Juan Camilo González Galvis
Biographic Data
| ID | 387368 |
|---|---|
| NAME | Juan Camilo González Galvis |
| GIVEN NAMES | Juan Camilo González |
| FAMILY NAME | Galvis |
| SIGNATURE | GALVIS J C G |
| AFFILIATIONS | Field Museum of Natural History |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Crafting the voice of God
This paper addresses the enchainment of skills and interactions for the production of ceramic shell horns, and the meaning of these musical instruments whose sounds have shaped the ritual soundscapes of the central Andes since the boom in public architecture in the second millennium BC (early Formative Period c. 3800–3300 BP). Linguistic and ethnohistoric reviews shed light on performance practices and meanings at the time of conquest. Contextual…
La ilusión del hermano
The following article takes a close look at the significant approaches taken by which literature and anthropology towardmythology. It explores the nature of these disciplines’ multiple perspectives, as well as their shared interest in the topos of origin and identity. Convergences and divergences are analyzed in the light of their respective mythographies of the Yurupary myth
Crafting the voice of God
This paper addresses the enchainment of skills and interactions for the production of ceramic shell horns, and the meaning of these musical instruments whose sounds have shaped the ritual soundscapes of the central Andes since the boom in public architecture in the second millennium BC (early Formative Period c. 3800–3300 BP). Linguistic and ethnohistoric reviews shed light on performance practices and meanings at the time of conquest. Contextual…
La ilusión del hermano
The following article takes a close look at the significant approaches taken by which literature and anthropology towardmythology. It explores the nature of these disciplines’ multiple perspectives, as well as their shared interest in the topos of origin and identity. Convergences and divergences are analyzed in the light of their respective mythographies of the Yurupary myth
Crafting the voice of God
This paper addresses the enchainment of skills and interactions for the production of ceramic shell horns, and the meaning of these musical instruments whose sounds have shaped the ritual soundscapes of the central Andes since the boom in public architecture in the second millennium BC (early Formative Period c. 3800–3300 BP). Linguistic and ethnohistoric reviews shed light on performance practices and meanings at the time of conquest. Contextual…
Aesthetics (2 works) · Art (2 works) · Sociology (2 works) · Anthropology (1 work) · Archaeology (1 work) · Archaeology and ancient environmental studies (1 work) · Archaeology and Rock Art Studies (1 work) · Art history (1 work) · French horn (1 work) · Geography (1 work)