering agents of neoliberal intervention

    Richard Paterson•ARTICLE•International Journal of…•2017

    This essay focuses on the operation of the UK independent television production sector in the context of the entrepreneurial aspirations of company owners in the 1990s. The calculative practices used running these small and medium sized companies are examined and the experiences in managing them are mapped as they negotiated an evolving fitness landscape. Analysis is provided of the strategies adopted including the need to develop reputation and …

  • Because Sometimes Your Failures Can Also Teach You Certain Skills’: Lecturer and Student Perceptions of Employability Skills at a Transnational University

    Open Access•Richard Paterson•ARTICLE•Qualitative Research in Education•2017

    This exploratory study investigates lecturers’ and students’ understanding of the concepts and language underpinning higher education strategies of developing employability skills. While a solid grounding in discipline-specific knowledge and skills is what most graduate degrees aim at providing, employability skills are increasingly becoming an important factor when evaluating prospective employees. Embedding the acquisition of employability skil…

  • Reproduced, reinterpreted, lost: Trajectories of scientific knowledge across contexts

    Julio Gimenez, Mark Baldwin et al.•ARTICLE•Text and Talk•2020

    This article reports on a research project that uses two innovative heuristics to examine the changes that texts – produced to disseminate new scientific knowledge – undergo when they travel across space and time. A critical analysis of such transformations would enhance our understanding of the processes involved in knowledge dissemination and inform the practice of communicating scientific knowledge to a variety of audiences. Based on our study…

  • Television Production in Transition: Independence, Scale, Sustainability and the Digital Challenge

    Open Access•Gillian Doyle, Richard Paterson et al.•BOOK•Television Production in Transition•2021

  • Obituary: ‘The role and importance of institutions’: Tony Smith

    Open Access•Richard Paterson•ARTICLE•Journal of British Cinema and…•2022

  • Doctoral writing through a trajectorial lens: An exploratory study on challenges, strategies and relationships

    Open Access•Julio Gimenez, Richard Paterson et al.•ARTICLE•Higher Education•2024

  • The BFI, Cultural Diversity and its Faltering Response to Social and Epistemic Injustice

    Open Access•Richard Paterson•ARTICLE•Journal of British Cinema and…•2025

    Over its history the BFI since its foundation in 1933 has regularly had to contend with changes in culture and in relation to issues of diversity, from the language used in cataloguing films in its archive to the funding of films which reflect Britain’s evolving population and demography. This article traces that history through the lens of institutional thinking and describes repeated initiatives to address perceived epistemic injustices in Brit…

Sociology (10 works) · Political science (8 works) · Business (6 works) · Cultural Industries and Urban Development (6 works) · Economics (6 works) · Social science (6 works) · Computer Science (5 works) · Law (5 works) · Advertising (4 works) · Engineering (4 works)

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